you don't exactly want to put an autistic child in jail.

as an anarchist, this is a question i've grappled a lot with: what about crazy people? there is no 'after the revolution', but suppose there's some success in building an egalitarian society that abolishes concepts of hierarchy, and that it fixes the distribution issue in society so that want is largely abolished, as well. being an anarchist means that you think that this reorganization of society would eliminate virtually all crime, as crime is largely a consequence of under-resourced agents making rational decisions in the unfair economic system that exists, or of power imbalances in the unwritten system of social hierarchy that governs our daily behaviours. the only crime that could exist in an anarchist society would be that carried out by the mentally ill, running the full range of development disorders (like autism or fetal alcohol syndrome) to personality disorders (like narcissism). and, the importance of this needs to be stressed, because a legal system in an anarchist or socialist society would focus solely on the question of mental illness, for two reasons: (1) it would be atheistic and pro-science and (2) there would be no reason to focus on economic issues that no longer exist. this would be the remaining explanation; trials would therefore become medical tribunals, with doctors determining the cause of the behaviour, and prescribing a cause of action - which may range from medication to, in some cases, incarceration.

but anarchists want to get rid of jails. absolutely. i don't want jails. but i don't think we can avoid institutions. because, when we've come to the point where everything else is ideal, this will still exist. people will still be born with disorders, and they will still try and harm people. we will still need to deal with this.

but, an institution is not a jail, or at least it's not supposed to be. maybe, the last bunch of institutions that we built turned into jails. but, this is inevitable under capitalism. and, perhaps, so long as we have a capitalist system, the idea of institutions should be approached exceedingly cautiously.

but, this kid ought to be in a medicalized environment. he's probably never going to get much better. and, he's a danger to everybody in the mean time.

https://www.ctvnews.ca/politics/mom-who-quit-job-to-care-for-son-with-autism-questions-trudeau-about-national-crisis-1.3752767

jagmeet singh must cut his beard.

if german becomes a dead language, for example, we're going to lose incredible amounts of our scientific and broadly intellectual history, reliant on summaries in english and translations into russian. that is inevitable, though. we will forget this. we eventually won't be able to read it.

your precious hegel will eventually be illegible to even the most sophisticated idle bourgeoisie in berlin. perhaps this is when history implodes upon itself - it just swallows itself whole, and disappears into a wormhole, yelling taunts at humanity as it flees.

it reminds me a little of my argument that all history becomes poetry in the end, and that this relationship is determined by the co-efficient of poeticity, which is naturally pi. i'm not sure i've explored this here. that is for another time.

jagmeet singh must cut his beard.

is human progress, civilization, inherently forgetful?

well, certainly a lot of humans are inherently forgetful. we forget to do things, and forget lessons taught to us, all of the time. maybe the idea that i'm really expressing is that many of us are stupid, but the way this manifests itself is largely as forgetfulness.

now, the individualist will point out that while many, perhaps most, people are forgetful, there are some people that are not and these people will carry on the thrust of human progress, no matter how forgetful we may collectively be. but, their argument relies on the ideological construct of independence, and this is an empirical question with little evidence supporting it. individualism, at best, seems to be rare. so, these individuals are really left with a curatorial task to remind people of what they've forgotten - they're really just the cleared registers in the collective, trying to avoid the garbage collection from clearing them away, urging for a second chance to exist in memory - and failing. it's like a broken system of error-correction; we can remember and forget at the same time. so, this question of the inherent forgetfulness of human progress does not reduce to a question around independent variables.

it's just a different intellectual conception of progress - not as a linear curve tilting off towards some windmill at infinity, but as this messy, chaotic step-function, full of unpredictable fragments.

there is, of course, a hierarchy of seriousness attached to the consequences of forgetting what is being forgotten. geography can be found easily. a lesson can be relearned. but, forgetting science can be devastating.

this is a potentially unrealized consequence of globalization - when the global culture falls, there will be nobody left to remember what was forgotten.

jagmeet singh must cut his beard.

purchasing this release does not come with a download.

inri053: written late 2001 and early 2002. this file is ripped from a cd-r that was burnt around 2002, as that was the option that would produce the most accurate reproduction of the original composition. published without modification on oct 6, 2014. expanded, re-released and finalized as symph006 and lp012 on oct 23, 2017.

inri057: written and recorded in late 2001 and early 2002. initially sequenced in may, 2002. re-sequenced and first released in june, 2002. re-released in slightly different forms from 2002-2014. resequenced to mimic the original sequencing and re-released on november 8, 2014. except to sequence the record, these files have not been altered since 2002. disc finalized as lp013 on nov 3, 2017.

inri063: these tracks are all based on existing demos from 2001-2002 that were initially intended to be completed with vocal parts and were remixed from july, 2014 to may, 2015 as purely instrumental recordings. released may 2, 2015. disc finalized as lp014 on nov 21, 2017. this is my sixth official record.

inri066: originally written, programmed and recorded from 1996-2002. reclaimed & remixed from june to december of 2015. initial completion date was december 31, 2015. disc finally released, closed and finalized on nov 26, 2017. lp015.

inri067: written and recorded between dec, 1999 and july, 2002, except the hidden track (which was created in the summer of 1998). none of these tracks were remastered or otherwise modified after 2002. disc simultaneously created and finalized as lp016 on nov 26, 2017.

inri068: originally written, programmed and recorded in varying states of finality over 2001 and 2002, except the hidden track (which was programmed in 1997). the associated tracks were completed between february, 2014 and may, 2015; these mixes, however, were spun off as late as nov, 2017. released as lp017 on nov 27, 2017. expanded and finalized on jan 1, 2018.

inri069: initially written and recorded between 1997-2003. this compilation idea was developed and expanded upon as an intended full record release between 2006 and 2011. reinterpreted, reconstructed and remixed between 2014-2018. sequenced over december, 2017 and january, 2018. disc released & finalized as lp018 and tetris I-IV on jan 7, 2018.

originally created from 1997-2003. this compilation is dated to april 28, 2003. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2018. compilation finalized on jan 9, 2018. as always, please use headphones. 

credits

released April 28, 2003

j - guitars (electric, acoustic, classical), digital & analog effest processing, bass, bass synth, synthesizers, electric & grand pianos, electric air reed organ, digital piano, flute, mandolin, voice, vocal noises & relics, electronic & analog drum kits, drum programming, drum manipulations, drum sampling, vocal manipulations, loops, orchestral & other sequencing, sampling, equalization, sound raider, found sounds, octavers, noise generators, cool edit synthesis, granular synthesis, generative synthesis, coughs, digital wave editing, production, composition, cover art.

sean - vocals, lyrics (inri053, inri057), harmonica (inri057, inri063, inri069), ring modulator (inri057, inri067, inri069).
greg - drum performance sample source (inri057, inri063, inri067-inri069)
jon - guitar performance (inri057)

the various rendered electronic orchestras include acoustic bass, synth bass, electric bass, brass, ftuba, french horn, trombone, trumpet, english horn, saxophone, oboe, clarinet, bassoon, flute, bamboo flute, piccolo, organ, sitar, bells, orchestra hit, melodic toms, timpani, orchestral drum set, drum machine, electrmoic drum kit, piano, clavinet, kalimba, hand drums, nylon guitar, distorted & clean electric guitars, guitar effects, guitar noises, synthesizers, synthesizer effects, music box, agogo, tubular bells, glockenspiel, koto, violin, viola, cello, contrabass and various full string sections. it also includes choir. 

 

 https://jasonparent.bandcamp.com/album/lps-only-volume-2

 

jagmeet singh must cut his beard.

inri063: these tracks are all based on existing demos from 2001-2002 that were initially intended to be completed with vocal parts and were remixed from july, 2014 to may, 2015 as purely instrumental recordings. released may 2, 2015. disc finalized as lp014 on nov 21, 2017. this is my sixth official record.

inri064: these tracks were written and recorded over november and december of 2002 and uploaded, unmodified, in may of 2015. released on may 2, 2015. re-released on physical media and finalized on nov 24, 2017.

inri065: written and recorded in early 2003. transcribed, slightly rearranged, remixed repeatedly and re-rendered repeatedly over may, 2015. released on may 16, 2015. expanded & finalized on nov 25, 2017.

inri066: originally written, programmed and recorded from 1996-2002. reclaimed & remixed from june to december of 2015. initial completion date was december 31, 2015. disc finally released, closed and finalized on nov 26, 2017. lp015.

inri067: written and recorded between dec, 1999 and july, 2002, except the hidden track (which was created in the summer of 1998). none of these tracks were remastered or otherwise modified after 2002. disc simultaneously created and finalized as lp016 on nov 26, 2017.

inri068: originally written, programmed and recorded in varying states of finality over 2001 and 2002, except the hidden track (which was programmed in 1997). the associated tracks were completed between february, 2014 and may, 2015; these mixes, however, were spun off as late as nov, 2017. released as lp017 on nov 27, 2017. expanded and finalized on jan 1, 2018.

inri069: initially written and recorded between 1997-2003. this compilation idea was developed and expanded upon as an intended full record release between 2006 and 2011. reinterpreted, reconstructed and remixed between 2014-2018. sequenced over december, 2017 and january, 2018. disc released & finalized as lp018 and tetris I-IV on jan 7, 2018.

originally created from 1997-2003. this compilation is dated to april 26, 2003. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2014-2017. compilation finalized on jan 9, 2018. as always, please use headphones. 

credits

released April 26, 2003

j - electric & acoustic & classical guitars, electric bass guitar, bass synth, digital & analog effects processing, synthesizers, electric air reed organ, electric & grand pianos, flute, voice, vocal noises & relics, analog & electronic drum kits, drum programming, drum manipulations, drum sampling, bowls, claps, tables, ebow, mandolin, orchestral & other sequencing, sampling, loops, equalization, light-sound synthesis, generative programming, granular synthesis, sound raider, noise generators, cool edit sequencing, found sounds, octavers, coughs, digital wave editing, sound design, production, composition.

sean - harmonica (inri063, inri069), ring modulator (inri067, inri069)
greg - drum performance sample source (inri063, inri067-inri069)

the various rendered electronic orchestras include tuba, french horn, trombone, trumpet, english horn, saxophone, brass section, oboe, clarinet, bassoon, flute, bamboo flute, piccolo, orchestra hit, melodic toms, hand drums, timpani, orchestral drum set, piano, agogo, celesta, xylophone, marimba, clavinet, kalimba, vibraphone, glockenspiel, tubular & other bells, music box, woodblock, mallet, electronic drum kit, drum machine, jazz drum kit, koto, synth pad, synth bass, synthesizer, synthesizer effects, mellotron, organ, sitar, acoustic bass, synth bass, electric bass, fingered bass guitar, picked electric guitar, nylon guitar, distorted & clean electric guitars, guitar effects, bowed electric guitar, guitar noises (fret noises, knocks, pick scrapes), violin, viola, cello, contrabass and various full string sections. it also includes choir. 

 

 https://jasonparent.bandcamp.com/album/flac-dvd-disc-volume-6

 

jagmeet singh must cut his beard.

i spent the day creating purchase options on the bandcamp site - another thing that is kind of boring but need to be done.

i should be back to inri070, soon.

but, the update is that i added a lot of physical bundles around the alephs and the now four sequences i'm running: symph, lp, ambient and tetris. there's also some new bundles, so that most lps now have a pairing in a rational potential double record. i always intended to do this eventually, and here it is.

it's a big step in closing down period 2.

https://jasonparent.bandcamp.com/merch

jagmeet singh must cut his beard

so, it seems like the way this is going to work is that kushner will take cash from israeli real estate developers in exchange for a green light to build in the west bank.

the palestinians need some civil rights.

https://www.nytimes.com/2018/01/07/business/jared-kushner-israel.html

jagmeet singh must cut his beard.

publishing inri069

the origins of the tetris project emerge in my records some time in mid-2006. i must have been filing some things on my hard drive, and wanting to put a bunch of the loose ends in the same folder, because what i remember is having a lot of loose tracks and trying to find a way to fit them together. the best commonality i could find in these tracks is that they all attempted to merge guitar music with electronic music, so i devised a project that would utilize these tracks by exploring this theme to it's fullest.

tetris is the idea of combining guitar music with technology. it just sat that way, for years, as a folder on my hard drive, with little progress towards actual completion.

when i set up the bandcamp site in 2010, i uploaded a number of these loose tracks under the album header 'tetris', with a promise to add tracks to it, slowly, until it completes. this was intended to be an eventual official record with an explicit techno flavour, and some tracks were, in fact, added to it. as of january, 2018, the majority of these tracks have been completed and re-released on my fifth or sixth records. so, this project has been dismantled, as it initially existed.

upon initial completion of my second period in may of 2015, i sat down to create a guitar volume. some work was completed on a mix tape of solo parts, but this was ultimately where i left off to go back to complete period 1. before i put it aside, i had decided on a three-volume set: a mix tape and a 2xcd set, with one cd being a tetris volume 1 (converted to an end-of-period compilation) and the other cd being of atmospheric, political and noise sections.

i didn't get back to this until late december, 2017 and sat down to create a tetris volume 1 as i had decided upon in 2015. but, what i started to realize as i was compiling it was that the reason that this connection presented itself amongst the scattered tracks i initially applied it to was that it is a fundamental aspect of my art - nearly every track i've written since 1998 takes the guitar through an exploration in the world of electronic music. i started to think more abstractly about it, this combination of technology with guitars, so that the definition fit across more genres than techno and idm. this wider interpretation of the project's mandate created a larger pool of tracks to choose from, and i eventually settled on two volumes for tetris: one with a faster tempo and more danceable tracks and one with a slower tempo and jazzier or more psychedelic tracks. some tracks that i identified as 'orchestral' were also put aside for future release on a later tetris volume.

the atmospheric disc wasn't initially contemplated of as a tetris release, it was rather meant to make the release an inclusive guitar works, as that is also a major component of my guitar presentation. but, my wider interpretation of the mandate allowed me to see that the tracks i had put aside for this compilation were also an exploration of guitars and technology. so, i created this disc as a tetris volume. a strategic decision was made to not include tracks on the first ambient works, but rather to defer to it as the ambient component of my second period guitar work.

i had also decided in late 2017 that i would create a compilation of guitar-only mixes for the lp sequence to close period 2, to draw special attention to the primary focus of my creations, which is the guitar work. i strongly contemplated releasing only disc 4 in this space of inri069, and leaving the other three for a later release, as a coherent multi-disc part tetris. however, the need to include inri071a in the tetris sequence necessitated releasing these tetris volumes in this space. further, a standalone release of disc 4 would also require a tetris number - it is certainly an integration of technology and guitars.

that makes inri071a tetris 5. i've also decided that inri072, the orchestral works, should be tetris 6.

as a six volume set, this compilation touches upon nearly every track that was written between 1998-2003 and has guitars in it by placing it into one or more of these six slightly overlapping categories. as such, this is a comprehensive introduction to my first two periods, from the perspective off my work as a guitarist.

initially written and recorded between 1997-2003. this compilation idea was developed and expanded upon as an intended full record release between 2006 and 2011. reinterpreted, reconstructed and remixed between 2014-2018. sequenced over december, 2017 and january, 2018. disc released & finalized as lp018 and tetris 1-4 on jan 7, 2018. as always, please use headphones.

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2015, 2017-2018). 

credits

released April 26, 2003

j - guitars (electric, acoustic, nylon), digital & analog effects processing, ebow, mandolin, bass, bass synth, drum programming, analog & electronic drum kits, drum sampling, drum manipulations, vocals, vocal noises, sampling, orchestral & other sequencing, soundscaping, sound design, synthesizers, electric & grand pianos, electric reed organ, found sounds, octavers, noise generators, cool edit synthesis, granular synthesis, generative synthesis, loops, flute, coughs, digital wave editing, production

sean - harmonica (track 19), ring modulator (track 36)
greg - drum performance sample source (track 21)

the rendered electronic orchestra includes acoustic bass, synth bass, electric bass, brass, french horn, trombone, trumpet, tuba, english horn, saxophone, flute, bamboo flute, oboe, piccolo, clarinet, bassoon, orchestra hit, drum machine, electronic drum kit, agogo, tubular bells, glockenspiel, clavinet, kalimba, piano, melodic toms, hand drums, timpani, orchestral drum set, koto, nylon guitar, distorted & clean electric guitars, guitar effects, guitar noises, synthesizers, synthesizer effects, music box, piano, bells, organ, sitar, violin, viola, cello, contrabass, full string sections and mellotron. it also includes choir.

jagmeet singh must cut his beard.

if you read the classical literature, it is full of harsh criticism against 'trousers'. in much of the classical world, the nefarious act of trouser-wearing was a deeply frowned upon sign of utter barbarism. a civilized person would not be caught dead in trousers.

we're all barbarians, now - the barbarians won, in the end. so, that may seem curious to us. but, it's an absolutely accurate depiction of classical views against trouser-wearing. it was entirely taboo.

but, the greeks had a lot of trouble expanding into russia, didn't they? you try living on the russian steppes, or even the german forests, in january, in that dinky little robe of yours, socrates. without a pair of trousers, a man will freeze his balls off in these climates. it was just an adaptation to the weather, these horrific trousers. but, yet, the greeks laid the wide russian rivers to waste as outside of civilization, holding to a no-pantsed principle over making the obvious adjustment to explore these rich lands. it was almost like the act of pulling the trousers on was one of defeat to barbarian forces - that to conquer this land, one must become a barbarian, by putting on those trousers, and it can therefore never be won to civilization. the greeks stayed to the milder coasts, in their robes.

this clothing thing - it's irrational, but it's well-attested, isn't it?

jagmeet singh must cut his beard.

canadians, especially, really shouldn't feel all that upset about the muslim headdress thing, they just have to understand it properly as an adaptation of the weather. canadians are certainly used to wearing obtuse articles of clothing to deal with extreme weather, it's just of a different kind here, it's extreme cold. we wear ski masks and scarves to protect from the cold, just as arab peoples wear scarves to protect from the flying sand, at speeds that make it seem like gravel. we have snow storms and dress appropriately for them; they have sandstorms, and do so accordingly as well.

despite concerns to the contrary, this is something that the descendants of recent migrants should adapt to. perhaps there are other, ideological concerns, that are more pressing. but, the question of weather-focused attire in second or third generation immigrants is something that should conform to majority trends. we don't have sandstorms, here. people will adjust.

i know that there are other myths attached to these articles of clothing, but they're just that - myths. it's easy to uphold a myth around wearing scarves outside when that scarf protects you from the elements. when it no longer does so, that myth breaks down from one generation to the next. give it time, and you'll see.

the difference is really just that they don't realize, yet, that it's safe to take their scarves off in the summer. i vote for making them feel safe enough to do so, not in making an example out of them and isolating them in hopes that it coerces different behaviour.

even the iranian mullahs just lifted their restrictions on female clothing.

jagmeet singh must cut his beard.

tetris 1-4 (inri069) is now completed.

tetris 5 will be the ambient works, vol 1 (inri071a). tetris 6 will be the orchestral works (inri072). there's no use in recreating these as tetris volumes, but they are developed guitar ideas in my discography that ought to be catalogued. further tetris volumes will follow at the ends of periods 3 (2003-2007) and 4 (2007-2011).

to recap, tetris is the idea of fusing guitar music with technology. it is also one of the central themes of my work, as a composer. the tetris series catalogues my various approaches towards this theme.

tetris 1: guitar-driven dance music.
tetris 2: guitar driven electro-psych.
tetris 3: guitar driven noise collages.
tetris 4: guitar-only mixes of selected period 2 tracks
tetris 5: guitar driven ambient music
tetris 6: guitar driven orchestral music

tetris 7: guitar driven 'epic rock' - extended pieces.
the ideas in volumes 1-3, 5-6 may be reprised for further volumes.

formal close to follow.



jagmeet singh must cut his beard.

the compilation is done.

it's five and a half hours, and touches on pretty much every major track in the first two periods of my discography.

it will take some time to upload.

jagmeet singh must cut his beard.

so, where am i with things?

i've finished up the fourth tetris disc, and have a rough listing for the third. the last mix had to be reconstructed to finish it...

the third disc is going to be a compilation of tracks where the guitar is used to create a wash of noise, or something otherwise atmospheric.

jagmeet singh must cut his beard

israel is really behaving foolishly in reaction to this jerusalem recognition thing. i cautiously supported the declaration because it's just a recognition of reality - it doesn't actually mean anything for the united states to present it's opinion about sovereignty to the united nations if the united nations doesn't want to hear it, and it's doubly irrelevant if the united nations doesn't want to look at the reality on the ground and just insists on passing fantasy legislation, instead. i mean, the other option is to be dishonest. it really is. and, i guess i realized that it would embolden the israelis somewhat, but i didn't expect them to go full retard.

israel is constantly failing to live up to the basic expectations of a modern, civilized country. perhaps it's worth questioning if they actually are one.

an obvious corollary of official israeli control over jerusalem would need to be full citizenship rights for all of the arabs that live there, including religious rights and mobility rights. it's such an obvious corollary that it defies imagination that the israelis might reject it - and yet they are even acting pro-actively to prevent the necessity of it by removing these residents from their homes. a presidential statement of official recognition is not a get-out-of-international-law-free card. this is all absurdly illegal.

when i said i accepted the reality of israeli control over jerusalem, it certainly came with this obvious corollary, and others - that any recognition of israeli control over the west bank comes with the obvious corollary of full citizenship, as well, for example.

the best hope for the palestinians right now is the israeli courts. there should be international pressure put on israel to accept this citizenship.

and, those cuts to unrwa might be the proper incentive.

jagmeet singh must cut his beard.

i had to replace this track.



the deleted mix was actually intended to be temporary; it was done a few days before i finished the main track, and i was going to then go back and re-render it when i finished it. this didn't happen. so, the mix ended up with some synthesizers in it that had to be taken out. it's now also an accurate "guitar only mix" for the final version of the track.

this mix will also appear on tetris. the discarded mix will be moved to the alephs.

jagmeet singh must cut his beard.

are countries like the united states and canada simply too big to administrate properly? i previously suggested that america's stagnation is causally linked to the rate at which it expanded westward, that it tried to absorb too much wilderness too fast and was ultimately overcome by it. but, what would a more successful rate have been?

well, the geographic middle of the country is still largely closed to civilization. in order for america to have walked down a path that could have avoided collapse, it would probably still have unorganized territories, right now.

if quebec succeeds in annexing new france, that is going to split the united states down the middle, but it might be better off that way.

canada expanded quickly as well, but it created much larger administrative divisions, which allows for more truly regional control. i don't know if the size of the provinces was explicitly constructed as a reaction to madisonian democracy the way that the division of powers was in canada, but it's the same kind of difference: madison's evil plan all along was to create small administrative divisions to prevent regional co-operation, in order to prevent the spread of political ideas that would help the working classes. what america ought to be doing is reorganizing itself in regional divisions that allow for more co-operation between neighbouring states. the country is too big for federal administration, but the administrative divisions are too small for effective oversight, as well. so, this might be best accomplished at this stage by a new level of government that splits the country into 5 or 6 divisions, and three rough categories: urban, rural and mixed. allowing the eastern seaboard to regain some concept of local sovereignty, and setting up the infrastructure to allow for something similar on the west coast, might help america recapture that sense of progress that it lost in the 50s, even as it strands the geographic middle of the country. but, future expansion out of the megalopolises will simply need to occur at a sustainable rate.

jagmeet singh must cut his beard.

republishing inri058

there are a few ideas in my discography that i've explored from multiple angles, but nothing else at all like this track, which has been through multiple complete rethinks involving multiple people over the course of sixteen years. as the revisions are so diverse, i think that a comprehensive collection of interpretations is a proper entry within my discography.

in the end, this emerges as my seventh symphony.

the collection is to be arranged chronologically in four discs consisting of two 2xcd sets, with the first two discs consisting of mixes that were meant for inclusion in band projects and the third and fourth consisting of mixes that were created after the track was moved into my own various one-person projects. further discussions of the various incarnations of the tracks appear on the track pages.

written over 2001 and 2002 and rethought repeatedly between 2002-2014, with no clear resolution in a final mix. reconstructed from source in late 2014 and then rendered at multiple stages to create a series of snapshots. final mixes were completed over the last week of november and the first week of december. released as a two-volume set on dec 7, 2014. the concept was rethought on nov 3, 2017, which led to the inclusion of five more mixes and an expansion to four cds. re-released in four volumes & finalized as symph007 on nov 12, 2017. the raw guitar mix was corrected on jan 6, 2018. as always, please use headphones.

credits

j - electric & acoustic & classical guitars, analog & digital effects & processing, electric bass guitar, synthesizers, drum programming, orchestral sequencing (12), drum manipulation, vocal manipulation, voice (9), digital wave editing, loops, equalizers, soundscaping, sampling, composition, production, cover art

sean - vocals/lyrics (2,5,7), ring modulator (7-9, 11, 13-14, 16)

greg - drum performance sample source (4, 6-9, 11, 13)

bob - hammering (3)

the rendered electronic orchestra on track 12 includes tuba, saxophone, flute, clarinet, orchestra hit, piano, violin, viola, cello, contrabass and various full string sections.

released july 4, 2002

would an independent quebec have designs on new france? well, it's not so crazy to think that this society could produce a napoleon.

if it's going to claim quebec on some claim of ethnic identity to the land, why not claim new france? detroit. st louis. new orleans. these are all of french heritage, are they not?

one wonders how much separatist sentiment already exists in new france. nobody talks openly about it in detroit. but, i have reason to think it's there, if you could just scratch the surface. they all know, deep down, that they would join the movement to unite quebec with new france.

but, it is the region that i think the united states needs to be most concerned about actual revolt in. they just might be more interested in joining canada than joining quebec.

still. i would advise all american intelligence agencies to be on the look out for quebcois intelligence agents, trying to sow separatist fervour in new france. it's an inevitability.

you're welcome for the tip.

jagmeet singh must cut his beard.

you know, canada is pretty geologically stable in most places.

i suppose the difficulties in maintaining permanent settlements in canada were always related to the climate; at most historical levels of human development, the cold here would have required migration. the romans couldn't have built cities here. if the germans lived here, they would have fled to mexico. even the norse could only really live on the coast. if the remnants of roman civilization had found america two hundred years sooner, it wouldn't have been able to colonize it. that is the answer as to why the indigenous people did not build cities here: the terrain is uninhabitable for a quarter of the year.

it's really only with the development of technology that inhabited cities in this region of the globe is a real possibility. but, now that this technology is real, i think these cities have a potentially very long life span, given that they're built in such a geologically stable area. large proportions of america's most populated regions are about to be swallowed by the sea, one way or another. but, canada is built on solid rock - the shield - and protected by glacial lakes.

it's funny how what's left of america may end up being basically new france. vive le quebec libre!

jagmeet singh must cut his beard.

see, the trump people might think that faking payouts for workers to gloss over the tax cut is a good pr strategy, but let's see them run with that.

"yo, i heard on the news that you're supposed to be being paying out on that tax cut. where's my cut?"

hey, anything to raise workers' consciousnesses has to be viewed as in some ways useful, even as the designs around it seem so perilous. those are arguments that the good guys have to win, in the end.

but, i think a worker revival in the republican party was actually inevitable. the historical roots were too deep. the real tragedy is how liberals let the republican party get so far away from them.

maybe the real lesson to be learned from the uselessness of the democratic party is that the left ought to be trying to take over the republican party.

jagmeet singh must cut his beard.

another decision: i had included a few 'orchestral' works in the epic rock compilation, because it sort of fit, but i've taken them out. the way i'm going to do this is that the guitar disc for the orchestral pieces will be the orchestral works, and i'll add the slow version of the time machine as a bonus track.

there will be material from the orchestral works in the tetris compilation, but where it fits.

i just felt forced to include the guitar concerto on a guitar works, but it doesn't really fit the description of tetris well - it's an overture and concerto and should be catalogued accordingly.

and, so, i should be explicit, and rename the release to tetris, 1-4.

jagmeet singh must cut his beard.

on second thought, now that i've put the third disc aside as two further potential volumes, i can release a four volume set, if i include the guitar mixes, and why not, it fits the theme.

four is just permanent.

i still need to determine what i actually am going to create and then order it afterwards...

jagmeet singh must cut his beard.

the most recent update is that the second tetris disc is sequenced, but the third has been put aside; it may end up as two discs. there is at least one more tetris disc to sequence, but i won't be releasing any of them in the inri069 space. as of now. i think. they will likely have a release date of something like 2011, in something like a 6 disc set. but, i could still decide that it's worthwhile to release a double in this space.

right now, what i'm wanting to do is sequence the guitar collage disc, as it kind of has to be sequenced before the next tetris disc. and, i'm realizing that one of my guitar mixes isn't a guitar mix at all.

so, i'm going to have to update inri058. i wish i would have caught this in november, but so be it.

it looks like this guitar collage disc will be what is published in inri069, unless i get a good 4 disc tetris set, in which case i can release the remaining volumes later.

jameet singh must cut his beard.

so, where am i with things?

i've got the second and third tetris discs created, i just have to sequence them. but, i'm leaning towards not releasing this for a while, perhaps positioning it as late as 2013 in a 5 or 6 volume set.

tetris is the idea of mixing technology with guitar music. the three compiled expressions of this are in the form of a dance music setlist, a psychedelic music setlist and an epic rock setlist. a fourth expression of this in the form of atmospheric guitar music may follow shortly.

the only thing i've put aside for definite release in the inri069 space is the disc of guitar mixes - that is, songs stripped down only to the guitar parts. i'm also going to be getting a head start on a number of mix tapes, with the possibility of a release, but the likelihood of half-releases, to be put aside for later.

what i'm doing right now is sequencing these two discs and taking a look at the fourth volume.

jagmeet singh must cut his beard

did phillippe couilliard even fall into a separatist trap, however accidental?

i wouldn't assign that level of foresight to the sovereigntist movement in quebec. sorry.

but, consider the oft-maligned line about "money and the ethnic vote.". there was always a certain amount of truth underlying the calculation that federalist support in quebec was dominant amongst recent immigrants, and that they had a tipping effect over the inclinations of the old stock pure-laine population. in the sense that federalist support was always tied to liberal support, you could argue that both the liberals (and the federalist cause) relied on the support of recent immigrants, and their recent descendants. so, what to make of the liberal party's adoption of the charter - which is adopted by the image of federalism, by proxy? they're attacking their key support base.

if i was a montrealer of recent arrival, and i was looking at the political spectrum, it would seem to me like the only provincial party that is of any interest to me is the quebec solidaire. by extension, this is going to make sovereignty more attractive to the "ethnic vote" than federalism, producing a sovereigntist movement that is more reflective of quebec's existing demographics - and therefore more likely to succeed.

i suspect that remaining support for the pq right now is very soft, and especially very soft around this issue. if the vote is framed as a referendum over the charter, that is if the voting decision (where it exists) between the pq and the qs is framed this way, i would expect the pq to crumble. the truth is that the pq has become a provincial voice for old bigots.

i don't expect this rearrangement to be complete by the next election, but rather that the results of the next election will produce it. the liberals may win their fight against caq, as the left splits and crashes. but, the inevitable result of this realignment is a powerful sovereigntist bloc on the left, in time for 2022.

if that happens, this purportedly tactical move by the liberals is going to appear most pyrrhic. and, it may spill over to the federal election, once these voters are released from brand liberal.

jagmeet singh must cut his beard.

i was talking about how there was some uncertainty around whether the hot air in the atlantic may have something to say about the polar vortex.

that storm on the east coast right now is that hot air in the atlantic getting pulverized by the polar vortex, which is clearly demonstrating itself as the more powerful force. but, this is actually the kind of storm that people around the jet stream, wherever it is in thirty years, are going to have to get more used to during winter, as increasingly concentrated pools of warmth near the equator smash more frequently into these polar air masses.

the latitudes of these storms may push north, or may not. the polar sea may not end up so navigable in the winter, after all. it depends on the sun. right now, the cold is holding it's own at fairly temperate latitudes. but, the onslaught has just begun.

jagmeet singh must cut his beard.

i was just using my compass to pull a piece of lint out of my lighter (it's the worst when that happens...), when i started to realize that the ancient greeks probably used compasses for pretty much everything. if you can imagine this bearded greek old man, using this giant compass as a claw in his daily tasks - holding pita bread sandwiches, swapping away flies, getting that itch in that hard to reach spot. it's almost like that edward scissor-hands, isn't it?

i'm now fully convinced that all greeks lived like this, with compass as primary general utensil.

jagmeet singh must cut his beard.

what we understand in the universe is largely restricted to concepts of motion. unfortunately, a fairly good understanding of motion may have led us to a false conclusion that we understand the universe well because we understand it's motions well.

most objects in the universe still perplex us at the most basic levels - we don't really know what they do, and if we do know then we don't know why, and if we don't know then we propose mathematical theories about them.

take the sun. we can measure how the sun moves fairly well. and, we know it shines. but, we don't really have any predictive theory to explain how the fluctuations in the sun's strength vary. this is a total mystery.

we may in the end find out that the laws of motion are actually not particularly useful in understanding the universe at all.

jagmeet singh must cut his beard.

so, i put my upload of this mix on hold, to explore the possibility of adding another track, to spin inside dull aberrations. this would have required some strategic cuts to fit on to one cd, but it was plausible, and a cut was made. but, the track just doesn't fit the aesthetic on the disc, as much as i want it to.

so, what is this, then? this is the first officially complete volume of tetris, an idea i've been kicking around for a while, since i think 2007. and, it may in the end end up separated from inri069, and placed in a release sequence deep in 2011 instead, as the first part of a two or four cd set. but, this is a volume in a set of some sort, at least.

tetris is an idea that is meant to combine technology with lead guitar work, which i realized around ten years ago is a dominant theme in my work, worth separately cataloguing. many rough lists of tracks intended for a tetris release have circulated, over the years. there will be a tetris release of some sort that documents 2003-2011, potentially several.

the first tetris release is intended to focus on danceable tracks driven with a lead guitar part. spin is just too much of a rock song. i'm considering a second immediate tetris release, focused on trip-hop, but it may be put off until 2007.

i'm considering a third volume of atmospheric guitar music, but that too may be put off - as might the mix tape of solos.

so, there's still a lot of work to do in compiling and organizing the components of this release. but, this cd will be a completed segment, moving forwards.


jagmeet singh must cut his beard.

so, are we just tiny microscopic life forms in the greater context of a much wider biological entity, possibly with some kind of consciousness?

i'm just struck by the synchronicity of the dimming of the sun with the warming of the atmosphere, almost as though one is acting to balance the other out - and while some may want to interpret this as a sign of a higher power, i think a more naturalistic explanation lies in something mechanistic, like the parts of a living organism. maybe the stars that form this organism even arrange into a constellation of a duck, if you could see it from the outside, which we will never be able to, because we are on the inside of it. well, maybe we could catch a reflection, somehow. or be lucky enough to catch a glimpse into some curvature in space. but, we can't see ourselves in the night sky.

now, you could run a computer simulation to determine the empirical question of whether our mathematical understanding of the universe projects a duck into other parts of the galaxy, if we have anything approximating enough data. you could potentially model it on a computer screen, but you'd have to go to virtual reality to really see the duck that we may or may not project. and, there would always be uncertainty levels.

no, to truly determine the empirical question of whether or not the galaxo-spacial biological entity we exist as a component of appears as a duck to other parts of the galaxy will require travelling there to see for ourselves. that's settled.

but, then, what if the constellations that we see are also galaxo-spacial biological entities? see, as i've mentioned a few times, i'm kind of open to the idea of religion as a ufo cult - and astrology was at one point a religion. contemporary westerners of a liberal scientific mindset tend to scoff at astrology as a lot of contrived nonsense, and they're not technically wrong, but their scorn obscures the fact that these ideas come from a lost religion that acted as a syncretic bridge between mathematics, astronomy and mysticism - that this is actually derived from legitimate ancient science. that doesn't mean that there's any value to the zodiac - this is not my argument, don't misunderstand me. but, it does suggest that there are maybe ritualized relics embedded in the zodiac that remember the relatively advanced science of the babylonian era, which was a high point for astronomy in the ancient world, this period of learning itself spurred by even more ancient stories, such as those told in egypt.

they kept very careful records, apparently. they were tracking things, looking for patterns. but, people don't realize how long this period of early civilization really was, before the languages started to change in the middle east, with the persians and then the greeks. if you're standing in babylon in the year 500 bce, you have 4000 years of astronomical records to draw on. the egyptians had even more than that. our science is based on a few hundred years of observation. so, they had more observations than we do, and more data to infer from. one has to think that inferences were made. if we could retrieve this data somehow, we might be able to predict the next several solar cycles better, if we could see a longer term pattern.

some of these patterns may be hidden in the zodiac, but you'd have to be careful, because it's also full of traps. first, if it finds a pattern, it's inevitably going to project it too perfectly, and project a cycle far less chaotic than reality. second, the mathematical writing that they used was cumbersome, and it produced a lot of error due to crude approximation arising from difficulties using that system. so, their calendar was actually wrong. and, it's been out of sync for centuries. it would require a lot of calculation to resync this, and then it wouldn't even be clear what you're comparing. it seems absurd to consult a source for predictive value when it can't even get the date right, right?

still, there could be useful information in there, if it's calibrated right. we'll never know until we pass through it and look back and reconstruct it. why were they so interested in the stars in the first place, though? and what's with all these stories of people coming up and down from the sky?

if there are living galaxo-spacial biological entities in the universe, then perhaps the movement of bodies in the sky has more to do with how the ancients imagined it than we currently think.

jagmeet singh must cut his beard

and, so, the way to terrorize somebody like keith ellison into remembering about issues on the left is to threaten them electorally on the left through the creation of a third party, then yell and scream at them to get policy through when they win.

i think obama may have been more useful to the left than he was, if he had received more pressure from it. those small campaign donations don't seem to have had much of an influence on policy, perhaps because they were so de-centralized and so had no representative body to guide their policies through. i suppose the assumption was that the president would be that body, but that was perhaps a misunderstanding in the body politic. there should have been greater mobilization on the left to see certain policies through - he may have listened. but, the left wanted a benevolent despot.

in order for these small donations campaigns to come attached with any kind of accountability to the ideas used to raise these funds, donors need to organize directly and find a way to lobby the president after he wins.

"have you seen my cat?"

that's twice, this week. and, here's the hard truth for windsorites: your cat ran away to join the colony, and you'll have to deal with it. the feral cats here have a really strong invisible network of scent signals that will lure your cat away immediately, if you let sight of it for even one second, outside. i wouldn't even be surprised to hear about cats darting out when doors are left open a crack, after waiting all day to follow the smell, as it walked by outside.

i've been arguing that the city needs a serious straight out feline cull. i know what they say about how trap, neuter & return is a preferable option, but that presumes a certain level of manageability. we may, unfortunately, be at the point where we require an all out slaughter of feral cats, because their existing numbers are already too much of a problem for a t-n-r to cut down on.

but, the colony will in some way affect your cat, even if it's isolated enough from the aromas that it only gets  the odd sniff of it. the ones that it drags out, zombie like, will be converted to the cause of the colony upon arrival. and, this is simply hormonal - no amount of pleading will change your cat's minds. once assimilated, they are gone - never to return to snuggling, or to the far more subversive kneading, at that. their minds are washed of their existence as slaves to humans, however absurd that formulation is when related to cats, and given a new life of meaning to protect, defend and expand the colony. do not waste your time - they are gone.

as it's purely chemical, and we're both basically the same kind of mammal, of course this is possible in humans, if you can find the right magic password, the right chemical bonds. you can get an idea of how we're sometimes driven purely by hormones when you look at the fight or flight response; we literally don't think in these situations, we just succumb to this hormone that forces us to react. this is a ways from actual chemical mind control. and, the instincts available to program are likely to be biological responses that might not be useful and might even be dangerous - lust, for example. but, i think the chemistry likely exists to turn a human's brain right off in order to accomplish a biological urge, and it would probably be experienced by the conscious host as a blackout in memory. one could no doubt find detailed examples that fit this description.

if you lose your cat around here, though? it's gone. to the colony.

jagmeet singh must cut his beard.

i think i'm done my distraction with the usb key, now. i didn't salvage anything off of it, but i convinced myself that what was on it was routine. i was just paranoid about forgetting something. if i did, there's no evidence it existed.

i still don't know what happened with that; i stopped writing to the key immediately after the weirdness happened, so the files should have been easily accessible. but, they only came up on a deep scan, and they came with some directory corruption, as though they'd been decaying on the drive a while. it's all very strange.

what i remember doing is deleting two files in the root directory, leaving a folder called bd-2 in tact. that's a little blurry as to the exactness of the directory structure, which is what it causing me all of this pause. but, the whole drive wiped. my initial thought was that i accidentally deleted the folder and it should be a quick undelete. but it seems more like that the thing collapsed under itself; it just vanished. do file directories randomly collapse like that, or is it further sign of intrusion?

dude. remember the prime directive. you can't be fucking with my files like this. i actually have no delusions as to the nature of "network privacy", but zapping my usb key crosses boundaries. if somebody did zap me, please don't do it again.

jagmeet singh must cut his beard

i accidentally deleted files off of my usb key, and i'm kind of dumbfounded as to why they're not showing up in the file system. i haven't touched the drive. it's just full of random dates, almost more like it got flooded with data. but i'm waiting for one more scan to make sure it's not just hiding with a weird name.

i guess maybe the file table could have gone out? is that something that happens? i don't think there was much on there, i'm just going to have this nagging feeling like i forgot something.

something else i read while the internet was down was the gibson classic, neuromancer. i'd read half of it a dozen times and made sure i actually finished it this time. i think it's overrated as a work, even if it was enjoyable enough as basic fiction. but, something i think he got wrong was the idea with the implants. the female protagonist had mechanical implants inserted into her eyes. i think the way this is going to actually work is that people are going to get injections full of hormones designed to rearrange their dna: that we're going to actually reprogram ourselves to use the hardware we have better, not get new hardware attached to ourselves. i think the potentials of this are quite staggering, but it's going to require a difficult period of human experimentation, where people get programmed in disturbing ways, sometimes accidentally and sometimes on purpose.

one medical application i can think of, as a transgendered person, would be actual genetic therapy for transition. you could just reprogram your cells to produce estrogen instead of testosterone. i think diabetics could put this to use, as could anyone else with a problem in hormone regulation - including people with high levels of bad cholesterol.

but, the key futuristic element was in finding ways to use technology to enhance our abilities. and, i think the novel made an error in imagination that was kind of ubiquitous at the time.

jagmeet singh must cut his beard.

did you know that humans have the dna to understand magnetism, and therefore electricity, as a sixth sense?

i was just thinking about epi-genetics when i was going for a walk outside, and it is cold right now here, as i saw a series of cats cross my path - one very black, and the other very white.

i started to wonder if cats had the genetic ability to change their fur colour. i've never seen a cat actually do this. but, the white cat seemed strangely adapted to the snow, while the black cat seemed equally adapted for the night. i suppose the traditional explanation is that cats are born with variations in fur colour, and that the ones best suited to the environment survive. but, i'm not sure the laboratory conditions provide that as a clear explanation, as this population of cats is only semi-feral, and the snow here is actually unusual.

well, maybe the darwinian explanation isn't so lacking if you explore it carefully - you just have to accept a lot of coincidences, but then you need to have good luck to get the right mutations in the first place, right? let's explore other possibilities, without pursuing the need to debunk anything.

so, what if house cats can actually change their fur colour? the ability to change fur colour, often in winter, is a common adaptation of species descended from the common ancestor of the carnivore clade, and some species with older common ancestors, like rabbits, seem to have these genes, as well. they appear to be very old mammal genes. cats probably have them, cleverly inactivated around humans.

i started to wonder if humans may have even selected specimens of house cats that didn't utilize this adaptation, as it would be alarming to watch the cat transform - perhaps into an evil spirit. and, perhaps that evil spirit was somewhat real - perhaps the change in fur colour came with hormonal changes that made the animal more aggressive. perhaps. perhaps.

but, then, if something like that happened, your cat may have a special power that it isn't using, so as not to alarm you. we identify cats by their colours. they need to project a static representation of themselves to remain identifiable. they don't want to be changing their fur colours.

a semi-feral cat lost outside in a snow storm has a very different set of priorities, and one has to wonder whether the stress is enough to flip the switch.

it led me to thinking about humans, and this sixth sense that we have. we have this sixth sense because our ancestors had it - not our recent ones this geologic epoch, but our distant ancestors, before life moved out of the oceans. our ancestors could intuitively measure magnetic fields - think about that. and, why don't we have this ability any more? because it's an ocean adaptation. the utility of sensing magnetic fields through a liquid medium didn't transfer over to a gaseous one, the sense fell into disuse and, in the end, the more successful individuals were probably coincidentally born deficient of it. if you can imagine an existence so dark that eyes are so useless that the blind outcompete those that can see....

but, that truth might be eroding. our atmosphere is now full of magnetic fields, of our creation. how many humans have been born with this sense, and studied as mystical, or perhaps laughed at as delusional? it should happen from time to time as an error, or a mutation, whatever word you want to use. these people should actually exist. but, then, how many of us could flip it on, if we only knew which collection of hormones to concoct?

i don't know what we would realistically be able to do in reading a cell phone signal or transmitting wireless data. it may very well end up as a terrible way to interpret reality, full of indecipherable amounts of noise at strengths that produce pain. but, perhaps we can order the data quite well, and abstract it relatively easily. this is really an experimental question.

it's a different way to think about evolution, this realization that we have the history of billions of years of adaptations existing in our genetic codes, potentially ready to utilize under the magic chemical password. and it's a bit humbling to realize the power and the complexity of the genome.

jagmeet singh must cut his beard.

you can carry the parallels of the failed american socialist revolution to the failed russian socialist revolution through the 30s, to the point where they aligned at their common apexes to defeat a common enemy, and into the 40s and beyond. the russian propaganda was, of course, deeply anti-american, and the stalinist show trials went on well through the 40s, aligning with the mccarthyite scare. mccarthyism is often presented to us as a battle we overcame - that, in the end, we didn't become "like them". but, the truth is that we were really alike at more or less the same time. they didn't become like "them", either, they reformed after the death of stalin, which happened at about the same time that mccarthyism fizzled out.

both states exited the 50s seeking to enact a broadly socialist vision for their country, one built on expanding the use of technology to make the lives of their citizens better. both states made real progress on this into the 70s. but, then both states seem to have been overtaken by corruption at more or less the same time.

remember that what actually happened in russia was a military coup, and that this kind of shady manipulation of events behind the scenes seems to also be the norm in the united states, which has also experienced recent coup-like events, both in 1980 and in 2000. it is not clear what the guiding force behind the presidency in either country really is, only that it seems to be some combination of state intelligence services and large financial backers. america and russia are really more or less in the same mess.

if it seems like russia is rising and america is falling, it's because america had such a ways to fall from. in truth, they're both going nowhere but collapse.

and, i think that's the longer view of history, here - a positive comparison of failed american and soviet socialist revolutions, coming from the same basic problem of the society not being advanced enough.

now, we can ask interesting questions - what if america had not undergone westward expansion? what if it didn't annex mexico? what if it didn't buy louisiana? what if it let the south secede? would the greater population pressures amongst workers in the north-east have led to more struggle? it's kind of a sadistic exercise, isn't it?

but, i think we can state this much in the positive: if we are to imagine that the united states is something that we create through collective decision making, and we acknowledge that we wanted it to evolve towards a socialist society, then we made an error in expanding too far to the west and too fast. this is the root cause of the failure of the american socialist revolution: westward expansion at too great a rate to sustain industrial development.

jagmeet singh must cut his beard.

so, i've been watching this paul jay special on the undoing of the new deal. and, they make sure to point out that the new deal wasn't socialism - and, they're right, it wasn't - but i want to make a bolder suggestion.

the truth is that socialism simply failed in america, and for the same reason that it failed in russia. there's actually a strong convergence of history here, contrary to the cold war mythology. and, socialism even failed in both of these backwater states at approximately the same time.

but, it was predictable. nobody ever suggested that the socialist revolution would happen in the still largely feudal state of russia, and nobody suggested that it would happen in the deserts of the american midwest, either. remember that when marx suggested the united states for a possible birth of socialism, he was writing in a nineteenth century context - roughly contemporary with the annexation of mexico, and when the united states itself barely penetrated the louisiana purchase. he was referring to the liberal heartland of the country, the bos-wash corridor, and not to the much less industrialized areas of the country that actually produced american progressivism. what developed was a contradiction, with the socialist movement on the wrong side of historical materialism - it's really just a further demonstration that psychohistory is pseudoscience.

there were moments of actual socialistic tendencies in the failed american socialist revolution, but they were tied to actual workers movements in actual factories - and the management decisions around the workers. well, it was a failed revolution. but, the success of american workers in winning the ability to buy their own products is an example of how management goals aligned with socialist visions, for a time. i think that fordism could have at one point been deemed "advanced capitalism".

then, it crashed. and, what happened? what happened is that the wild west won. america was not ready for socialism.

we'll see if their successor is. well, if we're still dragging along this corpse of historical materialism, asia doesn't seem like the worst place to hope for a revolution, does it? the other option is truly barbarism, isn't it?

jagmeet singh must cut his beard.

purchasing this release does not come with a download.

inri000: originally released dec 25, 1996. remastered oct 30, 2013. finalized june 26, 2016.

inri001: originally released jun 1, 1997. remastered nov 8, 2013. finalized july 3, 2016.

inri002: originally written and recorded over 1996-1997. sequenced and mildly modified in dec, 2013. released dec 11, 2013. finalized on july 3, 2016. lp000.

inri003: created in mid 1997. sequenced and converted to stereo in november, 2013. released on nov 9, 2013. corrected in september, 2014. finalized on july 5, 2016.

inri004: originally written in 1997 and first created in 1998. a failed rescue was attempted in 2013. finally reconstructed in the summer of 2015 and extrapolated upon over the first half of 2016. released on july 4, 2016. finalized on july 5, 2016.

inri005: initially written in 1997. recreated in jan, 1998. a failed rescue was attempted in 2013. reclaimed july 1, 2015. deconstructed dec 18, 2015. released on jan 4, 2016. finalized on july 6, 2016. lead track added and refinalized july 20, 2016.

inri006: originally created in 1998. a failed rescue was attempted in 2013. reconstructed in the summer of 2015 and then manipulated further in the summer of 2016. released & finalized on july 7, 2016. hidden track added and re-finalized on july 18, 2016.

inri007: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. electronics added on july 16, 2015. released on jan 4, 2016. sequenced on jan 6-8, 2016. finalized on july 10, 2016. hidden track added and refinalized on july 21, 2016.

inri008: initially written in 1996. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. remixed july 15, 2015. released on jan 4, 2016. finalized on july 11, 2016. bonus tracks added and re-finalized on july 18, 2016.

inri009: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed & remixed on july 18, 2015. released jan 7, 2016. sequenced jan 6-8, 2016. finalized on july 20, 2016.

inri010: initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015. sequenced, released and finalized on july 22, 2016.

inri011: originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. finalized on july 23, 2016.

inri012: initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016.

inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001.

inri014: initially written in 1996. recreated mostly in feb, 1998 (schizoid, terrorists) but also partly in june, 1998 (abusive). sequenced in this form in june, 1998. a failed rescue was attempted in 2013. "terrorists" was reclaimed june 28-29, 2015 & remixed july 15, 2015. the main mix was corrected on nov 19, 2015. "schizoid" was reclaimed on july 12, 2015 & reprogrammed on dec 31, 2015. the main mix was corrected on jan 3, 2016 and remixed repeatedly jan 3-5, 2016. the lead track was sequenced on jan 5, 2016 and split back apart on jan 8, 2016. released on jan 5, 2016. audio permanently closed on aug 1, 2016. release finalized on oct 9, 2016.

inri015: written and demoed in multiple stages from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. reconstructed and resequenced jan 6-10, 2016 from parts that were rebuilt over 2013-2016. re-released jan 10, 2016. audio permanently closed on aug 10, 2016. finalized on oct 10, 2016. lp001.

inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.

inri017: initially written over the course of 1997. recreated and expanded over the course of 1998. lead track first sequenced in this form in feb, 1999. further remixes generated over the course of 1999. a failed rescue was attempted in 2013, and another in late 2015. remastered in november, 2016 from various sources, 1997-2015. finalized & released on nov 17, 2016.

inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled & released on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016.

inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. released on nov 24, 2016. release finalized on nov 27, 2016. symph002..

inri020: initially written in 1993. first full recording in 1996. recreated in dec, 1997 and again in jan, 1999. a failed rescue was attempted in 2013. reclaimed on july 2, 2015. remixed on july 15, 2015. reconceptualized & remixed repeatedly over november & december, 2016. released & finalized on dec 13, 2016.

inri021: written and demoed in multiple stages from 1993-1999. initially constructed in this form in feb, 1999. a failed rescue was attempted in 2013. reconstructed and resequenced over november and december, 2016 from parts that were rebuilt over 2013-2016. finalized & re-released on dec 15, 2016. lp002.

inri022: recorded over 1998. compiled and remastered in late 2013. released dec 27, 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized and re-released on december 16, 2016.

inri023: constructed over 1998. compiled and remastered in late 2013. released dec 27, 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. re-released & finalized as lp003 on dec 17, 2016.

inri024: initially written and recorded between 1996-1999 and remixed over the summer of 2015, with a lengthy pause due to malfunctioning electronics. final compilation date is jan 3, 2016. finalized dec 17, 2016. lp004.

inri025: this idea was developed in parallel to the inriclaimed project over the summer of 2015 and first compiled on nov 27, 2016. released & finalized on dec 17, 2016. lp005.

inri026: initially written in the fall of 1997. recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. released & finalized on sept 10, 2017.

inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.

inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.

inri029: recorded over 1997-1999. constructed in this form in june, 1999. published on november 30, 2013. re-released (with new hidden track) and finalized as symph003 on sept 13, 2017.

inri030: initially created in sept, 1997. remixed and reimagined repeatedly over 1998 and 1999. a failed rescue was attempted in 2013. partially reclaimed dec 8, 2014. rebuilt and resequenced on jan 9, 2016 out of material that had been remastered over 2013-2016. reimagined again on oct 26, 2016 out of material that was created in jan, 2016, but not released (and finalized) until sept 13, 2017, in order to properly fit into sequence.

inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep on january 3rd, 2014. spliced further, appended to and remastered over sept, 2017. re-released and finalized on sept 28, 2017.

inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. released on jan 3, 2014. finalized as lp006 on sept 21, 2017. as always, please use headphones - but note that they are especially mandatory for this recording.

inri033: written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. re-released jan 3, 2014. finalized as lp007 on sept 19, 2017. this is my third official record.

inri034: written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep on january 3, 2014. remastered, finalized & re-released on sept 28, 2017

inri035: initially written and recorded between 1996-1999 and remixed between 2013-2015. initially released as part zero of a three volume set on may 21, 2015. split into it's own release on june 14, 2015. finalized as lp008 on sept 29, 2017.

inri036: written and recorded in late 1999 and early 2000. these versions of these tracks were sequenced without further modification in jan, 2014. released on jan 9, 2014. re-released on physical media and finalized on oct 3, 2017, with the remainder of hummer added as a bonus track.

inri037: recorded in spring, 2000. released, unmodified, on jan 10, 2014. release finalized on oct 3, 2017.

inri038: written and recorded, 1999-2001. track 3 was reconstructed out of existing sound in june, 2004. initially sequenced on jan 12, 2014. expanded with remixes from 2014-2017, re-released with a newly remastered lead version and subsequently finalized on oct 5, 2017.

inri039: this was constructed over a little more than a month: from 7/7-8/20, 2000. it seems to have been recombined into one track around 2006 but has otherwise not been modified since it was completed. first released as an ep on jan 14, 2014. release finalized as symph004 on oct 8, 2017

inri040: recorded in april, 2000. samples added in oct, 2000. album version reverted to original mix in sept, 2006. released as a single on jan 14, 2014. expanded & finalized on oct 9, 2016.

inri041: recorded over the space of the year 2000. remixed substantially in 2004, 2006 and 2014. existing version released on jan 14, 2014. finalized as lp009 on oct 9, 2017. this is my fourth official record.

inri042: this record was recorded over the years 1999 and 2000, but did not take this form until mid september, 2017. the first track list dates to sept 14, 2017. these tracks are technically outtakes, but did not become outtakes until the remastering process removed them from their respective recordings. released & finalized as lp010 on oct 9, 2017.

inri043: written late 2000 & early 2001. the renders present here are all from after 2013. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may, 2014. released in a single volume on june 7, 2014. four new orchestral mixes were added in late may, 2015. re-released in a single volume on may 26, 2017. this release was split into jazz and orchestral volumes in early oct, 2017. two renders were then added to the jazz volume, while three new mixes were created for the orchestral volume. re-released in two volumes and finalized on oct 12, 2017. a

inri044: written early 2001. drastically rearranged in june, 2014. rendered, arranged and performed over june and july, 2014. released on july 21, 2014. six new mixes were added in late may, 2015. re-released on may 28, 2015. four new mixes were added in mid october, 2017. re-released & put on indefinite hold as to status on oct 15, 2017.

inri045: recorded in the first part of 2001. initially released as a bandcamp upload in august, 2010. re-released on january 18, 2014. finalized on oct 14, 2017.

inri046: written in the spring of 2001. lent out for a different project in jan, 2004. reconstructed in the first quarter of 2006, especially over march. released as a one track single on april 1, 2006. expanded with alternate mixes and re-released on july 23, 2014. the vst mix was added on jan 10, 2015 and the two guitar mixes were added on may 29, 2015. re-released on may 29, 2015. finalized as symph005 on oct 15, 2017.

inri047: written one day in june, 1998. re-created on another day in june, 1999. reimagined on yet another day in june, 2001. a failed remaster occurred at the end of 2013. slightly rearranged and re-rendered at the end of july, 2014. released in a single volume on july 25, 2014. re-released in a single volume with a new string orchestra mix on may 30, 2015. this release was split into two cds on oct 15, 2017, with the first disc being composed solely of the process piece. four new tracks were added to the second disc. re-released in two volumes and finalized on oct 16, 2017.

inri048: written in the summer of 2001. remembered over july, 2014. completed august-september, 2014. released sept 24, 2014. expanded, finalized and re-released on oct 16, 2017

inri049: written and recorded in the fall of 2001. released on sept 6, 2014. expanded, re-released and finalized on oct 21, 2017.

inri050: written in the fall of 2001. rendered, remastered and remixed in late september and early october, 2014. released oct 3, 2014. the string mix was corrected for clicks on june 1, 2015, but unfortunately left accidentally inverted. this was corrected on oct 21, 2017. the lead track was re-rendered with the clickless string mix on oct 21, 2017. disc finalized on oct 21, 2017.

inri051: created in the fall of 2001. sequenced and released on sept 7, 2014. disc finalized on oct 22, 2017.

inri052: tracks 1, 3 and 8 were written in 2001 and reinterpreted and completed in 2014. tracks 2 and 5 were interpreted and completed in 2001. track 4 was written in 2000 and reinterpreted and recorded in 2001. track 6 was written in 2001 and completed in 2006. track 7 was written in 1998, reinterpreted in 2001 and rendered in 2014. tracks 1-7 were sequenced on sept 9, 2014. final completion date is oct 3, 2014. refinalized as lp011 on oct 22, 2017. this is my fifth official record.

inri053: written late 2001 and early 2002. this file is ripped from a cd-r that was burnt around 2002, as that was the option that would produce the most accurate reproduction of the original composition. published without modification on oct 6, 2014. expanded, re-released and finalized as symph006 and lp012 on oct 23, 2017.

inri054: recorded in late 2001 and early 2002. track 6 was constructed in may, 2004 out of files recorded 1999-2001. tracks 1-4 were reconstructed over october, 2014. final mixes were finished on october 18, 2014. released on oct 21, 2014. disc closed on oct 30, 2017.

inri055: written in early 2002 and recorded and mixed in early 2002 and late 2014. released on nov 15, 2014. expanded, re-released & finalized on nov 1, 2017.

inri056: written & recorded in late 2001 and early 2002 and mixed in early 2002 and late 2014. released on nov 19, 2014. expanded, re-released and finalized on nov 2, 2017.

inri057: written and recorded in late 2001 and early 2002. initially sequenced in may, 2002. re-sequenced and first released in june, 2002. re-released in slightly different forms from 2002-2014. resequenced to mimic the original sequencing and re-released on november 8, 2014. except to sequence the record, these files have not been altered since 2002. disc finalized as lp013 on nov 3, 2017.

inri058: written over 2001 and 2002 and rethought repeatedly between 2002-2014, with no clear resolution in a final mix. reconstructed from source in late 2014 and then rendered at multiple stages to create a series of snapshots. final mixes were completed over the last week of november and the first week of december. released as a two-volume set on dec 7, 2014. the concept was rethought on nov 3, 2017, which led to the inclusion of five more mixes and an expansion to four cds. re-released in four volumes & finalized as symph007 on nov 12, 2017.

inri059: written and recorded over 2001 and 2002. mildly remixed in november, 2014 to make the tracks more presentable; nothing substantial was altered, and no new sound was recorded. released on november 19, 2014. re-released on physical media and finalized on nov 14, 2017.

inri060: written in august, 2002. track one was remixed in december, 2014 to turn the rest of the track up relative to the vocals. released on dec 12, 2014. disc finalized on nov 14, 2017.

inri061: written over the summer of 2002 and initially recorded in the early fall of 2002. additional writing, arranging, recording, production and mixing occurred from dec, 2014 to apr, 2015. released as a two volume set on april 27, 2015. this release was expanded to include a third disc on nov 17, 2017 and filled in with eight new remixes over the next few days. re-released as a slightly rearranged three volume set and finalized on nov 19, 2017.

inri062: this track was written in late 2002 and completed over april and may, 2015. released may 11, 2015. disc finalized on nov 20, 2017.

inri063: these tracks are all based on existing demos from 2001-2002 that were initially intended to be completed with vocal parts and were remixed from july, 2014 to may, 2015 as purely instrumental recordings. released may 2, 2015. disc finalized as lp014 on nov 21, 2017. this is my sixth official record.

inri064: these tracks were written and recorded over november and december of 2002 and uploaded, unmodified, in may of 2015. released on may 2, 2015. re-released on physical media and finalized on nov 24, 2017.

inri065: written and recorded in early 2003. transcribed, slightly rearranged, remixed repeatedly and re-rendered repeatedly over may, 2015. released on may 16, 2015. expanded & finalized on nov 25, 2017.

inri066: originally written, programmed and recorded from 1996-2002. reclaimed & remixed from june to december of 2015. initial completion date was december 31, 2015. disc finally released, closed and finalized on nov 26, 2017. lp015.

inri067: written and recorded between dec, 1999 and july, 2002, except the hidden track (which was created in the summer of 1998). none of these tracks were remastered or otherwise modified after 2002. disc simultaneously created and finalized as lp016 on nov 26, 2017.

inri068: originally written, programmed and recorded in varying states of finality over 2001 and 2002, except the hidden track (which was programmed in 1997). the associated tracks were completed between february, 2014 and may, 2015; these mixes, however, were spun off as late as nov, 2017. released as lp017 on nov 27, 2017. expanded and finalized on jan 1, 2018.

originally created from 1996-2003. this compilation is dated to apr 25, 2003. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on nov 27, 2017. as always, please use headphones. 

credits

released April 25, 2003

j - guitars (electric, acoustic, classical), analog & digital effects processing, electric mandolin, ebow, electric bass guitar, bass synth, keyboards, synthesizers, electric & grand pianos, electric air reed organ, flute, orchestral & other sequencing, drum & other programming, drum kit, electronic drum kit, percussion, drum & vocal manipulations, pick scrapes, metronomes, vocals, vocal relics, mic noises, vocoders, octavers, films, tapes, sampling, found sounds, paper, strategies, sampling, cool edit wave synthesis, windows 95 sound recorder, noise generators, noise reduction, light-wave synthesis, granular synthesis, generative synthesis, generative percussion, soundraider, hammerhead, sound design, soundscaping, digital wave editing, loops, treaments, equalizers, a broken tape deck, coughs, bowls, claps, tables, pens, chance, text-to-speech synthesis, remixes, reconstructions, reinterpretations, production.

sean - vocals, lyrics (inri048-049, inri053-inri059, inri061), harmonica (inri054, inri057, inri063), ring modulator (inri057-inri058, inri067), vocal concept (inri062)
jon - guitar performance (inri048, inri049, inri057)
greg - drum performance sample source (inri056-inri058, inri063, inri067-inri068)
bob - hammering (inri058)

the various rendered electronic orchestras include acoustic bass, electric bass guitar (fingered & picked), synth bass, upright bass, distorted electric guitar, clean electric guitar, bowed electric guitar, guitar noises (fret noises, knocks, pick scrapes), steel string acoustic guitar, nylon guitar, guitar effects, ukelele, banjo, harp, koto, sitar, french horn, english horn, tuba, trumpet, trombone, brass ensemble, saxophone, soprano saxophone, orchestra hit, theremin, violin, viola, cello, contrabass, pizzicato strings, full string section, piano, synthesizers, synth pad, synthesizer effects, mellotron, organ, bamboo flute, clarinet, flute, piccolo, oboe, english horn, bassoon, voice, music box, tubular bells, tinkle bells, agogo, clavinet, kalimba, xylophone, celesta, glockenspiel, woodblock, vibraphone, hammered percussion, mallet, marimba, taiko drums, gong, detuned piano, pc card, drum kit, jazz drum kit, hand drums, melodic toms, timpani, orchestral drum kit, drum machines, synthetic percussion, backwards cymbals and electronic drum kit. they also include choir. 

 https://jasonparent.bandcamp.com/album/flac-bd-disc-volume-1

jagmeet singh must cut his beard.

ok, so i'm just about caught up to where i was, i just have some final filing to do.

i've updated the period 2 disc to include the electronic drum kit out for the time machine, as that was really written from scratch in june, 2014.



i'll be reapproaching this guitar works thing this evening.

jagmeet singh must cut hits beard.

but, you're not a real anarchist unless you join the international organization of anarchists.

such silly thinking.

jagmeet singh must cut his beard.

where'd the week go?

i had to go through every single release to integrate the blu-ray component. maybe there's a bulk edit option; maybe i just demonstrated the wisdom in using it. but, i also wanted to take the opportunity to check for typos and just generally reorder the liner notes, and this has turned into a more time consuming project than anticipated.

in fact, i'm feeling like i'm going to need to do a second run, but i'm going to fill in the details after the blu-ray disc, to inri074 and a bit beyond it, before i go through the sources, separately this time, just looking for problems in a more self-contained way. it's a second pass. i think it will be a bit quicker.

i'm almost done. and i could even get a volume of the guitar project up before i crash, we'll see.

the electricity thing seems to have worked itself out; i got approved on christmas. thanks. and, i had to call in to get the isp to pro-rate, to start - they say they'll do it for next month, and then let's go from there.

it's otherwise been a typical christmas week: full of distractions but ultimately productive, in some sense.

jagmeet singh must cut his beard.

but, this isn't a winning strategy, though. what it is - and it is this, transparently - is a cynical ploy to try and pry values voters away from the republican party. it's evolved clintonism. and, it keeps failing horribly.

with franken, in particular, it's so transparent that he actually maintains a majority of female support in minnesota, right now. i'm sure the propaganda eats into this, eventually. but, if the intent of the democrats' strategy is to appeal to female voters, and voters concerned about women in general, then this strategy has actually immediately backfired, at least amongst the first voters that examined the situation with any seriousness. this is the predictable actual outcome of clintonism, almost everywhere it's been applied.

but, these are democrats - the conservative party in the system. it was always a strange animal, this liberal democrat - never did make a lot of sense.

liberals in america are going to have to find a way to enfranchise themselves. if organized effectively, they could become an effective third party, with broad influence - by preventing either major party from winning office, and instead sending the issue to a senate that they may have some influence over. it's just the geographic block: the northern part of the midwest has strangely become the country's electoral battleground, but the truth is that this is because the region is so terribly disenfranchised. there is no obvious answer in either party as to how to remedy this. the great lakes are going to need a localized political movement, and it's likely to surprise people just how left-leaning that's likely to end up. i think there's good potential for organizing a third party in the midwest right now, anyways - minnesota, wisconsin, michigan, illinois, ohio, iowa, missouri. even uniting a small block of these states in a third party could cause havoc, with the otherwise locked map.

what if minnesota, michigan and wisconsin voted in a block for the green party, instead of ending up in a virtual tie? that would have prevented trump from getting to 270 electoral votes, and forced the senate to declare a president from the top three candidates. in 2016, the candidates were less than optimal, and so that choice seems less meaningful. but, now, imagine a future where a liberal bloc from the midwest has some power in the congress. they could potentially bring in a vice-president.

but, do i think al franken should unresign? no; they'll just keep throwing more stories at him. you'll note the accusations have stopped. he was just dragged out by his ear for running his mouth off, he wasn't really presented with a real choice. there was no other outcome.

i might have liked to see him fight it a little harder, but i wasn't expecting him to, either.

the democrats have defined themselves clearly, moving forwards. it's up to the rest of the country to determine if it wants to follow their lead or not.

https://www.cnbc.com/2017/12/19/al-franken-unresigning-could-kill-democrats-2018-chances-commentary.html

jagmeet singh must cut his beard.