Wednesday, November 6, 2019

how was alessandro cortini, though?

he mostly did social network style stuff, which was predictable, but maybe not what i was expecting. he was on late and finished late. and, then, i was essentially stuck there listening to dubstep (which i can't stand) until the buses started running again.

when the works shut down, it seems to have opened up a void that is still kind of settling. but, it freed the scene up and gave rise to marble, which is a bar that has both a crowd and a stylistic focus that i greatly prefer over the works. like most of detroit, i actually hated the works - i hated the atmosphere, i hated the djs and i hated the scene. it was a gross, disgusting place full of gross, disgusting people - and very, very bad music. but, on some nights, it was the only party in town, and people seemed to not want to put on other parties because everybody was going there, anyways.

i've noticed recently that the dubstep kids are migrating to marble, and i'm hoping they don't settle in there. marble was great precisely because it wasn't full of the old works crowd of dubstep people. it was an older and less shallow audience, over all. it might be too late, though, and if they settle in, and the management embraces them, i might find myself needing to look somewhere else. for now, i've got plaid coming up at the start of the month and we'll see what happens next year...

personally, i think that the leland club is a better spot for the dubstep kids. those goth nights are always dead, and they've been upstaged by small's, anyways. they could save their bar by becoming the new works, and that would be fine with me, if it means protecting marble from the wubbz invasion, and everything that means. 

however the dust settles, i'm just hoping there's a consistent way to avoid dubstep on a weekly basis. for a while, there wasn't, and i ended up hanging out in a place that i didn't actually really want to be in - and, as it turns out, didn't really want me there, either.