you want to know why we can't have another cold war? because i can't find any decent recordings of rachmaninov. no, i don't want to listen to some asian child prodigy that can hit the notes but has no emotional investment because she lacks the maturity. i don't want to compete over who can do it better, either.
the best version i've heard of the second piano concerto (by far) is by the soviet orchestra, which i found as an import from france (you can keep your freedom fries) in a second hand store several years ago. it's nowhere to be found online. and, it's not hard to guess why. instead, we have versions by west germans, koreans, jews from chicago...WESTERN VERSIONS....
none of them compare to the soviet version.
what is important in life is not which set of bankers controls which oil rig. what is important is the ability to listen to high quality renditions of universally recognized russian classics. likewise, russians have an inalienable right to access american renditions of american jazz.
we have bitches brew, too. dmitri play trumpet through superior delay system. better quality big muff for vladimir's guitar.
it's not the same, dammit.
we need to put this into perspective before we revert back to that fucking bullshit all over again.
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i agree with those arguing that she's butchering this. i've always interacted with the piece as a blaring romp, written by an emotionally insecure male that is releasing all of his anger and frustration. she's playing it in a soft and sensuous manner that invites a sultry lounge singer.
the notes are flawless, but there's just no rage or sadness or frustration in it.
i mean, maybe she's trying to sex it up. fine.
...but this really needs to be played by 40 year old virgins (ok, i'm exaggerating) to get the maximum feel out of it.
tl
+deathtokoalas your understanding of the composer's work is clearly limited if you think anything he wrote is devoid of lust or passion. also, wang's artistic conviction and integrity are what make her performance so remarkable. interpreting a piece in a way that deviates from the norm (or, in this case, your personal preference) is not indicative of poor musicianship.
jessica
+tl did i not point out that she played the piece flawlessly? but if you understand where the piece is coming from, and all the self-doubt and insecurity attached to it, you'll realize she's completely missing the point.
i mean, if i want to listen to shmaltzy, upper class nonsense i'll go listen to mozart or shostakovich or something. what makes rachmaninov special is the social anxiety in the writing. you take that away, and it's just another delve into aristocratic masturbation. there's plenty of that for those that want it, without needing to ruin that which stands away from it.
i kind of held back a little bit initially, but does she look to you like somebody that has ever experienced the kind of shit rachmaninov went through? young, beautiful, rich. she'd need a brain transplant to get her mind around this. it would be remarkable if she did understand this emotionally, that is as something more than notes on a page - which she does clearly understand quite well.
vj
eugh...welcome to music, blessed art it is, where each comes with their own interpretation.
jessica
+vj this is scored music, not jazz. personal contributions should be kept to an absolute minimum. the performer is a worthless intermediary between my ears and the composer's mind - a necessary evil. i don't care what she thinks.
vj
Scored music is still subject to interpretation (not talking about improvisation). Any two people will feel to play the same piece differently
jessica
+vj completely wrong liberal bullshit. if i want to listen to yuja wang, i'll listen to one of her compositions. i'm here to listen to rachmaninov. the moment she brings her individuality into the process is the moment she completely fucks up. you need to get your head out of this relativistic gallow before it comes down. there are correct and incorrect ways to play a piece.
i don't want to continue this into perpetuity, so i'm just going to be clear about the non-relativistic reality of things before i close off further comments.
there are two ways to perform a scored piece of music:
1) the way it was written
2) incorrectly
this slutty performance is not capturing the piece the way it was written. it's a "modern interpretation" that replaces the tortured soul of the piece with vapid and gratuitous sexuality. therefore, it's wrong. there's no further worthwhile debate on the point, unless you want to resort to the idiocy of "it's just your opinion".
it's not. and that decadent attitude is destroying our culture and our civilization.
out.
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this is worse, he sounds bored through half of it. yeesh...
i have a version by the soviet symphony orchestra that owns everything i've seen online so far, but my discs are packed. i can't even find info online. fucking cold war, getting in the way of what really matters...
Concertos n°2 and n°3 (USSR Symphony Orchestra, feat. conductor: Gennady Provatorov, piano: Victor Eresko).
find that one if you want to hear somebody just bash this out.
xs
+deathtokoalas Or simply enjoy one of the best versions ever, by Earl Wild... but then again, we all like things differently.
jessica
+xs earl wild does not sound like a very russian name.
perhaps, you'd like to suggest a wonderful slavic folk version of 'the entertainer' while you're at it? grigorii does gershwin? on balalaika?
fucking hipsters.
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no grit. and, look at 3:23: he's catching his breath? maybe his suit is too tight, and it's restricting his breathing. then he prances through the rest of it like it's some kind of gentle ballet...
this should be beaten down with every ounce of emotional and physical force that can be gathered, as though the police have shown up to steal your last ounce of vodka at 4:53 am and there's nothing you can do about it....
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this is better, it seems to get the point better, but the playing is a little blurry (it sounds like he's using the sustain pedal to blur some of the notes he can't hit in the same way that electric guitarists use a distortion pedal), and the mix is pretty piano-heavy.
busted? lol...
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ok, this sounds like a solid version. it's likely not coincidental that it's russian, but it does look like the whole concerto is up here.
so i was able to find a proper russian version on youtube, after all.
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the orchestra sounds good, but she's just not hitting the piano hard enough.
eg
Does she need to pound the keys to mke the music? Maybe for you to hear the music.
jessica
+eg. this particular piece needs to be pounded, yes. bourgeois westerners that want to focus on masturbatory techniques have consistently failed to understand that for close to a hundred years. the russians grasp it properly...
go find a russian recording to hear it bashed out the way it's supposed to be, then come back.
russian name
+deathtokoalas amazing comeback statement-- kudos
vh
I hear nothing wrong with it. The notes are clear enough, and she plays with finesse - which is very hard to do on this piece, esp. the last movement.
jessica
+vh see, that's the problem - the finesse. this isn't a technical, subtle piece. it's a banger, meant to be played with all the bourgeois sophistication of "tutti frutti".
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actually, rachmaninov and angst go well together. under 15, and it's just notes on a screen. but a little older than that is probably the ideal age to get this right.
she's hitting the keys with sufficient force. that's the big thing. and it's a russian thing, consistently. her western counterparts want to over-intellectualize and turn it into some dainty prance, rather than the noisy protopunk classic that it is.
i'm mildly relieved. i suppose that if we end up on the other side of some curtain, we can still rely on the former soviet states (and satellites) to play the russian classics for us properly, without having to endure westerners butchering them.