in theory, if your computer is fast enough and smart enough, you should be able to feed it a virus and blood sample and have it print you a dose of antibodies. that would eliminate the concept of viruses.

but, do you see any quantum computers around?

i don't.

so, we're going to have old people dying of viruses, still, for many decades to come.

if you think that the elderly will ever be able to live "normal lives" free from the fear of viruses, then you're living in a fantasy reality and need to wake up.

that wasn't true before, and it's never going to be true in the future - not until we can develop personalized medicine kits built into 3d-printing devices, driven by quantum computers.

and, that's a long ways away.

ok, so it's like the flu - you'll need to get vaccinated on a yearly basis, if that's how you want to do this. this is not surprising. or you could just stop worrying about a mild virus and move on...

can we stop being retarded about this and open the borders and the bars, already, then?

https://globalnews.ca/news/7940281/foothills-covid-19-delta-cases-fully-vaccinated/

so, are they going to examine the bones of those 215 kids from the residential school to determine a cause of death?

so, let me finish these narratives from two weeks ago and post them where they should be, so i can shut this down and reboot the machine.

......and, i would encourage advertisers in the province to ignore the government's fascist tactics, which break the spirit of the law if not the rule of it, and go ahead and advertise in the banned period, anyways.

if they want to do draconian things like this, we have an obligation to defy them as best we can.

i haven't looked at the decision or the bill closely, but if the judge decided that the bill was a restriction on speech rights, the judge was probably right - and the bill should probably be struck down.

free speech is paramount in a free society, and restrictions on speech rights should be minimal to non-existent. that's why we have a constitution - that's what it's for. and, it seems to me like, in striking the law down, the system is probably working properly.

it should really be a cause for celebration, that the judiciary was able to successfully overturn an unconstitutional bill - that's a victory for the rule of law.

the legislature should respect that and learn from it in refraining from writing further laws that attempt to restrict speech, not try to strongarm a response through.

i'm not actually opposed to citizens united, and i would call on the government of ontario to respect the constitution and not use the notwithstanding clause to overrule what is really a triviality in a functioning democracy.

the reason that the fake left hates citizen united is that they've gutted education to the point that people are unable to articulate anything that wasn't placed in their heads by media. while they have a point in arguing for the dominating influence of media in elections (see manufacturing consent), their solution (to restrict speech they don't like, because it might influence people in ways they don't like) is horrible and wrong-headed. so, i have a libertarian-left position on this, which is consistent with my broad political philosophy. i don't self-identify as a "progressive", and i never have.

this idea that ford cares about restricting media in the election is a farce - he's trying to do away with the constitution, and he's done a number of things (including his restrictions on travel across provincial boundaries) that seem to be designed with the intent to attack constitutional norms. he seems to be aligned with the federal government on this, and it doesn't seem to be particularly random.

in the end, if our leaders don't want to follow the rule of law, then they lose the legitimacy to govern, and it's time to replace them. 

i got my bone-related blood lab in the mail (still no check, though. hrmmn.) so i'm going to stop to clean today.

i'm very, very close to getting back to it, and when i do i'll start with uploading versions of inri076 and inri080. the projects in front of me are now going to be inri075, inri077 and inri078, and that will get me to the inri records compilations, which is the next pause.

while i suppose that another catastrophe may be in front of me still, it seems like i'm back to work. imminently.

as mentioned several times now, it's going to work like this:

- music over weekends

- alter-realities (starting in 1989 and hopefully stabilizing shortly. i didn't really start listening to much rock music until about 92 or 93, so i still have time) on fridays

- music journal catchups in the week (i have to do the diet thing, first)

these are important policy questions to discuss, as we awaken from the delusions of infinite growth.

how many people can canada actually support in a way that most people are comfortable? how much housing can we build? what are the limits around us?

these aren't empty questions, and they have derivable answers - we just need to build the models to understand it. and, we may have forgotten that this is the kind of thing government is supposed to do, rather than just act as a layer between taxation and corporate welfare.

so, maybe the colonial period in canada needs to be drawing to a close, then.

maybe that's a mental adjustment that people need to make - do you think that canada will continue to take in millions of people forever? let's start by realizing that that is unsustainable - that eventually canada will need to reduce immigration.

if we're having a housing crisis, and don't see an obvious way out of it, maybe it's time we stopped flying people in.

https://www.ctvnews.ca/canada/millions-of-people-will-move-to-canada-in-the-next-20-years-but-where-will-they-live-1.5464205

patchouli is pretty gross - and that's an objectively true, factual statement.

i'm sorry, but if you disagree then you're just wrong.

no, what i want to do is articulate myself as clearly as i can.

the palestinian-israeli conflict (which is not an arab-jewish conflict because the palestinians are not arabs, they're hebrews that converted to islam) is essentially rooted in a dumb argument over which religion gets to dominate the region. yes, there are complicated geopolitical realities at play, but i don't care about that in trying to understand the moral basis of the conflict, itself - which is utterly, amazingly, bafflingly stupid to it's core.

now, you can try to layer in concerns regarding ethnicity or other types of identity, but if you expect me to concede some kind of point by arguing that it's about race instead of religion (as though race is any less stupid or any fundamentally different a concept than religion), you're entirely misunderstanding the position i'm taking on the issue. ethnicity, race and religion are not exactly the same thing, but they're basically the same thing, and i'm not going to react to a stupid, tribalistic conflict about race any differently than i'm going to react to a stupid, tribalistic conflict about religion.

but, i need to reiterate the point - the fundamental point of conflict here is and always has been the religion. the racial issues are secondary, and hard to really define; i'm not going to completely discount the idea that race forms a component of the conflict, but if you're going to look me in the eye and say "this is about race, not religion", i'm going to tell you that you're both incorrect and ignorant - because palestinians and jews are both hebrews, to start with.

so, it's two clans of hebrews killing each other based on their religious beliefs. you might not realize that, and you might not see it that way, but it's because you don't understand it correctly, not because it's wrong.

both sides of the conflict are driven by far right, quasi-fascist paramilitary organizations. this is far more of a caricature of the israeli side than it is of the palestinian side, but it's true on both sides nonetheless.

they both want to wipe the other side out - neither wants co-existence or peace.

and, while it is true that the israelis generally kill more palestinians when it gets going, and i've consistently called for restraint (along with many others), the only fundamental reason that more palestinians die is that the israelis have better technology. if the situation were flipped over in terms of technology, we'd be talking about pogroms and invoking the holocaust. there's no fundamental moral dilemma here - there's just one horrible group with more power than the other horrible group, and that is utilizing that power because it can (and who's to say they shouldn't? if you have power, you should use it - which is why it's important to stop people and systems and organizations from gaining power.).

so, there isn't anybody to support - there's nobody to stand in solidarity with, there's no moral issue to uphold. it's just one group of savages fighting against another. and, i mean you can point to this abuse on that side, or that abuse on the other, but you're missing the forest for the trees - if you want to take anything approaching a moral position for the purposes of it being a moral position, you couldn't possibly support either of these parties, you'd have to look towards some other party as a mediator, to come in and keep them away from each other and offer suggestions to both sides, which is why i keep pointing to the secularists and the apostates.

but, something that's popping up recently is the idea of muslim-washing. i don't mean telling smelly arabs to take a fucking bath, i mean using supposed rights abuses (often dubiously or without context) against muslims to justify things like leaving parties that support shutting down oil pipelines that generate jobs in the region you represent. and, i'm far more concerned about this than i am about this stupid conflict over stupid things that will never end until the place gets fucking nuked.

it seems like ms. atwin has sold out.

i was very critical of ms. paul's policy platform, and her desire to make the party more focused on identity politics. and, here we are - the party is mired in an empty conflict about tribal identity politics, and it could tear it to the ground.

but, let me make a point clear.

i support ms paul in her solidarity with the government of michigan in it's goal to completely shut the line 5 enbridge pipeline down, and that is of actual meaning and concern to me in infinitely greater capacity than a stupid ethnic/religious conflict in a faraway land that i essentially don't care about at all.

and, i would staunchly question the environmental credentials of anybody that would choose to join the liberal party, in the wake of it's legal actions to try to keep line 5 running.

i stand with the apostates. as i always have.

they should bulldoze the al-aqsa mosque and turn it into a shopping mall. 

what i would like to see is a secular driven political movement in the region with equal rights for all.

you will see no solidarity for islamists, or for religious zionists, from me.

see, this is exactly the kind of stupid bickering over irrelevant nonsense that i didn't want to see in a climate policy driven party.

climate change is a vote driver in canadian politics.

but, i ultimately don't care very much about the conflict in the levant (in a conflict between one type of right-wing extremism and another, and that has no relevance to my life whatsoever, i'll sit it out - but that could change if one of the parties adopts more appropriate political positions), and don't think it's worth destroying the party over - but, here we are.

the so-called "left" will never get anywhere, and i'd advise young people against wasting their time with it. we have an existential climate crisis on our hands, and they'd rather bicker about religion and ethnic nationalism.

https://www.ctvnews.ca/politics/green-party-rift-over-israeli-palestinian-conflict-grows-as-mps-break-from-leader-1.5451232

so, with every new social media platform, we get closer and closer to it turning into a bizarre death cult, apparently.

and, they said it was going to separate us from our humanity. pfft.

but, what are the chances that it's some kind of cia psy-op designed to weed out the weak via a set of socially darwinian population control tactics? i'd say pretty high, really.

so, drink your koolad, kids.

or, kill yourself off with a social media challenge.

whatever. less mouths to feed...

if mr. trudeau wants to die on this hill, then great - good riddance.

and to open the U.S. border unilaterally if Canada refuses to participate.

good. that's what small-l liberals in canada hope to see from our friends in the united states - if they're going to drag their feet with illegal, unscientific charades designed to whip up anti-americanism to win votes, just tell the idiots in ottawa to fuck off, and open the border without them. small-l liberal forces on the ground can then agitate further from there, by creating incidents at the border and sending it through the court system, which will force them to follow the damned laws.

https://www.cbc.ca/news/world/us-congress-border-bill-1.6059041

sleeping may be undesirable, but it's also unavoidable at times.

let's try to make it a long day, today.

i seem to have found some old noise programming from 2004 that i never used and forgot about. hrmmn.

ok, so i've got this all copied to my main drive, now. now, i need to organize it, condense it and copy it back to several other places.

today's post is the first blu ray flac disc, which has the first 69 releases on it.

===========

purchasing this release does not come with a download. 

if you purchase all 6 of the above physical flac dvd disc box sets, i will replace the 6 dvds with one bd on request. note that inri069 will no longer be in the package in flac, but i can send you a personalized google drive share to compensate. 

inri000: originally released dec 25, 1996. remastered oct 30, 2013. finalized june 26, 2016. 

inri001: originally released jun 1, 1997. remastered nov 8, 2013. finalized july 3, 2016. 

inri002: originally written and recorded over 1996-1997. sequenced and mildly modified in dec, 2013. released dec 11, 2013. finalized on july 3, 2016. lp000. 

inri003: created in mid 1997. sequenced and converted to stereo in november, 2013. released on nov 9, 2013. corrected in september, 2014. finalized on july 5, 2016. 

inri004: originally written in 1997 and first created in 1998. a failed rescue was attempted in 2013. finally reconstructed in the summer of 2015 and extrapolated upon over the first half of 2016. released on july 4, 2016. finalized on july 5, 2016. 

inri005: initially written in 1997. recreated in jan, 1998. a failed rescue was attempted in 2013. reclaimed july 1, 2015. deconstructed dec 18, 2015. released on jan 4, 2016. finalized on july 6, 2016. lead track added and refinalized july 20, 2016. 

inri006: originally created in 1998. a failed rescue was attempted in 2013. reconstructed in the summer of 2015 and then manipulated further in the summer of 2016. released & finalized on july 7, 2016. hidden track added and re-finalized on july 18, 2016. 

inri007: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. electronics added on july 16, 2015. released on jan 4, 2016. sequenced on jan 6-8, 2016. finalized on july 10, 2016. hidden track added and refinalized on july 21, 2016. 

inri008: initially written in 1996. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. remixed july 15, 2015. released on jan 4, 2016. finalized on july 11, 2016. bonus tracks added and re-finalized on july 18, 2016. 

inri009: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed & remixed on july 18, 2015. released jan 7, 2016. sequenced jan 6-8, 2016. finalized on july 20, 2016. 

inri010: initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015. sequenced, released and finalized on july 22, 2016. 

inri011: originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. finalized on july 23, 2016. 

inri012: initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016. 

inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001. 

inri014: initially written in 1996. recreated mostly in feb, 1998 (schizoid, terrorists) but also partly in june, 1998 (abusive). sequenced in this form in june, 1998. a failed rescue was attempted in 2013. "terrorists" was reclaimed june 28-29, 2015 & remixed july 15, 2015. the main mix was corrected on nov 19, 2015. "schizoid" was reclaimed on july 12, 2015 & reprogrammed on dec 31, 2015. the main mix was corrected on jan 3, 2016 and remixed repeatedly jan 3-5, 2016. the lead track was sequenced on jan 5, 2016 and split back apart on jan 8, 2016. released on jan 5, 2016. audio permanently closed on aug 1, 2016. release finalized on oct 9, 2016. 

inri015: written and demoed in multiple stages from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. reconstructed and resequenced jan 6-10, 2016 from parts that were rebuilt over 2013-2016. re-released jan 10, 2016. audio permanently closed on aug 10, 2016. finalized on oct 10, 2016. lp001. 

inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016. 

inri017: initially written over the course of 1997. recreated and expanded over the course of 1998. lead track first sequenced in this form in feb, 1999. further remixes generated over the course of 1999. a failed rescue was attempted in 2013, and another in late 2015. remastered in november, 2016 from various sources, 1997-2015. finalized & released on nov 17, 2016. 

inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled & released on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016. 

inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. released on nov 24, 2016. release finalized on nov 27, 2016. symph002.. 

inri020: initially written in 1993. first full recording in 1996. recreated in dec, 1997 and again in jan, 1999. a failed rescue was attempted in 2013. reclaimed on july 2, 2015. remixed on july 15, 2015. reconceptualized & remixed repeatedly over november & december, 2016. released & finalized on dec 13, 2016. 

inri021: written and demoed in multiple stages from 1993-1999. initially constructed in this form in feb, 1999. a failed rescue was attempted in 2013. reconstructed and resequenced over november and december, 2016 from parts that were rebuilt over 2013-2016. finalized & re-released on dec 15, 2016. lp002. 

inri022: recorded over 1998. compiled and remastered in late 2013. released dec 27, 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized and re-released on december 16, 2016. 

inri023: constructed over 1998. compiled and remastered in late 2013. released dec 27, 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. re-released & finalized as lp003 on dec 17, 2016. 

inri024: initially written and recorded between 1996-1999 and remixed over the summer of 2015, with a lengthy pause due to malfunctioning electronics. final compilation date is jan 3, 2016. finalized dec 17, 2016. lp004. 

inri025: this idea was developed in parallel to the inriclaimed project over the summer of 2015 and first compiled on nov 27, 2016. released & finalized on dec 17, 2016. lp005. 

inri026: initially written in the fall of 1997. recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. released & finalized on sept 10, 2017. 

inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017. 

inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017. 

inri029: recorded over 1997-1999. constructed in this form in june, 1999. published on november 30, 2013. re-released (with new hidden track) and finalized as symph003 on sept 13, 2017. 

inri030: initially created in sept, 1997. remixed and reimagined repeatedly over 1998 and 1999. a failed rescue was attempted in 2013. partially reclaimed dec 8, 2014. rebuilt and resequenced on jan 9, 2016 out of material that had been remastered over 2013-2016. reimagined again on oct 26, 2016 out of material that was created in jan, 2016, but not released (and finalized) until sept 13, 2017, in order to properly fit into sequence. 

inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep on january 3rd, 2014. spliced further, appended to and remastered over sept, 2017. re-released and finalized on sept 28, 2017. 

inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. released on jan 3, 2014. finalized as lp006 on sept 21, 2017. as always, please use headphones - but note that they are especially mandatory for this recording. 

inri033: written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. re-released jan 3, 2014. finalized as lp007 on sept 19, 2017. this is my third official record. 

inri034: written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep on january 3, 2014. remastered, finalized & re-released on sept 28, 2017 

inri035: initially written and recorded between 1996-1999 and remixed between 2013-2015. initially released as part zero of a three volume set on may 21, 2015. split into it's own release on june 14, 2015. finalized as lp008 on sept 29, 2017. 

inri036: written and recorded in late 1999 and early 2000. these versions of these tracks were sequenced without further modification in jan, 2014. released on jan 9, 2014. re-released on physical media and finalized on oct 3, 2017, with the remainder of hummer added as a bonus track. 

inri037: recorded in spring, 2000. released, unmodified, on jan 10, 2014. release finalized on oct 3, 2017. 

inri038: written and recorded, 1999-2001. track 3 was reconstructed out of existing sound in june, 2004. initially sequenced on jan 12, 2014. expanded with remixes from 2014-2017, re-released with a newly remastered lead version and subsequently finalized on oct 5, 2017. 

inri039: this was constructed over a little more than a month: from 7/7-8/20, 2000. it seems to have been recombined into one track around 2006 but has otherwise not been modified since it was completed. first released as an ep on jan 14, 2014. release finalized as symph004 on oct 8, 2017 

inri040: recorded in april, 2000. samples added in oct, 2000. album version reverted to original mix in sept, 2006. released as a single on jan 14, 2014. expanded & finalized on oct 9, 2016. 

inri041: recorded over the space of the year 2000. remixed substantially in 2004, 2006 and 2014. existing version released on jan 14, 2014. finalized as lp009 on oct 9, 2017. this is my fourth official record. 

inri042: this record was recorded over the years 1999 and 2000, but did not take this form until mid september, 2017. the first track list dates to sept 14, 2017. these tracks are technically outtakes, but did not become outtakes until the remastering process removed them from their respective recordings. released & finalized as lp010 on oct 9, 2017. 

inri043: written late 2000 & early 2001. the renders present here are all from after 2013. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may, 2014. released in a single volume on june 7, 2014. four new orchestral mixes were added in late may, 2015. re-released in a single volume on may 26, 2017. this release was split into jazz and orchestral volumes in early oct, 2017. two renders were then added to the jazz volume, while three new mixes were created for the orchestral volume. re-released in two volumes and finalized on oct 12, 2017. a 

inri044: written early 2001. drastically rearranged in june, 2014. rendered, arranged and performed over june and july, 2014. released on july 21, 2014. six new mixes were added in late may, 2015. re-released on may 28, 2015. four new mixes were added in mid october, 2017. re-released & put on indefinite hold as to status on oct 15, 2017. 

inri045: recorded in the first part of 2001. initially released as a bandcamp upload in august, 2010. re-released on january 18, 2014. finalized on oct 14, 2017. 

inri046: written in the spring of 2001. lent out for a different project in jan, 2004. reconstructed in the first quarter of 2006, especially over march. released as a one track single on april 1, 2006. expanded with alternate mixes and re-released on july 23, 2014. the vst mix was added on jan 10, 2015 and the two guitar mixes were added on may 29, 2015. re-released on may 29, 2015. finalized as symph005 on oct 15, 2017. 

inri047: written one day in june, 1998. re-created on another day in june, 1999. reimagined on yet another day in june, 2001. a failed remaster occurred at the end of 2013. slightly rearranged and re-rendered at the end of july, 2014. released in a single volume on july 25, 2014. re-released in a single volume with a new string orchestra mix on may 30, 2015. this release was split into two cds on oct 15, 2017, with the first disc being composed solely of the process piece. four new tracks were added to the second disc. re-released in two volumes and finalized on oct 16, 2017. 

inri048: written in the summer of 2001. remembered over july, 2014. completed august-september, 2014. released sept 24, 2014. expanded, finalized and re-released on oct 16, 2017 

inri049: written and recorded in the fall of 2001. released on sept 6, 2014. expanded, re-released and finalized on oct 21, 2017. 

inri050: written in the fall of 2001. rendered, remastered and remixed in late september and early october, 2014. released oct 3, 2014. the string mix was corrected for clicks on june 1, 2015, but unfortunately left accidentally inverted. this was corrected on oct 21, 2017. the lead track was re-rendered with the clickless string mix on oct 21, 2017. disc finalized on oct 21, 2017. 

inri051: created in the fall of 2001. sequenced and released on sept 7, 2014. disc finalized on oct 22, 2017. 

inri052: tracks 1, 3 and 8 were written in 2001 and reinterpreted and completed in 2014. tracks 2 and 5 were interpreted and completed in 2001. track 4 was written in 2000 and reinterpreted and recorded in 2001. track 6 was written in 2001 and completed in 2006. track 7 was written in 1998, reinterpreted in 2001 and rendered in 2014. tracks 1-7 were sequenced on sept 9, 2014. final completion date is oct 3, 2014. refinalized as lp011 on oct 22, 2017. this is my fifth official record. 

inri053: written late 2001 and early 2002. this file is ripped from a cd-r that was burnt around 2002, as that was the option that would produce the most accurate reproduction of the original composition. published without modification on oct 6, 2014. expanded, re-released and finalized as symph006 and lp012 on oct 23, 2017. 

inri054: recorded in late 2001 and early 2002. track 6 was constructed in may, 2004 out of files recorded 1999-2001. tracks 1-4 were reconstructed over october, 2014. final mixes were finished on october 18, 2014. released on oct 21, 2014. disc closed on oct 30, 2017. 

inri055: written in early 2002 and recorded and mixed in early 2002 and late 2014. released on nov 15, 2014. expanded, re-released & finalized on nov 1, 2017. 

inri056: written & recorded in late 2001 and early 2002 and mixed in early 2002 and late 2014. released on nov 19, 2014. expanded, re-released and finalized on nov 2, 2017. 

inri057: written and recorded in late 2001 and early 2002. initially sequenced in may, 2002. re-sequenced and first released in june, 2002. re-released in slightly different forms from 2002-2014. resequenced to mimic the original sequencing and re-released on november 8, 2014. except to sequence the record, these files have not been altered since 2002. disc finalized as lp013 on nov 3, 2017. 

inri058: written over 2001 and 2002 and rethought repeatedly between 2002-2014, with no clear resolution in a final mix. reconstructed from source in late 2014 and then rendered at multiple stages to create a series of snapshots. final mixes were completed over the last week of november and the first week of december. released as a two-volume set on dec 7, 2014. the concept was rethought on nov 3, 2017, which led to the inclusion of five more mixes and an expansion to four cds. re-released in four volumes & finalized as symph007 on nov 12, 2017. the raw guitar mix was corrected on jan 6, 2018. 

inri059: written and recorded over 2001 and 2002. mildly remixed in november, 2014 to make the tracks more presentable; nothing substantial was altered, and no new sound was recorded. released on november 19, 2014. re-released on physical media and finalized on nov 14, 2017. 

inri060: written in august, 2002. track one was remixed in december, 2014 to turn the rest of the track up relative to the vocals. released on dec 12, 2014. disc finalized on nov 14, 2017. 

inri061: written over the summer of 2002 and initially recorded in the early fall of 2002. additional writing, arranging, recording, production and mixing occurred from dec, 2014 to apr, 2015. released as a two volume set on april 27, 2015. this release was expanded to include a third disc on nov 17, 2017 and filled in with eight new remixes over the next few days. re-released as a slightly rearranged three volume set and finalized on nov 19, 2017. 

inri062: this track was written in late 2002 and completed over april and may, 2015. released may 11, 2015. disc finalized on nov 20, 2017. 

inri063: these tracks are all based on existing demos from 2001-2002 that were initially intended to be completed with vocal parts and were remixed from july, 2014 to may, 2015 as purely instrumental recordings. released may 2, 2015. disc finalized as lp014 on nov 21, 2017. this is my sixth official record. 

inri064: these tracks were written and recorded over november and december of 2002 and uploaded, unmodified, in may of 2015. released on may 2, 2015. re-released on physical media and finalized on nov 24, 2017. 

inri065: written and recorded in early 2003. transcribed, slightly rearranged, remixed repeatedly and re-rendered repeatedly over may, 2015. released on may 16, 2015. expanded & finalized on nov 25, 2017. 

inri066: originally written, programmed and recorded from 1996-2002. reclaimed & remixed from june to december of 2015. initial completion date was december 31, 2015. disc finally released, closed and finalized on nov 26, 2017. lp015. 

inri067: written and recorded between dec, 1999 and july, 2002, except the hidden track (which was created in the summer of 1998). none of these tracks were remastered or otherwise modified after 2002. disc simultaneously created and finalized as lp016 on nov 26, 2017. 

inri068: originally written, programmed and recorded in varying states of finality over 2001 and 2002, except the hidden track (which was programmed in 1997). the associated tracks were completed between february, 2014 and may, 2015; these mixes, however, were spun off as late as nov, 2017. released as lp017 on nov 27, 2017. expanded and finalized on jan 1, 2018. 

originally created from 1996-2003. this compilation is dated to apr 25, 2003. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on nov 27, 2017. as always, please use headphones. 

released april 25, 2003 

j - guitars (electric, acoustic, classical), analog & digital effects processing, electric mandolin, ebow, electric bass guitar, bass synth, keyboards, synthesizers, electric & grand pianos, electric air reed organ, flute, orchestral & other sequencing, drum & other programming, drum kit, electronic drum kit, percussion, drum & vocal manipulations, pick scrapes, metronomes, vocals, vocal relics, mic noises, vocoders, octavers, films, tapes, sampling, found sounds, paper, strategies, sampling, cool edit wave synthesis, windows 95 sound recorder, noise generators, noise reduction, light-wave synthesis, granular synthesis, generative synthesis, generative percussion, soundraider, hammerhead, sound design, soundscaping, digital wave editing, loops, treaments, equalizers, a broken tape deck, coughs, bowls, claps, tables, pens, chance, text-to-speech synthesis, remixes, reconstructions, reinterpretations, production. 

sean - vocals, lyrics (inri048-049, inri053-inri059, inri061), harmonica (inri054, inri057, inri063), ring modulator (inri057-inri058, inri067), vocal concept (inri062) 

jon - guitar performance (inri048, inri049, inri057) 

greg - drum performance sample source (inri056-inri058, inri063, inri067-inri068) 

bob - hammering (inri058) 

the various rendered electronic orchestras include acoustic bass, electric bass guitar (fingered & picked), synth bass, upright bass, distorted electric guitar, clean electric guitar, bowed electric guitar, guitar noises (fret noises, knocks, pick scrapes), steel string acoustic guitar, nylon guitar, guitar effects, ukelele, banjo, harp, koto, sitar, french horn, english horn, tuba, trumpet, trombone, brass ensemble, saxophone, soprano saxophone, orchestra hit, theremin, violin, viola, cello, contrabass, pizzicato strings, full string section, piano, synthesizers, synth pad, synthesizer effects, mellotron, organ, bamboo flute, clarinet, flute, piccolo, oboe, english horn, bassoon, voice, music box, tubular bells, tinkle bells, agogo, clavinet, kalimba, xylophone, celesta, glockenspiel, woodblock, vibraphone, hammered percussion, mallet, marimba, taiko drums, gong, detuned piano, pc card, drum kit, jazz drum kit, hand drums, melodic toms, timpani, orchestral drum kit, drum machines, synthetic percussion, backwards cymbals and electronic drum kit. they also include choir.

https://jasonparent.bandcamp.com/album/flac-bd-disc-volume-1