what i'm going to say is this.
i want a younger candidate, and will jump on one if i can find one. but, if i can't, i'm going to end up supporting him, by default. and, i've always supported fringe candidates like kucinich or nader, so don't be surprised if i can't find anybody i'm willing to support in the democratic field, either.
but, frankly? it's starting to look like the left needs to plan for 2024. i may stick with sanders in the end, but if i do it will likely be as a protest vote.
if a younger candidate does appear, i'm going to expect bernie to step back, too.
https://www.cbc.ca/news/world/bernie-sanders-2020-bid-1.5024206
Tuesday, February 19, 2019
so, this is comical.
but, keeping in mind that the toronto star is considered to be the closest thing that we have to english-language, liberal-leaning msm in this country, it demonstrates the power that this company has, here - and the factors underlying the situation.
the rest of the media is right-leaning and all over this. the toronto star is supposed to come to the pmo's aide; instead, it's throwing them under the bus to save the impugned reputation of the corporation in question.
as mentioned: they need to create a major distraction. firing gerald butts wasn't it.
https://www.thestar.com/business/opinion/2019/02/19/david-olive-the-snc-lavalin-scandal-lies-entirely-with-the-trudeau-government.html
but, keeping in mind that the toronto star is considered to be the closest thing that we have to english-language, liberal-leaning msm in this country, it demonstrates the power that this company has, here - and the factors underlying the situation.
the rest of the media is right-leaning and all over this. the toronto star is supposed to come to the pmo's aide; instead, it's throwing them under the bus to save the impugned reputation of the corporation in question.
as mentioned: they need to create a major distraction. firing gerald butts wasn't it.
https://www.thestar.com/business/opinion/2019/02/19/david-olive-the-snc-lavalin-scandal-lies-entirely-with-the-trudeau-government.html
at
16:46
do you have to go to jewish media to get some sanity on the topic?
fuck.
https://www.jpost.com/International/Outrage-in-Syria-Iraq-as-ISIS-members-treated-as-celebrities-in-west-581103
fuck.
https://www.jpost.com/International/Outrage-in-Syria-Iraq-as-ISIS-members-treated-as-celebrities-in-west-581103
at
15:40
"material support to a terrorist group" is not a new concept under british common law, either - it comes directly from the idea of "aiding and abetting" a criminal, which is well established and not very controversial.
at
15:29
i don't agree.
there is a law against providing material support to a terrorist group, and these women should be prosecuted under it.
https://www.telegraph.co.uk/news/2019/02/19/isil-brides-cannot-prosecuted-simply-going-syria-met-chief-admits/
there is a law against providing material support to a terrorist group, and these women should be prosecuted under it.
https://www.telegraph.co.uk/news/2019/02/19/isil-brides-cannot-prosecuted-simply-going-syria-met-chief-admits/
at
15:18
the stock market is just another casino - it's not a reflection of the economy, it's just a venue for people to gamble their savings. it goes up and down based on random trivialities that have little - and usually nothing - to do with the performance of the actual companies.
if investors want the market to go up, it goes up. nothing else really matters. it's just supply and demand, really.
nothing except one thing, that is. the one law it has to obey, whether it likes it or not, is that money has to exist before it can be traded. so, when you suck money out of the economy - which is what the feds are doing - then you necessarily suck money out of the markets at the same time. if a lag exists between a contraction in the market and an application of this policy, a bubble is created.
now, there's no rule that says this bubble has to burst, other than that people have to move their money around at some point. what ends up happening is that people have to sell their investments to pay for other things. this drives the price down. but, so long as people don't sell, so long as they find some other way to make up for the shortfall of the monetary contraction, the bubble floats off into space...
why did we see a crash around christmas, then? because people were reassessing their finances at the end of the year. they may have been selling stocks to raise money for christmas presents, vacations, etc. now, they're sitting at home, leaving their investments alone like they've been told to.
but, all the feds have been doing for years now is sucking money out of the economy, so the underlying cause of the last correction is just building up on itself.
i don't know when it starts to crash again. people don't seem to want to sell...they seem to have a lot of faith in this system, and that's hard to shake.
but, the monetary contraction is a vicious force, and it can't be undone by positive thinking.
it's a matter of time before it happens - and expect carnage when it clicks in.
if investors want the market to go up, it goes up. nothing else really matters. it's just supply and demand, really.
nothing except one thing, that is. the one law it has to obey, whether it likes it or not, is that money has to exist before it can be traded. so, when you suck money out of the economy - which is what the feds are doing - then you necessarily suck money out of the markets at the same time. if a lag exists between a contraction in the market and an application of this policy, a bubble is created.
now, there's no rule that says this bubble has to burst, other than that people have to move their money around at some point. what ends up happening is that people have to sell their investments to pay for other things. this drives the price down. but, so long as people don't sell, so long as they find some other way to make up for the shortfall of the monetary contraction, the bubble floats off into space...
why did we see a crash around christmas, then? because people were reassessing their finances at the end of the year. they may have been selling stocks to raise money for christmas presents, vacations, etc. now, they're sitting at home, leaving their investments alone like they've been told to.
but, all the feds have been doing for years now is sucking money out of the economy, so the underlying cause of the last correction is just building up on itself.
i don't know when it starts to crash again. people don't seem to want to sell...they seem to have a lot of faith in this system, and that's hard to shake.
but, the monetary contraction is a vicious force, and it can't be undone by positive thinking.
it's a matter of time before it happens - and expect carnage when it clicks in.
at
14:35
what the market is demonstrating is that it doesn't exist in any sort of connection to any kind of economic reality. that's not news to anybody, despite the extended length of this continuing period of absolute delusion.
i am not changing my analysis of the situation: the bubble is simply getting more exaggerated, and it is still due to crash by over 10,000 points at any moment.
the cause of this imminent crash will be the monetary policies put in place by the republicans, specifically a contraction of the balance sheet. and, the only way to reverse it will be to print more money.
you simply can't destroy money and expand the economy at the same time. the longer that investors delude themselves to this fact by playing with these make believe numbers, the harder the crash ends up in the end.
i am not changing my analysis of the situation: the bubble is simply getting more exaggerated, and it is still due to crash by over 10,000 points at any moment.
the cause of this imminent crash will be the monetary policies put in place by the republicans, specifically a contraction of the balance sheet. and, the only way to reverse it will be to print more money.
you simply can't destroy money and expand the economy at the same time. the longer that investors delude themselves to this fact by playing with these make believe numbers, the harder the crash ends up in the end.
at
14:19
Monday, February 18, 2019
see, it's not just the snc-lavalin thing that just happened.
the party also just fired john mccallum, and broke with a historical foreign policy in venezuela. the cabinet shift was caused by the resignation of scott brison. these are big, paradigmatic changes in the liberal party.
to have gerald butts - a richelieu type character - walk out like this is either a forceful reversal, or the next step in a process.
i've been calling for the former and will be ecstatic if i was heeded, through whatever ether or zeitgeist i'm communicating through. but, i actually suspect it's the latter - that this is a palace coup spearheaded by the party's right, which wants to put chrystia freeland in power.
we'll find out soon.
the party also just fired john mccallum, and broke with a historical foreign policy in venezuela. the cabinet shift was caused by the resignation of scott brison. these are big, paradigmatic changes in the liberal party.
to have gerald butts - a richelieu type character - walk out like this is either a forceful reversal, or the next step in a process.
i've been calling for the former and will be ecstatic if i was heeded, through whatever ether or zeitgeist i'm communicating through. but, i actually suspect it's the latter - that this is a palace coup spearheaded by the party's right, which wants to put chrystia freeland in power.
we'll find out soon.
at
23:47
the resignation of gerald butts is a major change in the canadian political landscape, heading into the 2019 election. while he appears to be taking the fall for the snc-lavelin scandal, i suspect that this is actually somewhat of a smokescreen for a shift in policy direction.
i've been stating for months - years - that the party needs to flex it's muscles, and change it's policy direction, before trudeau leads them so far to the right that they end up politically irrelevant. i don't think that anybody actually voted for justin trudeau. when you strip away the layers of nostalgia for his father, of partisan liberal support, of stolen ndp positions (all of which have been abandoned) and of anti-harperism, the only thing that trudeau was actually running on as an individual was marijuana, relegating his political base to fickle first-time voters. and, now we're making major shifts in foreign policy that are undoing the party's legacy, and really flipping their branding over.
recent polling suggests the liberals are in fact in trouble. and, why wouldn't they be? we voted harper out with disdain, only for him to reappear in a prom dress.
but, it's not entirely clear yet which side of the argument won this debate. and, that is what we're going to figure out in the upcoming days and weeks: was butts pushed out by the party's old guard, which is trying to take control of a sinking ship, or was he a victim of his own success - purged by a party that wants to realign itself on the right.
i've been stating for months - years - that the party needs to flex it's muscles, and change it's policy direction, before trudeau leads them so far to the right that they end up politically irrelevant. i don't think that anybody actually voted for justin trudeau. when you strip away the layers of nostalgia for his father, of partisan liberal support, of stolen ndp positions (all of which have been abandoned) and of anti-harperism, the only thing that trudeau was actually running on as an individual was marijuana, relegating his political base to fickle first-time voters. and, now we're making major shifts in foreign policy that are undoing the party's legacy, and really flipping their branding over.
recent polling suggests the liberals are in fact in trouble. and, why wouldn't they be? we voted harper out with disdain, only for him to reappear in a prom dress.
but, it's not entirely clear yet which side of the argument won this debate. and, that is what we're going to figure out in the upcoming days and weeks: was butts pushed out by the party's old guard, which is trying to take control of a sinking ship, or was he a victim of his own success - purged by a party that wants to realign itself on the right.
at
23:12
so, i've now got all of those boxes properly organized and put away. there's one stack of cds and one box of books left out for easy access, which is very specifically books and cds from the period up to mid-1997, which is the next period i'll be working on in the alter-reality.
the last run through the main pc (i keep calling it that, but it is now merely the 32-bit box) is now done, as well. this included a final browse through the directory structure for loose files, as well as an attempt to undelete any files sitting on the drive.
and, in the process, i found something i thought i had lost - a file called archive.pst, dated to late 2011. it was hiding in the virtual machine, and had to be brought back using a file recovery utility. this might be my missing email. or, it might be corrupted beyond readability. i'll find out over the next few days.
i found a few other large psts as well, with dcxx file names, indicating they're likely unreadable. we'll find out...
that means i'm back to the email process this week.
there's two things left to do before i can get back to sitting on the laptop and organizing files for the rebuild. i want to run the same file recovery process on my old quantum fireball, in the hopes that i can find some old thunderbird boxes. i suspect they're there; the question is if they're readable. i'm also still running an undelete process on two relatively old hard drives that don't have vista/7 drivers and can only be read from inside xp, but that i can't get my 32-bit box to read, either (because i broke the plug and play on purpose). so, this is running on the 90s laptop - and is slow. it's getting there.
a day or two, tops. i think.
i also took the opportunity to do some organizing and general cleaning. i can't remember how i described this basement apartment; i know there are neither pictures nor video up yet, which is quite conscious. but, it's organized in such a way that there are two bedroom-like enclaves (with sliding doors that are kept always open), but no dining room or eat-in kitchen (there is of course a kitchen, with the luxury of laundry in it, and a bathroom). the way i have it set up is that i'm using one of these enclaves as a bedroom and the other as a dining/living room, then using the main area as a studio. something you'll note is that the only thing i actually do in the "living" room is eat - i spend almost all of my time in my bedroom or in the studio. i guess this is a function of the fact that i neither watch tv nor have any friends. my "living room" is really the studio. i think i was over this a few times last year - the actual functions of the spaces i need are to sleep/type/read, to record and to eat. so, i need three rooms, organized in some capacity. the last basement had four rooms, with the fourth being a big eat-in kitchen, but i didn't actually use it for anything other than to store garbage; i ate in the living room. the smoky apartment had two rooms, and i consequently found it a little cramped, as i had to force everything into one space. three is a better number, here - even if the total floor space is technically somewhat smaller (it's a negligible difference).
for the last several months, i've just had everything piled into the other room, waiting for it to be cleaned - loose plastic recyclables, receipts, user manuals, books, cds, bills, documents, old school work, etc. i've finally got all of this cleaned up and organized, which has converted the area into an actual liveable space. the studio is still messy, but it is at least in order - although i need to caution that it could be a while before i get back into there. even keeping in mind that i will need to catch up in the alter-reality before i get back to working on the discography, the material from 2003-2004 is actually entirely completed (a rarity in my discography), meaning the next projects to reconstruct actually date to late 2004 and early 2005. the next major project i'm going to be actually working on is a matlab project, and is going to be about programming, rather than recording - i'm going to be writing an entire record using mathematics and physical modelling. i've got about 15 minutes to start with and a handful of loose ideas to base sounds around. expect this to be exceedingly abstract. i may even use it as an excuse to finally get into reaktor or whatever passes for it nowadays; the point is that i'm not going to be getting back to actual note-based music composition until i delve well more than a year back into the discography.
i'm still hesitant about planning around this basement, but my best option may be to wait for a spot in a subsidized building. the air quality comes up and down, but seems to be workable so long as the fan is on. i've done a few extra caulking layers and think i've reached the endpoint of what i can do with that. i still just can't figure out if there's a teenager upstairs smoking, or the air in the neighbourhood is just bad, all around...and, if i can figure out the answer to this, i'll be able to plan the future a little better.
i think i can get a few shelves, regardless - one for cds and one for books. the plan will be to fill these shelves as i work through the alter-reality. i don't need to commit to this basement long-term to spend $40-50 on some relevant general utility shelving. but, i'll need to wait until the spring before i start thinking about hauling shelves around; that's fine, it'll be a few weeks, at least, before i get there. i'm not building custom shelves like i wanted to in the other space, and am glad i didn't.
i think the primary concern once i get these files aligned is actually going to be fixing the broken laptop, one way or the other. i bought parts for it, only to have the processor finally fry. if i can't find a way to bring it back, i'm hoping i can find a cheap replacement and swap out the parts. this is an hp pavillion that was manufactured in the 2010-2012 period. you'd think i could find a replacement that can take similar parts for less than $200, and that's fine - i still have cash my grandmother gave me for that explicit purpose. the price has just come down since then. i'll be using such a laptop - with 8 gb of ram - as a video editing machine, kept offline, and connected to one of the other machines via a local network. i'll have to transfer the files to the internet gateway via some kind of flash device.
so, that's my update for the last few days - i'm kind of turning a corner on some things, and getting closer to getting back to the rebuild. so long as things unfold as planned, this will be worth it in the long run.
now, regarding these court cases...
still no response from the cops. this was day 108 of the 120-day statutory period. they're running out of time. so, i sent them a note.
i'm still waiting for the privacy commissioner, but will give them until the end of the month.
the file destruction request, on the other hand, is something i'm getting impatient about - i should have heard a response by now and will need to get on the phone shortly.
i'm waiting for the report from the cops before i decide on what to do regarding the court audio. you have to understand that i could sue this woman and win, then never see the cash, so i'm better off suing the cops under a charter breach. but, the thing is that there's no time frame on a charter case, and about a year-long time frame regarding a human rights case. so, i can wait for the cops to drag the charter case out, but i can't wait for them to drag the human rights case out.
if it starts to look like the cops are just stalling - and it's getting close to that point - then i'm going to have to move forward on the human rights case. but, if i get a good report, i might skip it.
the point is that i'm waiting for the report before i make my next move, whatever it is.
the last run through the main pc (i keep calling it that, but it is now merely the 32-bit box) is now done, as well. this included a final browse through the directory structure for loose files, as well as an attempt to undelete any files sitting on the drive.
and, in the process, i found something i thought i had lost - a file called archive.pst, dated to late 2011. it was hiding in the virtual machine, and had to be brought back using a file recovery utility. this might be my missing email. or, it might be corrupted beyond readability. i'll find out over the next few days.
i found a few other large psts as well, with dcxx file names, indicating they're likely unreadable. we'll find out...
that means i'm back to the email process this week.
there's two things left to do before i can get back to sitting on the laptop and organizing files for the rebuild. i want to run the same file recovery process on my old quantum fireball, in the hopes that i can find some old thunderbird boxes. i suspect they're there; the question is if they're readable. i'm also still running an undelete process on two relatively old hard drives that don't have vista/7 drivers and can only be read from inside xp, but that i can't get my 32-bit box to read, either (because i broke the plug and play on purpose). so, this is running on the 90s laptop - and is slow. it's getting there.
a day or two, tops. i think.
i also took the opportunity to do some organizing and general cleaning. i can't remember how i described this basement apartment; i know there are neither pictures nor video up yet, which is quite conscious. but, it's organized in such a way that there are two bedroom-like enclaves (with sliding doors that are kept always open), but no dining room or eat-in kitchen (there is of course a kitchen, with the luxury of laundry in it, and a bathroom). the way i have it set up is that i'm using one of these enclaves as a bedroom and the other as a dining/living room, then using the main area as a studio. something you'll note is that the only thing i actually do in the "living" room is eat - i spend almost all of my time in my bedroom or in the studio. i guess this is a function of the fact that i neither watch tv nor have any friends. my "living room" is really the studio. i think i was over this a few times last year - the actual functions of the spaces i need are to sleep/type/read, to record and to eat. so, i need three rooms, organized in some capacity. the last basement had four rooms, with the fourth being a big eat-in kitchen, but i didn't actually use it for anything other than to store garbage; i ate in the living room. the smoky apartment had two rooms, and i consequently found it a little cramped, as i had to force everything into one space. three is a better number, here - even if the total floor space is technically somewhat smaller (it's a negligible difference).
for the last several months, i've just had everything piled into the other room, waiting for it to be cleaned - loose plastic recyclables, receipts, user manuals, books, cds, bills, documents, old school work, etc. i've finally got all of this cleaned up and organized, which has converted the area into an actual liveable space. the studio is still messy, but it is at least in order - although i need to caution that it could be a while before i get back into there. even keeping in mind that i will need to catch up in the alter-reality before i get back to working on the discography, the material from 2003-2004 is actually entirely completed (a rarity in my discography), meaning the next projects to reconstruct actually date to late 2004 and early 2005. the next major project i'm going to be actually working on is a matlab project, and is going to be about programming, rather than recording - i'm going to be writing an entire record using mathematics and physical modelling. i've got about 15 minutes to start with and a handful of loose ideas to base sounds around. expect this to be exceedingly abstract. i may even use it as an excuse to finally get into reaktor or whatever passes for it nowadays; the point is that i'm not going to be getting back to actual note-based music composition until i delve well more than a year back into the discography.
i'm still hesitant about planning around this basement, but my best option may be to wait for a spot in a subsidized building. the air quality comes up and down, but seems to be workable so long as the fan is on. i've done a few extra caulking layers and think i've reached the endpoint of what i can do with that. i still just can't figure out if there's a teenager upstairs smoking, or the air in the neighbourhood is just bad, all around...and, if i can figure out the answer to this, i'll be able to plan the future a little better.
i think i can get a few shelves, regardless - one for cds and one for books. the plan will be to fill these shelves as i work through the alter-reality. i don't need to commit to this basement long-term to spend $40-50 on some relevant general utility shelving. but, i'll need to wait until the spring before i start thinking about hauling shelves around; that's fine, it'll be a few weeks, at least, before i get there. i'm not building custom shelves like i wanted to in the other space, and am glad i didn't.
i think the primary concern once i get these files aligned is actually going to be fixing the broken laptop, one way or the other. i bought parts for it, only to have the processor finally fry. if i can't find a way to bring it back, i'm hoping i can find a cheap replacement and swap out the parts. this is an hp pavillion that was manufactured in the 2010-2012 period. you'd think i could find a replacement that can take similar parts for less than $200, and that's fine - i still have cash my grandmother gave me for that explicit purpose. the price has just come down since then. i'll be using such a laptop - with 8 gb of ram - as a video editing machine, kept offline, and connected to one of the other machines via a local network. i'll have to transfer the files to the internet gateway via some kind of flash device.
so, that's my update for the last few days - i'm kind of turning a corner on some things, and getting closer to getting back to the rebuild. so long as things unfold as planned, this will be worth it in the long run.
now, regarding these court cases...
still no response from the cops. this was day 108 of the 120-day statutory period. they're running out of time. so, i sent them a note.
i'm still waiting for the privacy commissioner, but will give them until the end of the month.
the file destruction request, on the other hand, is something i'm getting impatient about - i should have heard a response by now and will need to get on the phone shortly.
i'm waiting for the report from the cops before i decide on what to do regarding the court audio. you have to understand that i could sue this woman and win, then never see the cash, so i'm better off suing the cops under a charter breach. but, the thing is that there's no time frame on a charter case, and about a year-long time frame regarding a human rights case. so, i can wait for the cops to drag the charter case out, but i can't wait for them to drag the human rights case out.
if it starts to look like the cops are just stalling - and it's getting close to that point - then i'm going to have to move forward on the human rights case. but, if i get a good report, i might skip it.
the point is that i'm waiting for the report before i make my next move, whatever it is.
at
22:30
and, in fact, the lawsuit is even more frivolous than i thought, because the president isn't even authorizing new funds, but redirecting them.
what trump is actually doing in his executive order is redirecting funds from the drug war to the border wall. the lawsuit is claiming that this is a presidential usurpation of the public purse; but, these funds are already allocated. so, their argument is actually even technically wrong.
i don't actually think that the courts would have had the jurisdiction if what they were saying was even true. but, as it is, what they're saying isn't even true in the first place...
the congress should be able to block this without the use of the courts, and it clearly has the numbers to do it, based on the bill that necessitated it. if they're serious, they'll invoke their own authority, which is a proper constitutional use of power.
the only constitutional crisis here is the potential use of judicial overreach to overturn executive power. but, the judiciary will excuse itself; if it does not, that is where the problem lays.
what trump is actually doing in his executive order is redirecting funds from the drug war to the border wall. the lawsuit is claiming that this is a presidential usurpation of the public purse; but, these funds are already allocated. so, their argument is actually even technically wrong.
i don't actually think that the courts would have had the jurisdiction if what they were saying was even true. but, as it is, what they're saying isn't even true in the first place...
the congress should be able to block this without the use of the courts, and it clearly has the numbers to do it, based on the bill that necessitated it. if they're serious, they'll invoke their own authority, which is a proper constitutional use of power.
the only constitutional crisis here is the potential use of judicial overreach to overturn executive power. but, the judiciary will excuse itself; if it does not, that is where the problem lays.
at
20:48
yeah. this is a political stunt, not a serious legal argument.
as mentioned, they didn't file it in san francisco by accident. the rubber-stamp kangaroo court there will follow party dictates and send it up to the next level. the democrats can always rely on an easy injunction using this method, as they control this particular court.
but, this argument stands exactly zero chance of working in the long run.
the real question is as follows: why aren't the democrats launching a judicial review? was a deal made around politicizing the issue in a hopeless court battle as a face-saving mechanism?
https://www.nytimes.com/2019/02/18/us/politics/national-emergency-lawsuits-trump.html
as mentioned, they didn't file it in san francisco by accident. the rubber-stamp kangaroo court there will follow party dictates and send it up to the next level. the democrats can always rely on an easy injunction using this method, as they control this particular court.
but, this argument stands exactly zero chance of working in the long run.
the real question is as follows: why aren't the democrats launching a judicial review? was a deal made around politicizing the issue in a hopeless court battle as a face-saving mechanism?
https://www.nytimes.com/2019/02/18/us/politics/national-emergency-lawsuits-trump.html
at
20:30
have these professors been living on a different planet, or what?
the opposition has been boycotting elections in the country for years, creating a facade of illegitimacy that all evidence suggests is unwarranted. their tactic is as follows:
1. boycott the election
2. after the opposition refuses to participate, and the results are skewed, claim the election is rigged.
3. ????????????
4. profit.
i guess the academy is filling in the third step, here. but, it is entirely unclear why the opposition would observe this election, when it has refused to observe the last batch of them.
the solution to this problem is not in calling any kind of election. i've stated this point more than once: the message the world should be sending to the opposition is that if you don't want to take part in the election then you don't get a say in governing.
and, the solution can be nothing more or less than forcing everybody to wait until the next scheduled election.
there is a difference between ochlocracy and democracy. look it up.
https://www.theguardian.com/world/2019/feb/17/proposal-to-end-the-crisis-in-venezuela
the opposition has been boycotting elections in the country for years, creating a facade of illegitimacy that all evidence suggests is unwarranted. their tactic is as follows:
1. boycott the election
2. after the opposition refuses to participate, and the results are skewed, claim the election is rigged.
3. ????????????
4. profit.
i guess the academy is filling in the third step, here. but, it is entirely unclear why the opposition would observe this election, when it has refused to observe the last batch of them.
the solution to this problem is not in calling any kind of election. i've stated this point more than once: the message the world should be sending to the opposition is that if you don't want to take part in the election then you don't get a say in governing.
and, the solution can be nothing more or less than forcing everybody to wait until the next scheduled election.
there is a difference between ochlocracy and democracy. look it up.
https://www.theguardian.com/world/2019/feb/17/proposal-to-end-the-crisis-in-venezuela
at
11:17
Sunday, February 17, 2019
you want democracy in syria?
great.
then your single biggest advocate inside the country is bashar al-assad, who may in the end end up dying for it.
great.
then your single biggest advocate inside the country is bashar al-assad, who may in the end end up dying for it.
at
18:55
those of us with memories better than those of your average gerbil will recall that the reason we're in this mess in the first place is that the saudis were trying to stop the syrians from moving to a constitutional republic.
what the media refers to as a "civil war" in syria has always been a foreign backed invasion to stop the country from moving towards democracy. i have to repeat this point when i make it: what the americans have been doing in syria is not spreading democracy, but rather helping the saudis to stamp it out before it spreads.
i don't know how the americans walk this back, in the end. they're still talking about assad as a dictator, even while he's openly planning a democratic transition. i suppose they'll probably claim the elections are rigged.
so, when you hear talk of these opposition groups demanding that the constitution be altered as a pre-condition, you have to put it in context. syria just fought a brutal war to save a constitution that was passed less than ten years ago.
all of these people can't have died for nothing.
https://en.unesco.org/creativity/policy-monitoring-platform/syrias-new-constitution
what the media refers to as a "civil war" in syria has always been a foreign backed invasion to stop the country from moving towards democracy. i have to repeat this point when i make it: what the americans have been doing in syria is not spreading democracy, but rather helping the saudis to stamp it out before it spreads.
i don't know how the americans walk this back, in the end. they're still talking about assad as a dictator, even while he's openly planning a democratic transition. i suppose they'll probably claim the elections are rigged.
so, when you hear talk of these opposition groups demanding that the constitution be altered as a pre-condition, you have to put it in context. syria just fought a brutal war to save a constitution that was passed less than ten years ago.
all of these people can't have died for nothing.
https://en.unesco.org/creativity/policy-monitoring-platform/syrias-new-constitution
at
18:35
i would not be particularly upset if the kurds just killed them on the spot.
https://www.theguardian.com/world/2019/feb/17/islamic-state-isis-baghuz-trump-calls-on-european-allies-to-take-800-fighters-captured-in-syria
https://www.theguardian.com/world/2019/feb/17/islamic-state-isis-baghuz-trump-calls-on-european-allies-to-take-800-fighters-captured-in-syria
at
12:46
almost done with this, i just have to separate the initial list up to 2003 into periods one and period two.
i'll be writing reviews for new releases from 1997-1999 over the upcoming months, then putting those releases on the shelves. and, i'm actually thinking that the down period over 1997 may give me an excuse to do some writing on some older media i have, just to be comprehensive.
slowly...
i'll be writing reviews for new releases from 1997-1999 over the upcoming months, then putting those releases on the shelves. and, i'm actually thinking that the down period over 1997 may give me an excuse to do some writing on some older media i have, just to be comprehensive.
slowly...
at
12:34
and, something happened when i went back to school in '08 - i stopped spending money on cds, and started downloading music. so, i've got a terrabyte of mp3s since then, and very few physical discs. there's a few left, not many....
at some point, i'll want to rectify that. there's certain things - la dispute, 65daysofstatic, son lux, screaming females - that belong on the shelf. but, it could be a while longer, still.
i decided i wouldn't review anything without buying it, so that's the limitation i'm getting around.
but, that gets me in order, anyways. and, i'm about to pass out.
at some point, i'll want to rectify that. there's certain things - la dispute, 65daysofstatic, son lux, screaming females - that belong on the shelf. but, it could be a while longer, still.
i decided i wouldn't review anything without buying it, so that's the limitation i'm getting around.
but, that gets me in order, anyways. and, i'm about to pass out.
at
03:26
so, here's the list from late 2006 to mid 2008, which, with the last list, corresponds to the time i was out of school.
i didn't have a clean compare algorithm, here, i had to sort through, and i no doubt missed a few. i don't have snapshots after 2007. but, i'll catch them in the end - they're there.
i'm all over the place, here.
i didn't have a clean compare algorithm, here, i had to sort through, and i no doubt missed a few. i don't have snapshots after 2007. but, i'll catch them in the end - they're there.
i'm all over the place, here.
up to june, 2008
| a silver mt. zion | pretty little lightning paw | 2004 | cst | 030 | 30:16 | 9 |
| 13 blues for thirteen moons | 2008 | cst | 051 | 59:04 | 0 | |
| acid mothers temple & the melting paraiso ufo | nam myo ho ren ge kyo | 2007 | ace fu | 047 | 65:16 | 5 |
| adrian belew | side two | 2005 | sanctuary | 755 | 33:13 | 2 |
| side three | 2006 | sanctuary | 777 | 38:45 | 9 | |
| allan holdsworth | atavachron | 1986 | 2064 | 36:44 | 3 | |
| animal collective | hollinndagain | 2002 | paw tracks | 12 | 41:33 | 5 |
| feels | 2005 | splinter | 11 | 51:48 | 0 | |
| aphex twin | girl/boy | 1996 | warp | wap-78 | 15:25 | 5 |
| richard d. james album | 1996 | warp-43 | 32:43 | 0 | ||
| autechre | incunabula | 1993 | warp | 0017 | 78:03 | 3 |
| amber | 1994 | 0025 | 74:25 | 2 | ||
| chiastic slide | 1997 | 0049 | 69:51 | 0 | ||
| lp5 | 1998 | 0066 | 73:16 | 1 | ||
| ep 7.1 | 1999 | ep7 | 29:32 | 3 | ||
| ep 7.2 | 1999 | ep7 | 30:45 | 0 | ||
| peel session 2 | 2000 | 9150 | 29:30 | 3 | ||
| confield | 2001 | 74:00 | 4 | |||
| gantz graf | 2002 | 9256 | 19:17 | 1 | ||
| draft 7.30 | 2003 | 0111 | 62:47 | 3 | ||
| untilted | 2005 | 0180 | 69:49 | 2 | ||
| between the buried and me | alaska | 2005 | victory | 262 | 53:54 | 10 |
| colors | 2007 | 351 | 64:12 | 7 | ||
| bjork | medulla | 2004 | 62 984 | 45:46 | 2 | |
| black sabbath | paranoid | 1970 | warner brothers | 27 327 | 42:11 | 8 |
| brian eno | (no pussyfooting) | 1973 | eg | 1-02 | 39:44 | 0 |
| evening star | 1975 | 1-03 | 47:34 | 1 | ||
| music for films | 1978 | 1-05 | 41:04 | 1 | ||
| can | tago mago | 1971 | mute | 9273 | 73:30 | 0 |
| ege bamyasi | 1972 | 9274 | 40:11 | 1 | ||
| carlos santana | blues for salvador | 1987 | columbia | 40875 | 45:09 | 3 |
| claude debussy | nocturnes | 1899 | phillips | 11 433 | 26:57 | 0 |
| la mer | 1905 | 11 433 | 24:09 | 1 | ||
| cocteau twins | blue bell knoll | 1988 | 4ad/vertigo | 36 484 | 35:16 | 3 |
| cop shoot cop | release | 1994 | interscope | 92 424 | 50:30 | 3 |
| cornershop | when i was born for the 7th time | 1997 | warner bros | 46 576 | 54:18 | 3 |
| david bowie | tin machine | 1989 | 91 990 | 56:49 | 9 | |
| django reinhardt | jazz in paris vol. 13 | 1939 | emarcy | 59 854 | 51:02 | 3 |
| do make say think | you, you're a history in rust | 2007 | 045 | 48:29 | 3 | |
| einstuerzende neubauten | perpetuum mobile | 2004 | mute (time-warner) | 9-237 | 2 | |
| fennesz | venice | 2004 | touch | 53 | 3 | |
| fuck buttons | street horrrsing | 2008 | atpr | 028 | 0 | |
| genesis | genesis | 1983 | 7 | |||
| henryk gorecki | string quartets 1 and 2 | 1988 / 1991 | nonesuch | 79319 | 3 | |
| hindu love gods | s/t | 1990 | giant | 24406 | 5 | |
| hrsta | ghosts will come ahd kiss our eyes | 2007 | cst | 48 | 3 | |
| iron butterfly | in-a-gadda-da-vida | 1968 | atco | 20217 | 90 392 | 8 |
| john bayless | bach meets the beatles | 1984 | pro-arte | 211 | 8 | |
| jello biafra & the melvins | sieg howdy! | 2005 | alternative tentacles | 350 | 2 | |
| john zorn | duras:duchamp | 1997 | 3 | |||
| xu feng | 2000 | 0 | ||||
| naninani II | 2004 | tzadik | 250 | 2 | ||
| john mclaughlin | molom | 1995 | 3 | |||
| john tavener | the protecting veil | 1996 | 3 | |||
| jonny greenwood | bodysongs | 2002 | emi | 95147 | 2 | |
| king crimson | beat | 1981 | 2 | |||
| three of a perfect pair | 1984 | 1 | ||||
| kingdom shore | ...and all the dogs to shark | 3 | ||||
| kronos quartet | black angels | 1990 | nonesuch/elektra | 79242 | 4 | |
| howl, usa | 1997 | elektra/nonesuch | 79372 | 4 | ||
| lamb | fear of fours | 1999 | mercury | 58 821 | 3 | |
| led zeppelin | led zeppelin | 1969 | atlantic | 82632 | 4 | |
| ludwig van beethoven | symphony no. 5 (opus #67) | 1808 | sb2k | 63266 | 0 | |
| symphony no. 6 (opus #68) | 1808 | sb2k | 63266 | 1 | ||
| symphony no. 7 (opus #92) | 1813 | pilz | 067 | 1 | ||
| symphony no. 8 (opus #93) | 1814 | sb2k | 63266 | 2 | ||
| mammatus | mammatus | 2006 | holy mountain | 17974 | 1 | |
| the coast explodes | 2007 | holy mountain | 8516 | 1 | ||
| meat beat manifesto | subliminal sandwich | 1996 | nothing (universal) | 90 069 | 2 | |
| hello friends | 2001 | shadow | 097 | 4 | ||
| at the center | 2005 | thirsty ear | 57 159 | 2 | ||
| meg lee chin | junkies and snakes | 2000 | invisible | 176 | 5 | |
| mike keneally | hat. | 1992 | exowax | promo | 1 | |
| boil that dist speck | 1994 | exowax | promo | 1 | ||
| sluggo | 1997 | immune | 018 | 1 | ||
| miles davis | 'round about midnight | 1957 | columbia | 2 | ||
| moebius & plank | rastakraut pasta | 1980 | 3 | |||
| material | 1981 | 3 | ||||
| mr. bungle | mr. bungle | 1990 | 3 | |||
| my bloody valentine | isn't anything | 1988 | 1 | |||
| loveless | 1991 | 0 | ||||
| nine inch nails | year zero | 2007 | 2 | |||
| ghosts | 2008 | 2 | ||||
| pelican | city of echoes | 2005 | hydra head | 124 | 3 | |
| philip glass | passages | 1990 | 0 | |||
| kundun | 1997 | nonesuch | 79460 | 2 | ||
| pink floyd | the division bell | 1994 | 2 | |||
| plaid | double figure | 2001 | warp | 084 | 2 | |
| red hot chili peppers | mother's milk | 1989 | columbial | 13 892 | 2 | |
| bloodsugarsexmagik | 1991 | warner brothers | 45 448 | 0 | ||
| robert fripp | (no pussyfooting) | 1973 | eg | 1-02 | 39:44 | 0 |
| evening star | 1975 | 1-03 | 47:34 | 1 | ||
| set fire to flames | sings reign rebuilder | 2002 | alien8 | 130701 | 6 | |
| skerik | syncopated taint septet | 2003 | ryko | 16 039 | 1 | |
| sonic youth | the whitey album | 1988 | 3 | |||
| steve reich | electric counterpoint | 1987 | nonesuch (time-warner) | 79 176 | 1 | |
| different trains | 1988 | nonesuch (time-warner) | 79 176 | 3 | ||
| the chicago underground trio | flamethrower | 2000 | delmark | 521 | 2 | |
| the fall | cheetham hill | 1997 | receiver | 247 | 3 | |
| the grassy knoll | III | 1998 | nettwerk | 30127 | 2 | |
| the jimi hendrix experience | axis: bold as love | 1967 | track | 0 | ||
| the white stripes | get behind me satan | 2005 | v2 (bmg) | 27 256 | 2 | |
| trans am | red line | 2000 | thrill jockey | 087 | 2 | |
| turing machine | a new machine for living | 2000 | jade tree | 92258 | 2 | |
| various artists | dgc rarities vol 1 | 1994 | dgc | 24704 | 5 | |
| natural born killers | 1994 | nothing/interscope | 92460 | 2 | ||
| song of the silent land | 2004 | constellation | cstcomp2 | 4 | ||
| wendy carlos | clockwork orange original score | 1972 | east side | 81362 | 3 | |
| xiu xiu | women as lovers | 2008 | kill rock stars | 484 | 3 | |
| xtc | homespun | 1999 | tvt | 3320 | 3 | |
| yellowjackets | priceless jazz collection | 1998 | grbd | 9893 | 3 |
at
03:12
Saturday, February 16, 2019
the next file is just a few months later, at the end of 2006. i got a package from subconscious, a few new releases, discs at two shows for the first time in a while (karcius, pelican) and some deals in the cheap bins.
dec, 2006
| artist | country | title | year | format | label | # | opinion |
|---|---|---|---|---|---|---|---|
| download | canada | III steps forward | 2003 | cd | subconscious | 15 | 2 |
| inception | 2003 | cd | subconscious | 14 | 2 | ||
| hilt | canada | the worst of the flu (1985-1996) | 2003 | cd | subconscious | 27 | 4 |
| karcius | canada | sphere | 2003 | cd | n/a | n/a | 2 |
| kaleidoscope | 2006 | cd | unicorn | 50 | 2 | ||
| mike oldfield | u.k. | elements | 2004 | dvd | virgin/emi | 5 99990 9 | 4 |
| pelican | u.s.a. | australasia | 2003 | cd | hydra head | 75 | 2 |
| the fire in our throats will beckon the thaw | 2005 | cd | hydra head | 91 | 2 | ||
| plateau | canada | iceolator | 2003 | cd | subconscious | 24 | 2 |
| psychic TV | u.k. | at stockholm | 1990 | cd | psychick release | 001 | 1 |
| scorn | u.s.a. | ellipsis | 1995 | cd | scorn | 001 | 4 |
| skinny puppy | canada | puppy gristle | 2003 | cd | subconscious | 23 | 2 |
| back and forth 6 | 2003 | cd | subconscious | 25 | 2 | ||
| sonic youth | u.s.a. | sonic youth (2006 rerelease) | 1982 | cd | universal | 87979 | 1 |
| steve hackett | u.k. | voyage of the acolyte | 1975 | cd | charisma / emi | 37242 | 4 |
| strange cargo | u.s.a. | hinterland | 1995 | cd | warner | 99295 | 3 |
| swans | u.s.a. | the burning world | 1989 | cd | UNI | 256438-2 | 4 |
| the mars volta | u.s.a. | amputechtre | 2006 | cd | universal | 70 280 | 7 |
| the tear garden | netherlands | eye spy with my little eye | 2003 | cd | subconscious | 26 | 2 |
| various artists | n/a | no alternative | 1993 | cd | arista | 8737 | 4 |
| encore | 2003 | cd | subconscious | 666 | 9 | ||
| weezer | u.s.a. | pinkerton | 1996 | cd | geffen/universal | 25007 | 2 |
at
21:57
i don't have a document dated to mid-2005. but, these are the records added to the document from june 2004 to sept 19, 2006.
there's not a lot of movement in this set of adds, really. the greater volume is due to the fact that things went roughly back to normal after early 2005, but i'm still not very interested in searching for new music - i'm picking up new-ish cds by bands i already like, and going over known discographies of older acts. the actual adds are more to do with older acts, and mostly guitar-centered music, so what i'm spending my time doing in this period is mostly exploring guitar music from the 70s-90s.
two counter-examples to take note of are mike keneally and the mars volta.
sept 19, 2006
| a silver mt. zion | canada | horses in the sky | 2005 | cd | constellation | 33 | 1 |
| adrian belew | u.s.a. | here | 1993 | cd | caroline/virgin/emi | 61748 | 3 |
| side one | 2004 | cd | sanctuary (emi) | 84 738 | 1 | ||
| afro-celt sound system | u.k. | sound magic | 1996 | cd-r | n/a | n/a | 1 |
| al dimeola / jan hammer | u.s.a. | scenario | 1983 | cd | columbia | 38944 | 2 |
| (the) angels of light | u.s.a. | sing other people | 2005 | cd | young god | 027 | 4 |
| antonio carlos jobim | brazil | stone flower | 1970 | cd | epic (sony) | 45480 | 1 |
| autechre | u.k. | tri repetae++ | 1995 | cd | warp / wax trax! / tvt | 7239 | 1 |
| anvil vapre | 1995 | cd | warp / wax trax! / tvt | 7239 | 1 | ||
| garbage | 1995 | cd | warp / wax trax! / tvt | 7239 | 1 | ||
| billy corgan | u.s.a. | the future embrace | 2005 | cd | reprise | 48712 | 4 |
| bjork | iceland | post | 1995 | cd-r | n/a | n/a | 1 |
| blind melon | u.s.a. | blind melon | 1992 | cs | capitol | 596585 | 4 |
| bowery electric | u.s.a | beat (u.k.) | 1997 | cd | beggar's banquet | 188 | 3 |
| bozio-levin-stevens | u.s.a. | blacklight syndrome | 1997 | cd-r | n/a | n/a | 1 |
| brian eno | u.k. | before and after science | 1977 | cd | eg (virgin) | 032 | 1 |
| brian eno and david byrne | u.k. | my life in the bush of ghosts | 1981 | cd | sire | 27432 | 1 |
| brian eno and jah wobble | u.k. | spinner | 1995 | cd | caroline-virgin | 66614 | 2 |
| cabaret voltaire | u.k. | red mecca | 1981 | cd | mute / rough trade | 69174 | 1 |
| cocteau twins | scotland | tiny dynamine / echoes in a shallow bay | 1985 | cd | 4AD | 510/511 | 3 |
| david bowie | u.k. | reality | 2003 | cd | columbia (sony) | 90576 | 2 |
| david gilmour | u.k. | on an island | 2006 | cd | columbia (sony) | 80280 | 1 |
| delerium | canada | chimera | 2003 | 2-cd-r | nettwerk | 30317 | 6 |
| faust | germany | IV | 1973 | cd | caroline (emi) | 86510 | 1 |
| frank zappa | u.s.a. | hot rats | 1969 | cd | rykodisc | 508 | 1 |
| shut up 'n' play yer guitar | 1981 | 3-cd-r | n/a | n/a | 1 | ||
| does humour belong in music? | 1984 | dvd-r | n/a | n/a | 4 | ||
| son of cheap thrills | 1999 | cd-r | n/a | n/a | 6 | ||
| genesis | u.k. | from genesis to revelation | 1969 | cd-r | n/a | n/a | 4 |
| glen branca | u.s.a. | lesson no. 1 | 1980 | cd | acute/carpark/mordam | 005 | 2 |
| dissonance | 1980 | cd | acute/carpark/mordam | 005 | 2 | ||
| bad smells | 1982 | cd | acute/carpark/mordam | 005 | 5 | ||
| hater | u.s.a. | II | 2005 | cd | burn burn burn | 010 | 2 |
| hooverphonic | netherlands | a new stereophonic sound spectacular | 1996 | cd | sony | 68010 | 5 |
| blue wonder powder milk | 1998 | cd | sony | 69363 | 5 | ||
| iannis xenakis | greece | kraanerg | 1969 | cd | col legno | 20217 | 7 |
| john mclaughlin, al di meola, paco de lucia | n/a | passion, grace and fire | 1983 | cd | columbia | 6121338645 | 1 |
| king crimson | u.k. | in the wake of poseidon | 1970 | cd-r | n/a | n/a | 1 |
| lizard | 1970 | cd-r | n/a | n/a | 1 | ||
| islands | 1971 | cd-r | n/a | n/a | 4 | ||
| starless and bible black | 1974 | cd-r | n/a | n/a | 4 | ||
| red | 1974 | cd-r | n/a | n/a | 1 | ||
| discipline | 1981 | cd-r | n/a | n/a | 1 | ||
| mahavishnu orchestra | u.k. | the inner mounting flame | 1971 | cd | columbia | 65 523 | 0 |
| visions of the emerald beyond | 1975 | cd | columbia | 46 867 | 1 | ||
| manorexia | australia | the radiolarian ooze | 2002 | cd | ectopic ants | 24 | 1 |
| melvins + lustmord | u.s.a. | pigs of the roman empire | 2004 | cd | ipecac | 54 | 2 |
| mike keneally | u.s.a. | the universe will provide | 2004 | cd | favoured nations | 72400 | 0 |
| guitar therapy (live) | 2006 | cd | exowax | 2408 | 2 | ||
| mike oldfield | uk | incantations | 1978 | cd-r | n/a | n/a | 0 |
| amarok | 1990 | cd-r | n/a | n/a | 8 | ||
| mr. bungle | u.s.a. | disco volante | 1995 | cd | warner brothers | 9362-45963 | 1 |
| nick drake | u.k. | pink moon | 1972 | cd | island (vivendi) | 42 923 | 1 |
| pearl jam | u.s.a. | eight | 2006 | cd | j (sony) | 71467 | 1 |
| philip glass | u.s.a. | symphony no. 2 | 1994 | cd | naxos | 39202 | 1 |
| symphony no. 3 | 1995 | cd | naxos | 39202 | 1 | ||
| pink floyd | u.k. | pipers at the gates of dawn | 1967 | cd | capitol | 46384 | 0 |
| a saucerful of secrets | 1968 | cd | emi | 29751 | 1 | ||
| more | 1969 | cd-r | n/a | n/a | 2 | ||
| ummagumma | 1969 | 2-cd | capitol / virgin | 46404 | 1 | ||
| atom heart mother | 1970 | cd | emi | 31246 | 0 | ||
| live at pompeii | 1971 | dvd-r | n/a | n/a | 1 | ||
| pulse | 1995 | 2-cd | columbia | 67065 | 9 | ||
| portishead | u.k. | pnyc | 1998 | cd-r | n/a | n/a | 2 |
| radiohead | u.k. | airbag / how am i driving? | 1998 | cd | capitol / emi | 587801 | 2 |
| com lag | 2004 | cd-r | n/a | n/a | 3 | ||
| rob mazurek | u.s.a. | silver spines | 2002 | cd | delmark | 30 540 | 1 |
| scorn | u.s.a. | ellipsis | 1995 | cd | scorn | 001 | 4 |
| sergei rachmaninov | russia | opus 33 | 1911 | cd | naxos | 95447 | 3 |
| opus 39 | 1917 | cd | naxos | 95447 | 3 | ||
| skinny puppy | canada | the greater wrong of the right | 2004 | cd | hell-o deathday records/synthetic symphony | 36 372 | 3 |
| sonic youth | u.s.a. | screaming fields of sonic love | 1995 | cd | geffen | 4-809 | 2 |
| rather ripped | 2006 | cd | geffen (universal) | 856373 | 4 | ||
| steroid maximus | australia | ectopia | 2002 | cd | ipecac | 28 | 1 |
| syd barett | u.k. | barett | 1970 | cd | emi | 46 606 | 1 |
| talking heads | u.s.a | remain in light | 1980 | cd | sire | 6095 | 1 |
| the cure | u.k. | disintegration | 1989 | cd | elektra | 60 855 | 1 |
| the dillinger escape plan | u.s.a. | miss machine | 2004 | cd | relapse | 816765872 | 2 |
| the dresden dolls | u.s.a. | the dresden dolls | 2004 | cd | universal/8 ft. | 1686182832 | 1 |
| the electric light orchestra | u.k. | the electric light orchestra | 1971 | cd | epic | 35524 | 1 |
| the jimi hendrix experience | u.s.a. | live at winterland | 1968 | cd-r | n/a | n/a | 2 |
| the mars volta | u.s.a. | tremulant | 2002 | cd | gold standard labs | 54 | 1 |
| de-loused in the comatorium | 2003 | cd | universal | 86 029 | 3 | ||
| frances the mute | 2005 | cd | universal | 10 397 | 0 | ||
| the sea and cake | u.s.a | two gentleman | 1997 | cd | thrill jockey | 048 | 3 |
| (the) smashing pumpkins | u.s.a | rotten apples / judas empty set | 2001 | 2-cd | virgin (emi) | 11557 | 4 |
| the trivial group | canada | interplanetary isomorphism | 2004 | cd | csis | 008 | 2 |
| the velvet underground | u.s.a. | andy warhol | 1967 | cd | verve (polygram) | 23 290 | 1 |
| the white stripes | u.s.a | de stijl | 2002 | cd | v2 (bmg) | 27 132 | 4 |
| throatmotor | canada | cryhole | 2004 | cd | n/a | n/a | 5 |
| thurston moore | u.s.a | psychic hearts | 1995 | cd | geffen-universal | 24810 | 2 |
| tool | u.s.a | 10, 000 days | 2006 | cd | volcano (bmg) | 81991 | 3 |
| wellwater conspiracy | u.s.a | the scroll and it's combinations | 2001 | cd | tvt | 13 370 | 1 |
| yo la tengo | u.s.a | i can hear the heart beating as one | 1997 | cd | matador | 222 | 2 |
there's not a lot of movement in this set of adds, really. the greater volume is due to the fact that things went roughly back to normal after early 2005, but i'm still not very interested in searching for new music - i'm picking up new-ish cds by bands i already like, and going over known discographies of older acts. the actual adds are more to do with older acts, and mostly guitar-centered music, so what i'm spending my time doing in this period is mostly exploring guitar music from the 70s-90s.
two counter-examples to take note of are mike keneally and the mars volta.
at
20:36
this is my change log for june 12, 2004, meaning this is what i picked up over the 2003-2004 year.
i think the adds are a little more contemporary, with a little bit of catch-up added in. it's pretty clear that my primary interest at the time was in post-rock, with everything else mostly being bleeding from the 90s. the coil ep was a present. the girl i lived with at the time was a big bjork fan.
that said, i didn't retreat from rock music on purpose. i just got bored with it, largely because there wasn't much interesting really happening. i've always had wide tastes; an interest in other forms would have never meant i couldn't also listen to some rock bands, if they were interesting. but, there weren't any around that were interesting. the one that kind of broke through it for me was the white stripes...
i was not very interested in the garage rock revival of the time; it struck me as a reduction of rock music to a novelty genre, void of anything remotely original or artistically driven. broadly speaking, rock music (per se) has been boring since the strokes - that is the moment the genre became a parody of itself, driven solely by fashion and greed and not interested in itself, any longer. when commercially viable rock music has been interesting since, it's been almost by accident.
jack white was different due to the simple fact that he was talented, unlike virtually every rock star around him, and virtually every rock star since then. i know there are broader ethnic and cultural issues at play, but what killed rock for me was that it just got boring. he's maybe the last legitimate rock star, in that respect.
| artist | title | year | format | label | # | opinion |
|---|---|---|---|---|---|---|
| a silver mt. zion | thee rusted satellites gather + sing | 2003 | cd | constellation | 27 | 2 |
| (the) angels of light | everything is good here / please come home | 2003 | cd | young god | 022 | 2 |
| (the) art of noise | who's afraid of the art of noise? | 1984 | cd | ztt (universal) | 53194 | 2 |
| the ambient collection | 1990 | cd | china/polygram | 43-403 | 2 | |
| bjork | vespertine | 2001 | cd | elektra (time-warner) | 2653 | 2 |
| brian eno | taking tiger mountain (by strategy) | 1974 | cd | eg (virgin) | 017 | 1 |
| coil | winter solstice: north | 1998 | lp | eskaton | 016? | 9 |
| do make say think | winter hymn country hymn secret hymn | 2003 | cd | constellation | 025 | 1 |
| enya | s/t | 1986 | cs | atlantic (aol) | 81 842 | 3 |
| godspeed you(!) black emperor(!) | yanqui u.x.o. | 2002 | cd | constellation | 024 | 2 |
| i mother earth | earth, sky & everything in between | 2001 | cd | emi | 5 32 326 | 2 |
| inri | inricycled | 2004 | cd | csis | 007 | 3 |
| ludwig van beethoven | piano sonata no. 8: the pathetique (opus #13) | 1799 | cd | decca (universal) | 43 155 | 1 |
| piano sonata no. 14: the moonlight sonata (opus #27) | 1801 | cd | decca (universal) | 43 155 | 1 | |
| piano sonata no. 21: waldstein (opus #53) | 1804 | cd | decca (universal) | 43 155 | 1 | |
| rabit is wolf | rabit is wolf | 2002 | cd | csis | 4 | 2 |
| radiohead | hail to the thief | 2003 | cd | parlophone (emi) | 5 84 544 | 2 |
| shalabi effect | the trial of st. orange | 2002 | cd | alien8 | 32 | 2 |
| sonic youth | sonic nurse | 2004 | cd | geffen (universal) | 86 236 | 2 |
| sublime | the best of (20th century masters) | 2002 | cd | mca (universal) | 2-921 | 2 |
| the trivial group | reflections | 2003 | cd | csis | 005 | 2 |
| the white stripes | elephant | 2003 | cd | v2 (bmg) | 27 148 | 2 |
| tortoise | it's all around you | 2004 | cd | thrill jockey | 115 | 2 |
| weezer | the blue album | 1994 | cd | geffen | 4-629 | 1 |
| wellwater conspiracy | tidepool telegraph | 2000 | cd | third gear | 29 | 2 |
i think the adds are a little more contemporary, with a little bit of catch-up added in. it's pretty clear that my primary interest at the time was in post-rock, with everything else mostly being bleeding from the 90s. the coil ep was a present. the girl i lived with at the time was a big bjork fan.
that said, i didn't retreat from rock music on purpose. i just got bored with it, largely because there wasn't much interesting really happening. i've always had wide tastes; an interest in other forms would have never meant i couldn't also listen to some rock bands, if they were interesting. but, there weren't any around that were interesting. the one that kind of broke through it for me was the white stripes...
i was not very interested in the garage rock revival of the time; it struck me as a reduction of rock music to a novelty genre, void of anything remotely original or artistically driven. broadly speaking, rock music (per se) has been boring since the strokes - that is the moment the genre became a parody of itself, driven solely by fashion and greed and not interested in itself, any longer. when commercially viable rock music has been interesting since, it's been almost by accident.
jack white was different due to the simple fact that he was talented, unlike virtually every rock star around him, and virtually every rock star since then. i know there are broader ethnic and cultural issues at play, but what killed rock for me was that it just got boring. he's maybe the last legitimate rock star, in that respect.
at
18:19
here is my change log for may 13, 2003, meaning these are the records i picked up over the 2002-2003 school year.
as you can see, i wasn't very interested in the contemporary music of the time. i only picked up new records by bowie, gabriel, pearl jam & rem - all older acts. i was afraid of that rem disc; i actually liked up a lot, it's as good as the band's best, but reveal went in a sappy direction. i suspect wayne coyne loved it; it kind of mapped out the flaming lips' direction in the 00s. but, rem doesn't make sense to me without the tension. i no doubt picked up document when i realized i only had it on an ancient, dubbed cassette.
that was somewhat of an uncharacteristic period for me, though, in that i wasn't getting very much alone time, and i was spending lots of money on things i don't normally spend money on.
i was disappointed by the pearl jam disc, but definitely enjoyed the gabriel discs - especially long walk home. i must have picked up birdy at the same time. in addition to having grown up with both gabriel and gabriel-period genesis, i was a big fan of the passion soundtrack at the time.
that wasn't my first try at the cure, but it was the try that finally stuck. my dad actually had a copy of wish that his brother gave him; dad thought the cure were too weird for him, and i found them a tad bit opaque at that age. i remember listening to the tapes and and not being able to pull any shape out of them. my tastes had definitely built up in that direction by late 2002, so it made sense to try and again, and i was able to make sense of it then in ways i wasn't when i was younger. it was the '85 release i liked the best.
i believe that the floyd cd was a christmas present.
some of them were things i had picked up at friends' houses, notably the portishead and system of a down. the balance would have been random pawn shop pick ups...some lasted longer than others...
| Artist | Release | Year | Type | Label | Catalog # |
|---|---|---|---|---|---|
| aix em klemm | aix em klemm | 2001 | LP | kranky | 44 |
| Aphex Twin | ...i care because you do | 1995 | LP | Sire/warp | 61790 |
| Belle and sebastien | dog on wheels | 1997 | EP | jeepster | 1 |
| David Bowie | heathen | 2002 | LP | columbia | 86630 |
| kronos quartet | pieces of africa | 1991 | EP | warner/nonesuch | 79275 |
| meat beat manifesto | actual sounds & voices | 1998 | LP | nothing/interscope | 90279 |
| pearl jam | riot act | 2002 | LP | Epic/Sony | 86825 |
| Peter Gabriel | birdy | 1985 | LP | geffen | 24070 |
| up | 2002 | LP | real world | ?? | |
| rabbit proof fence | 2002 | LP | real world | ?? | |
| Pink Floyd | obscured by clouds | 1972 | LP | EMI | 35609 |
| portishead | dummy | 1994 | LP | go! | 28553 |
| REM | document | 1987 | LP | IRs | 22059 |
| reveal | 2001 | LP | IRs | 47946 | |
| sarah brightman | eden | 1998 | LP | angel/emi | 56769 |
| system of a down | system of a down | 1998 | LP | american/sony | 68924 |
| the cure | the head on the door | 1985 | LP | elektra | 60435 |
| wish | 1992 | LP | elektra | 61309 | |
| wild mood swings | 1996 | LP | elektra | 61744 | |
| bloodflowers | 2000 | LP | elektra | 62236 |
as you can see, i wasn't very interested in the contemporary music of the time. i only picked up new records by bowie, gabriel, pearl jam & rem - all older acts. i was afraid of that rem disc; i actually liked up a lot, it's as good as the band's best, but reveal went in a sappy direction. i suspect wayne coyne loved it; it kind of mapped out the flaming lips' direction in the 00s. but, rem doesn't make sense to me without the tension. i no doubt picked up document when i realized i only had it on an ancient, dubbed cassette.
that was somewhat of an uncharacteristic period for me, though, in that i wasn't getting very much alone time, and i was spending lots of money on things i don't normally spend money on.
i was disappointed by the pearl jam disc, but definitely enjoyed the gabriel discs - especially long walk home. i must have picked up birdy at the same time. in addition to having grown up with both gabriel and gabriel-period genesis, i was a big fan of the passion soundtrack at the time.
that wasn't my first try at the cure, but it was the try that finally stuck. my dad actually had a copy of wish that his brother gave him; dad thought the cure were too weird for him, and i found them a tad bit opaque at that age. i remember listening to the tapes and and not being able to pull any shape out of them. my tastes had definitely built up in that direction by late 2002, so it made sense to try and again, and i was able to make sense of it then in ways i wasn't when i was younger. it was the '85 release i liked the best.
i believe that the floyd cd was a christmas present.
some of them were things i had picked up at friends' houses, notably the portishead and system of a down. the balance would have been random pawn shop pick ups...some lasted longer than others...
at
17:06
this is the oldest option - from july, 2002. it's probably close to the maximum extent, although i do have a file from may, 2003, as well. the list tended to shrink after that, overall.
if i can get access to epilag archives, i should be able to attach exact dates to most purchases from mid 1997 to this point. and, after that, i can make solid guesses.
there are older versions of this file, and an off chance i could get some from the carleton server. i need to make this request more broadly as well, as i don't have my page dated very well.
o
if i can get access to epilag archives, i should be able to attach exact dates to most purchases from mid 1997 to this point. and, after that, i can make solid guesses.
there are older versions of this file, and an off chance i could get some from the carleton server. i need to make this request more broadly as well, as i don't have my page dated very well.
inri's Stuff.
Music CD's
o
| Artist | Release | Year | Type | Label | Catalog # |
|---|---|---|---|---|---|
| 1-speed bike | droopy butt begone! | 2001 | LP | constellation | 14 |
| 54-40 | Dear Dear | 1992 | LP | Columbia | 05440 |
| Smilin' Buddha Cabaret | 1994 | LP | Columbia | 80190 | |
| 1000 Homo DJ's | Supernaut | 1990 | EP | Wax Trax!/TVT | 8133 |
| Alice In Chains | Facelift | 1990 | LP | Columbia | 46075 |
| Dirt | 1992 | LP | Columbia | 52475 | |
| Jar Of Flies | 1993 | EP | Columbia | 57628 | |
| Alice In Chains | 1995 | LP | Columbia | 67248 | |
| Nothing Safe | 1999 | LP | Columbia | 63649 | |
| antonin dvorak | symphonies no. 8 & 9 | 1892/1893/1997 | LP | emi/seraphim | 73286 |
| A Perfect Circle | Mer de Noms | 2000 | LP | Virgin | 49253 |
| Aphex Twin | Come To Daddy | 1997 | EP | Sire | 31001 |
| Melodies From Mars | 1999 | CD-R | n/a | n/a | |
| arnold schoenberg | verklarte nacht & pelleas et melisande | 1995 | LP | deutsche grammophon | 469 690 |
| arvo part | Alina/Spiegel Im Spiegel | 1999 | LP | ECM | 1591 |
| orchestral works; tabula rasa, symphony no. 3, collage uber bach | 2000 | LP | Naxos | 8.554591 | |
| A Silver Mt. Zion | He Has Left Us Alone But Shafts Of Light Still Grace The Corners Of Our Rooms | 2000 | LP | Constellation | 009 |
| born into trouble as the sparks fly upward | 2001 | LP | Constellation | 018 | |
| Autechre | BASSCAD | 1994 | EP | Wax Trax!/TVT | 8717 |
| Anti | 1994 | EP | Warp | 54 | |
| peel sessions 2 | 2000 | LP | Warp | 150 | |
| Barenaked Ladies | Gordon | 1992 | LP | Sire/Reprise | 26956 |
| Born On A Pirate Ship | 1995 | LP | Reprise | 46128 | |
| Rock Spectacle | 1996 | EP | Reprise | 46393 | |
| Barry Adamson | The Negro Inside Me | 1993 | LP | Mute | 61610 |
| Blue Rodeo | 5 Days In July | 1993 | LP | wea | 93846 |
| Brian Eno | Discreet Music | 1975 | LP | EG | 303 |
| Ambient 1/Music For Airports | 1978 | LP | Virgin | 87185 | |
| the drop | 1997 | LP | thirsty ear | 66032 | |
| Bruce Cockburn | Stealing Fire | 1984 | LP | True North | 57 |
| Bryan Adams | Reckless | 1984 | LP | A&M | 5013 |
| Into The Fire | 1987 | LP | A&M | 5039 | |
| Bush | Sixteen Stone | 1994 | LP | Interscope/Trauma | 25314 |
| Razorblade Suitcase | 1996 | LP | Interscope/Trauma | 90091 | |
| Deconstructed | 1997 | LP | Interscope/Trauma | 90161 | |
| The Science Of Things | 1999 | LP | Universal/Trauma | 0694904832 | |
| California Guitar Trio | Live at the key club | 2001 | lp | papa paldo | ??? |
| Can | Horror Trip | 1973 | CDR | n/a | n/a |
| live music (live 1971-1978) | 1999 | lp | mute | 69102 | |
| Candlebox | Candlebox | 1993 | LP | maverick | 53134 |
| Lucy | 1995 | LP | maverick | 59624 | |
| cEvin Key | Music For Cats | 1997 | LP | Metropolis/Subconscious | 075/016 |
| the ghosts of each room | 2001 | LP | metropolis/subconscious | ... | |
| Chris Connelly | Phenobarb Bambalam | 1992 | LP | Wax Trax! | 7189 |
| Chris Cornell | Euphoria Morning | 1999 | LP | Universal/A&M | 0694904122 |
| Claude Debussy | Preludes, Livres I & II | 1987 | LP | EMI | 7610042 |
| "Orchestral Music" | 1988 | LP | BMG | 212932 | |
| Coil | 050883 | 1983 | Boot Dub | - | - |
| Panic/Tainted Love | 1984 | Single | Wax Trax!/TVT | 7013 | |
| Horse Rotorvator | 1987 | LP | SOME BIZARRE | 1 | |
| Love's Secret Domain | 1991 | LP | Wax Trax!/TVT | 7143 | |
| The Snow | 1992 | EP | Wax Trax!/TVT | 8644 | |
| Summer Solstice: Bee Stings | 1998 | EP | World Serpent/Eskaton | 14 | |
| Musick To Play In The Dark Vol. 1 | 1999 | LP | Chalice/World Serpent | 003 | |
| Songs Of The Week | 1999 | 2XCDR | n/a | n/a | |
| Astral Disaster | 1999 | CD-R | n/a | n/a | |
| Backwards Demos | 1999 | CD-R | n/a | n/a | |
| Time Machines (Live) | 2000 | EP | Eskaton | 25 | |
| Musick To Play In The Dark Vol. 2 | 2000 | LP | Eskaton | 5 | |
| Collective Soul | Hints, Allegations & Things Left Unsaid | 1993 | LP | atlantic | 82596 |
| Coma Lodge | What Kind Of Mind Do You Have? | 199x | LP | ? | 60350 |
| Cop Shoot Cop | White Noise | 1991 | LP | Big Cat | 29 |
| Curve | pubic fruit | 1991 | LP | virgin/charisma | 86531 |
| cuckoo | 1993 | LP | virgin/charisma | 39061 | |
| Cyberaktif | Temper | 1990 | Single | TVT Records | 8617 |
| David Bowie | Space Oddity | 1969 | LP | RCA | 4813 |
| Ziggy Stardust | 1972 | LP | RYKODISC | 10134 | |
| Aladdin Sane | 1973 | LP | RYKODISC | 10135 | |
| Heroes | 1977 | LP | RCA | 1-2522 | |
| Scary Monsters | 1980 | LP | RCA | 1-3647 | |
| Changesbowie | 1990 | LP | RYKODISC | 20171 | |
| black tie white noise | 1993 | LP | savage/arista/bmg | 02122 | |
| Outside | 1995 | LP | virgin | 40711 | |
| The Heart's Filthy Lesson | 1995 | EP | virgin | 38518 | |
| Earthling | 1997 | LP | virgin | 42627 | |
| Earthling In The City | 1997 | Promo | virgin | n/a | |
| I'm Afraid Of Americans | 1997 | EP | virgin | 38618 | |
| Hours... | 1999 | LP | virgin | 48157 | |
| David Gilmour | David Gilmour | 1978 | LP | Columbia | 35388 |
| About Face | 1984 | LP | Columbia | 39296 | |
| Dead Kennedys | Fresh Fruit For Rotting Vegetables | 1980 | LP | Virus | 1 |
| Bedtime For Democracy | 1986 | LP | Virus | 50 | |
| Dead Voices On Air | New Words Machine | 1995 | LP | Hypnotic | 9535 |
| Hafted Maul | 1995 | LP | Invisible | 038 | |
| Piss Frond | 1998 | 2XLP | Invisible | 120 | |
| Delerium | Semantic Spaces | 1994 | LP | nettwerk | 30092 |
| deny everything. | deny everything. | 2000 | lp | inri records | 6 |
| Die Warzau | Big Electric Metal Bass Face | 1991 | LP | Atlantic | 82295 |
| Engine | 1996 | LP | Wax Trax!/TVT | 7216 | |
| Do Make Say Think | Do Make Say Think | 1997 | LP | Constellation | 005 |
| Goodbye Enemy Airship | 2000 | LP | Constellation | 010 | |
| & yet & yet | 2002 | LP | Constellation | 020 | |
| Doubting Thomas | Father Don't Cry | 1994 | EP | Metropolis/Subconscious | 065/009 |
| download | furnace | 1995 | LP | Cleopatra/Subconscious | 9644/002 |
| microscopic | 1996 | LP | Cleopatra/Subconscious | 9658/003 | |
| the eyes of stanley pain | 1996 | LP | Nettwerk/Subconscious | 30102/008 | |
| sidewinder | 1996 | EP | Nettwerk/Subconscious | 6322/010 | |
| 051296 | 1996 | Boot Dub | - | - | |
| charlie's family | 1997 | LP | Metropolis/Subconscious | 045/005b | |
| III | 1997 | LP | Nettwerk/Subconscious | 30118/013 | |
| DMSO:DRUGMURDERSEXORGY | Marezine Halloween | 1998 | DEMO | n/a | n/a |
| Phantom Freakshow | 1999 | DEMO | n/a | n/a | |
| Demo #3 | 1999 | DEMO | n/a | n/a | |
| Eco-Hed | Eco-Hed | 1998 | LP | Positron! | 002 |
| Econoline Crush | Purge | 1994 | LP | EMI | 28989 |
| Affliction | 1995 | LP | EMI | 32072 | |
| The Devil You Know | 1997 | LP | EMI | 38244 | |
| Einsturzende Neubauten | Strategies against architecture (80-83) | 1984 | LP | Mute | 61677 |
| Haus Der Luege | 1989 | LP | Thirsty Ear | 57017 | |
| Tabula Rasa | 1993 | LP | Mute | 61458 | |
| interim | 1993 | ep | Mute | 61509 | |
| silence is sexy | 2000 | 2XLP | Mute | 9132-2 | |
| Eleven | Eleven | 1993 | LP | Third Rail | 61516 |
| Emerson, Lake & Palmer | Brain Salad Surgery | 1973 | LP | Atlantic | 19124 |
| Evelyn glennie | drumming | 1996 | LP | Catalyst / bmg | 68195 |
| Exhaust | s/t | 1998 | LP | Constellation | 4 |
| Filter | Erkenntnis Theorie Demo | 1994 | CD-R | n/a | n/a |
| Short Bus | 1995 | LP | Reprise | 45864 | |
| Title Of Record | 1999 | LP | Reprise | 47388 | |
| Firewater | Green Light Promo | 1998 | PROMO | Universal | n/a |
| fly pan am | s/t | 1999 | LP | constellation | 08 |
| sedatif en frequences et sillons | 2000 | LP | constellation | 11 | |
| Foetus | Thaw | 1988 | LP | Some Bizarre | 5 |
| Butterfly Potion | 1990 | EP | Wax Trax! | 9111 | |
| gash | 1995 | LP | columbia!? | 66461 | |
| Boil | 1996 | LP | Cleopatra | 9789 | |
| Null/Void | 1997 | 2XLP | Cleopatra | 9931 | |
| flow | 2001 | LP | thirsty ear | 57102 | |
| Foo Fighters | Foo Fighters | 1995 | LP | EMI | 34027 |
| Big Me | 1996 | EP | Capitol | 58530 | |
| The Colour And The Shape | 1997 | LP | Capitol | 55832 | |
| Frank Zappa | Apostrophe'/Overnite Sensation | 1973 | LP | RYKODISC | 40025 |
| Roxy & Elsewhere | 1974 | LP | RYKODISC | 10520 | |
| Bongo Fury | 1975 | LP | RYKODISC | 10097 | |
| Zoot Allures | 1976 | LP | RYKODISC | 10523 | |
| Zappa in New York | 1977 | 2XLP | RYKODISC | 10524/10525 | |
| Joe's Garage | 1979 | 2XLP | RYKODISC | 10530/10531 | |
| Tinseltown Rebellion | 1981 | LP | RYKODISC | 10532 | |
| frankie sparo | my red scare | 2000 | LP | constellation | 13 |
| arena hostile | 2001 | EP | constellation | 17 | |
| Fripp & Eno | Evening Star Star | 1975 | LP | EG | 3 |
| Garbage | Garbage | 1995 | LP | almo | 80004 |
| Version 1.0 Rarities | 1998 | CDR | n/a | n/a | |
| Live in S.F. 20-05-98 | 1998 | CDR | n/a | n/a | |
| Version 2.0 | 1998 | LP | Universal | 80018 | |
| beautiful | 2001 | LP | Universal | ??? | |
| Genesis | Trespass | 1970 | LP | MCA | 1653 |
| Foxtrot | 1972 | LP | Atlantic | 82674 | |
| Selling England By The Pound | 1973 | LP | Atlantic | 19277 | |
| Plays Live | 1973 | 2XLP | Charisma | ? | |
| The Lamb Lies Down On Broadway | 1974 | 2XLP | ATCO | 401 | |
| Wind & Wuthering | 1976 | LP | Atlantic | 38100 | |
| A Trick Of The Tail | 1976 | LP | Atlantic | 38101 | |
| Mama | 1983 | Single | Atlantic | 7869830 | |
| Invisible Touch | 1986 | LP | Atlantic | 81641 | |
| We Can't Dance | 1991 | LP | Atlantic | 82344 | |
| God Lives Underwater | God Lives Underwater | 1995 | LP | American | 43022 |
| Life In The So-Called Space Age | 1998 | LP | 1500/A&M | 871 | |
| Rearrange | 1998 | CDR | n/a | n/a | |
| Godspeed You Black Emperor! | F#A#oo (vinyl) | 1997 | LP | Constellation | 3 |
| F#A#oo | 1998 | LP | Kranky | 27 | |
| 041999 | 1999 | 2XCDR | n/a | n/a | |
| Slow Riot For New Zero Kanada | 1999 | EP | Kranky | 34 | |
| 090999 | 1999 | CDR | n/a | n/a | |
| "Lift yr. skinny fists like antennas to heaven!" | 2000 | 2XLP | kranky | 43 | |
| Goldie | timeless | 1994 | LP | ffrr/metalheads | 828 646-2 |
| Gowan | Strange Animal | 1985 | LP | Columbia | 80099 |
| Gravity Kills | Gravity Kills | 1996 | LP | TVT | 5910 |
| Manipulated | 1997 | LP | TVT | 5916 | |
| Perversion | 1998 | LP | TVT | 5920 | |
| Gustav Holst | The Planets | 1918/1994 | LP | RCA | 74321179052 |
| Hater | Hater | 1993 | LP | A&M | 137 |
| Hanged up | s/t | 2001 | LP | Constellation | 16 |
| Henryk Gorecki | Symphony Of Sorrowful Songs | 1994 | LP | Universal | 468150 |
| Hilt | Get Stuck | 1989 | EP | Nettwerk | 3042 |
| Call The Ambulence Before I Hurt Myself | 1989 | LP | Nettwerk | 30044 | |
| Journey to the Centre Of The Bowl | 1991 | LP | Nettwerk | 30056 | |
| Hum | Downward Is Heavenward | 1997 | LP | RCA | 67446 |
| Learn Guitar Overnight | 1998 | LP | Hum | 001 | |
| I Mother Earth | Dig | 1993 | LP | EMI | 98912 |
| Scenery And Fish | 1996 | LP | EMI | 32919 | |
| Blue Green Orange | 1999 | LP | EMI | 46246 | |
| inri | inri | 1998 | LP | inri records | 1 |
| inriched | 1999 | LP | inri records | 2 | |
| Warning | 1999 | EP | inri records | 3 | |
| inrimake | 1999 | LP | inri records | 4 | |
| inridiculous | 1999 | LP | inri records | 5 | |
| Jane's Addiction | Nothing's Shocking | 1988 | LP | Warner Bros. | 25727 |
| Jean Michel Jarre | Rendez Vous | 1986 | LP | Polygram | 829125 |
| Jesus H. Christ | Residue | 1998 | demo tape | -- | -- |
| Jimi Hendrix | Are You Experienced? | 1967 | LP | Reprise | 6261 |
| The Ultimate Experience | 1993 | LP | MCA | 10829 | |
| Johann Sebastian Bach | Bach: Lute Music, Vol. II by John Williams | 1967 | LP | Sony | 62973 |
| John Cage | The Seasons (and other pieces) | 2000 | LP | ECM | 1696 |
| John Lennon | Shaved Fish | 1972 | LP | Capitol | 46642 |
| Lennon Legend | 1997 | LP | EMI | 21954 | |
| Joy Division | Closer | 1980 | LP | Factory | 28219 |
| Still | 1981 | LP | London Records | 684 | |
| juliana hatfield | become what you are | 1993 | LP | attic | 1380 |
| karlheinz stockhausen | helikopter-streichquartett | 1999 | EP | montagne | 782097 |
| Killing Joke | Change | 1992 | EP | virgin | 1432 |
| King Crimson | In The Court Of The Crimson King | 1969 | LP | Atlantic | 8245 |
| Larks' Tongues In Aspic | 1970 | LP | virgin | 86775 | |
| The Concise King Crimson | 1993 | LP | virgin | 88296 | |
| AAA Sampler | 1995 | EP | virgin | n/a | |
| KMFDM | Demos | 1984-1986 | Boot Dub | n/a | n/a |
| UAIOE | 1989 | LP | Wax Trax!/TVT | 7083 | |
| Angst | 1993 | LP | Wax Trax!/TVT | 7202 | |
| Light | 1994 | EP | Wax Trax!/TVT | 8712 | |
| Sin, Sex & Salvation | 1994 | EP | Wax Trax!/TVT | 8723 | |
| Naive(Hell To Go) | 1994 | LP | Wax Trax!/TVT | 7213 | |
| Nihil | 1995 | LP | Wax Trax!/TVT | 7199 | |
| Brute | 1995 | EP | Wax Trax!/TVT | 8733 | |
| XTORT | 1996 | LP | Wax Trax!/TVT | 7242 | |
| Adios | 1999 | LP | Wax Trax!/TVT | 7258 | |
| Korn | Korn | 1994 | LP | Sony | 66633 |
| Follow The Leader | 1998 | LP | Sony | 69001 | |
| Kraftwerk | The Man Machine | 1978 | EP | Capitol | 46039 |
| Labradford | Labradford | 1996 | LP | Kranky | 13 |
| Fixed:Content | 2001 | LP | Kranky | 47 | |
| Lard | Power Of Lard | 1989 | LP | Virus | 72 |
| Lead Into Gold | Age Of Reason | 1990 | LP | Wax Trax! | 7116 |
| Lenny Breau | Boy Wonder | 1998 | LP | True North | 172 |
| Limblifter | Limblifter | 1996 | LP | mca | 81001 |
| Liona Boyd | The Guitar | 1974 | LP | Boot | 3002 |
| Live | Mental Jewelry | 1991 | LP | radioactive | 10346 |
| Throwing Copper | 1994 | LP | radioactive | 10997 | |
| Secret Samadhi | 1997 | LP | radioactive | 11590 | |
| The Distance To Here | 1999 | LP | Radioactive | 08811966 | |
| lou reed | new york | 1989 | LP | sire | 25829 |
| Ludwig Van Beethoven | Concerto no. 2 ; Symphony no.7 | 1990 | LP | Pilz | 2067 |
| Symphony no. 9 | 1992 | LP | point productions | 2650262 | |
| Machine Gun Kelly | Boy in a Mansuit | 1997 | LP | MGK | 2 |
| Machines Of Loving Grace | Machines Of Loving Grace | 1991 | LP | Mammoth | 29 |
| Mad Season | Above | 1995 | LP | columbia | 67057 |
| Man or astroman? | experiment zero | 1996 | LP | touch & go | 157 |
| eeviac: operational index and reference guide, including other modern computational devices | 1999 | LP | touch & go | 189 | |
| Mark Lanegan | Whiskey For The Holy Ghost | 1993 | LP | Sub Pop | 132 |
| Meathead | Dick Smoker | 1996 | LP | Fifth Column | 63256 |
| Meat Puppets | Too High Too Die | 1994 | LP | polygram | 28484 |
| No Joke | 1995 | LP | polygram | 28665 | |
| medeski, martin & wood | the dropper | 2000 | LP | capital [blue note] | 22841 |
| Megadeth | Youthanasia | 1994 | LP | capital | 29004 |
| Merzbow | hybrid noisebloom | 1997 | LP | vinyl communications | 113 |
| Micronaut | Micronaut | 1998 | LP | Positron! | 1 |
| Mike Oldfield | Tubular Bells | 1973 | LP | Virgin | 86007 |
| Hergest Ridge | 1974 | LP | Virgin | 109 | |
| Ommadawn | 1975 | LP | Virgin | 552 | |
| 5 Miles Out | 1982 | LP | Virgin | 2237 | |
| Q.E.2. | 1984 | LP | Virgin | 2181 | |
| islands | 1987 | LP | Virgin | 2466 | |
| Tubular Bells III | 1998 | LP | WEA | 24349 | |
| Miles Davis | Bitches Brew | 1969 | 2XLP | Columbia | 40577 |
| Tutu | 1986 | LP | Columbia | 25490 | |
| Ministry | Twelve Inch Singles(1981-1984) | 198x | LP | Wax Trax/TVT | 7035 |
| Twitch | 1986 | LP | Warner Brothers | 25309 | |
| The Land Of Rape And Honey | 1988 | LP | Warner Brothers | 25799 | |
| The Mind Is A Terrible Thing To Taste | 1989 | LP | Warner Brothers | 26004 | |
| In Case You Didn't Feel Like Showing Up (LIVE) | 1990 | LP | Warner Brothers | 26266 | |
| KEIANH | 1992 | LP | Warner Brothers | 26727 | |
| Filth Pig | 1995 | LP | Warner Brothers | 45838 | |
| Dark Side Of The Spoon | 1999 | LP | Warner Brothers | 47311 | |
| Moby | Animal Rights | 1996 | LP | Mute | 150 |
| Honey | 1998 | Single | Mute | 218 | |
| Play | 1999 | LP | BMG | 27049 | |
| Mogwai | EP + 2 | 1999 | LP | Matador | 4122 |
| Rock Action | 2001 | LP | Matador | 490-2 | |
| Moist | silver | 1994 | LP | emi | 29608 |
| My life with the thrill kill kult | confessions of a knife... | 1990 | LP | tvt/wax trax! | 7089 |
| Mother Love Bone | Mother Love Bone | 1992 | 2XLP | Mercury | 12884 |
| Muslimgauze | Maroon | 1995 | LP | Soleilmoon | 84 |
| Neil Young | Live Rust | 1978 | LP | Reprise | 2296 |
| Mirrorball | 1995 | LP | Reprise | 45934 | |
| Nine Inch Nails | Purest Feeling | 1988 | CDR | n/a | n/a |
| Down In It | 1989 | Single | TVT | 2611 | |
| Pretty Hate Machine | 1989 | LP | TVT | 2610 | |
| By Bizarre Hands | 1990 | CDR | n/a | n/a | |
| Head Like A Hole | 1990 | Single | Island Records | 484 | |
| Head Like A Hole | 1990 | EP | TVT | 2615 | |
| Sin | 1990 | Single | TVT | 2617 | |
| Broken | 1992 | EP | Interscope | 92213 | |
| Fixed | 1992 | EP | Interscope | 96093 | |
| Demo's and Remixes | 1992 | CDR | n/a | n/a | |
| The Broken Movie/Multimedia Disc | 1999 | CDR | n/a | n/a | |
| Broken Rarities | 1999 | CDR | n/a | n/a | |
| March Of The Pigs | 1994 | Single | Interscope | 95938 | |
| The Downward Spiral | 1994 | EP | Interscope | 92346 | |
| Closer To God | 1994 | EP | Interscope | 95905 | |
| Closer | 1994 | 2XEP | Interscope | 854059/061 | |
| Disturbed | 1994 | CDR | n/a | n/a | |
| Further Down The Spiral | 1995 | LP | Interscope | 95811 | |
| Crossed Nails | 1995 | CDR | n/a | n/a | |
| Blue Lies | 1995 | CDR | n/a | n/a | |
| Children Of The Night | 1995 | CDR | n/a | n/a | |
| Further Down The Spiral | 1995 | LP | Interscope | 524 125 | |
| Quake Soundtrack | 1996 | CDR | n/a | n/a | |
| The Perfect Drug Versions | 1997 | EP | Interscope | 95007 | |
| The Perfect Drug(Complete) | 1997 | CDR | n/a | n/a | |
| Videos (89-98) | 1998 | CDR | n/a | n/a | |
| Related Side Projects Vol. 1 | 1999 | CDR | n/a | n/a | |
| The Day The World Went Away | 1999 | Single | Interscope | 97026 | |
| The Fragile | 1999 | 2XLP | Universal | 0694904732 | |
| still | 2002 | LP | Universal | 0694931842 | |
| Nirvana | 100889 | 1989 | CDR | n/a | n/a |
| Bleach | 1989 | LP | Sub Pop | 34 | |
| 082591 | 1991 | CDR | n/a | n/a | |
| 101491 | 1991 | CDR | n/a | n/a | |
| Smells Like Teen Spirit | 1991 | Single | Geffen | 21673 | |
| Nevermind | 1991 | LP | Geffen | 24425 | |
| Lithium | 1992 | Single | Geffen | 21815 | |
| Incesticide | 1992 | LP | Geffen | 24504 | |
| In Utero | 1993 | LP | Geffen | 24601 | |
| Heart Shaped Box | 1993 | Single | Geffen | 21849 | |
| Unplugged In New York | 1994 | LP | Geffen | 24727 | |
| Roma | 1994 | CDR | n/a | n/a | |
| The Bleeding Years | ???? | Boot Dub | -- | -- | |
| Nitzer Ebb | Showtime | 1990 | LP | Geffen | 24284 |
| Ebbhead | 1991 | LP | Geffen | 24456 | |
| Godhead | 1992 | EP | geffen | 21705 | |
| not breathing | sangre azul | 1996 | lp | invisible | 77 |
| option 30 | Option 30 | 1983 | cdr | n/a | n/a |
| our lady peace | naveed | 1994 | lp | columbia | 80191 |
| Clumsy | 1997 | lp | columbia | 80242 | |
| happiness is not a fish that you can catch | 1999 | lp | columbia | 63707 | |
| pearl jam | 011090 | 1990 | cdr | n/a | n/a |
| Ten | 1991 | LP | epic | 47857 | |
| Vitalogy | 1994 | LP | epic | ? | |
| No Code | 1996 | LP | epic | 67500 | |
| Merkinball | 1995 | EP | Epic/Sony | 78199 | |
| Yield | 1998 | LP | Epic/Sony | 68164 | |
| Peter Gabriel | Peter Gabriel | 1977 | LP | Atlantic | 36147 |
| Peter Gabriel | 1980 | LP | Charisma | 1-225 | |
| Security | 1982 | LP | Geffen | 2011 | |
| So | 1986 | LP | Geffen | 24088 | |
| Passion | 1989 | LP | Geffen | 24206 | |
| Us | 1992 | LP | Geffen | 24473 | |
| the story of ovo | 2000 | LP | real world | 9 | |
| Philip Glass | Koyaanisqatsi | 1983 | LP | Warner | 79506 |
| Phil Western | The Escapist | 1998 | LP | Map | 204 |
| Pigface | Truth Will Out | 1993 | LP | Invisible | 26 |
| Pink Floyd | Relics | 1971 | LP | EMI | 35603 |
| Meddle | 1971 | LP | SMAS | 832 | |
| re-actor | 1971 | LP | -- | -- | |
| time | 1972 | LP | gdr | 4 | |
| The Dark Side Of The Moon | 1973 | LP | Harvest | 46001 | |
| Wish You Were Here | 1975 | LP | Columbia | 33453 | |
| Animals | 1977 | LP | Columbia | 34474 | |
| A Collection Of Great Dance Hits | 1981 | LP | Columbia | 37680 | |
| The Final Cut | 1983 | LP | Columbia | 38243 | |
| A Momentary Lapse Of Reason | 1987 | LP | Columbia | 40599 | |
| Prick | Prick | 1995 | LP | Interscope | 92395 |
| Prodigy | The Fat Of The Land | 1997 | LP | XL Recordings | 121 |
| PTP | Rubber Glove Seduction | 1989 | LP | Wax Trax!/TVT | 8715 |
| Puff Daddy & The Family | Victory(Remixes) | 1998 | LP | BMG | 79164 |
| Pyotr Il'yich Tchaikovsky | Nutcracker Suite (For guitar) | 1990 | LP | Sugo | 8501 |
| Nutcracker | 1991 | LP | Naxos | 8.550515 | |
| Queen | Sheer Heart Attack | 1974 | LP | Hollywood | 61036 |
| Queensryche | Promised Land | 1994 | LP | emi | 30711 |
| Radiohead | Pablo Honey | 1993 | LP | EMI | 81409 |
| The Bends | 1995 | LP | EMI | 29626 | |
| Live from the 10 Spot | 1997 | CDR | n/a | n/a | |
| OK Computer | 1997 | LP | EMI | 55229 | |
| Karma Police | 1997 | Single | EMI | 84162 | |
| Kid A | 2000 | LP | EMI | 27753 | |
| Amnesiac | 2001 | LP | EMI | 32764 | |
| Ramones | Mondo Bizarro | 1992 | LP | Radioactive | 10615 |
| Substitute | 1993 | PROMO | Radioactive | 2896 | |
| Re: | mnant | 2001 | LP | Constellation | 15 |
| Red Hot Chili Peppers | What Hits? | 1992 | LP | EMI | 94762 |
| The Best of | 1994 | LP | EMI | 19706 | |
| One Hot Minute | 1995 | LP | EMI | 57334 | |
| Californication | 1999 | LP | Warner Bros. | 47386 | |
| REM | Murmur | 1983 | LP | IRS | 70604 |
| Reconstruction of the fables | 1985 | LP | IRS | 5592 | |
| Life's Rich Pageant | 1986 | LP | IRs | 5783 | |
| Green | 1988 | LP | Warner Bros. | 25795 | |
| Epononymous | 1988 | LP | IRS | 6262 | |
| Out Of Time | 1991 | LP | wb | 64964 | |
| Automatic For The People | 1992 | LP | Warner Bros. | 45055 | |
| Monster | 1994 | LP | Warner Bros. | 45750 | |
| bang and blame | 1994 | ep | Warner Bros. | 41857 | |
| New Adventures In HiFi | 1996 | LP | Warner Bros. | 63204 | |
| E-Bow The Letter | 1996 | EP | Warner Bros. | 43765 | |
| Daysleeper | 1998 | Single | Warner Bros. | 17129 | |
| Up | 1998 | LP | Warner Bros. | 47112 | |
| Revolting Cocks | Beers, Steers + Queers | 1990 | LP | Wax Trax/TVT | 7063 |
| Beers, Steers + Queers | 1990 | EP | Wax Trax/TVT | 8649 | |
| Ric Ocasek | Troublizing | 1997 | LP | Columbia | 67962 |
| Ritalin | Bedside Toxicology | 1998 | LP | invisible | 91 |
| Robert Fripp | And The League Of Crafty Guitarists Live! | 1986 | LP | EG | 43 |
| Rocket From The Crypt | All Systems Go 2 | 1999 | LP | swaami | 2001 |
| Ryuichi Sakamoto | Cinemage | 1999 | LP | Sony Classical | 60780 |
| Back To The Basics | 1999 | LP | Sony Classical | 89079 | |
| Sackville | The Principles of Science | 1999 | LP | Constellation | 007 |
| Scott Weiland | 12 Bar Blues | 1998 | LP | atlantic | 83084 |
| sergei rachmaninov | piano concertos no. 2 & 3 | 1984 | LP | BMG | 242112 |
| severed heads | hot with fleas | 1987 | LP | Nettwerk | 3011 |
| rotund for success | 1989 | lp | nettwerk | 30035 | |
| shalabi effect | shalabi effect | 2000 | lp | alien8 | 22 |
| Shudder To Think | First Love, Last Rites | 1998 | LP | Sony | 69029 |
| Silverchair | Frogstomp | 1995 | LP | murmur | 91054 |
| Sister Machine Gun | Sins Of The Flesh | 1992 | LP | Wax Trax!/TVT | 7187 |
| Burn | 1995 | LP | Wax Trax!/TVT | 7229 | |
| Metropolis | 1997 | LP | Wax Trax!/TVT | 7244 | |
| [R]evolution | 1999 | LP | Positron | 3 | |
| Skinny Puppy | remission | 1984 | LP | Nettwerk | 30082 |
| bites | 1985 | LP | Nettwerk | 30002 | |
| fractal zoom | 1986 | CDR | n/a | n/a | |
| live in horst | 1986 | CDR | n/a | n/a | |
| addiction | 1987 | Single | Nettwerk | 3010 | |
| cleanse, fold & manipulate | 1987 | LP | Nettwerk | 30011 | |
| VIVIsectVI | 1988 | LP | Nettwerk | 30021 | |
| testure | 1989 | Single | Nettwerk | 33052 | |
| rabies | 1989 | LP | Nettwerk | 93007 | |
| worlock | 1990 | Single | Nettwerk | 3071 | |
| 12 inch anthology | 1990 | LP | Nettwerk | 30041 | |
| tormentor | 1990 | Single | Nettwerk | 33072 | |
| too dark park | 1990 | LP | Nettwerk | 30068 | |
| ain't it dead yet? | 1991 | LP | Nettwerk | 30061 | |
| last rights | 1992 | LP | Nettwerk | 30072 | |
| inquisition | 1992 | Single | Nettwerk | 33066 | |
| Rabies (American Remaster) | 1993 | LP | Capitol | 93007 | |
| brap | 1996 | 2XLP | Nettwerk/Subconscious | 30103/4 | |
| the process | 1996 | LP | American/Subconscious | 43057/6 | |
| The Process Demoes And Outtakes | 1996 | LP | n/a | n/a | |
| remix dystemper | 1998 | LP | Nettwerk | 30128 | |
| Skold | Skold | 1998 | LP | BMG | 66579 |
| Sofa | New Era Building | 1996 | EP | Constellation | 1 |
| Grey | 1997 | LP | Constellation | 2 | |
| Sonic Youth | Confusion Is Sex/Kill Yr. Idols | 1983 | LP | Geffen | 24511 |
| EVOL | 1986 | LP | Geffen | 24513 | |
| Sister | 1987 | LP | Geffen | 24514 | |
| Daydream Nation | 1988 | LP | Geffen | 24515 | |
| Goo | 1990 | LP | Geffen | 24297 | |
| Dirty | 1992 | LP | Geffen | 24485 | |
| Washing Machine | 1995 | LP | Geffen | 24825 | |
| Musicales Perspectives | 1997 | EP | SYR | 1 | |
| Muzikale Vergezichten | 1997 | EP | SYR | 2 | |
| Muzikaj Perspektivoj | 1997 | EP | SYR | 3 | |
| Silver Sessions (For Jason Knuth) | 1998 | EP | SKR | 1 | |
| NYC Ghosts and Flowers | 2000 | LP | Universal/Geffen | 069490650 | |
| murray street | 2002 | LP | Universal/Geffen | 069493319 | |
| Soundgarden | Flower | 1989 | Single | SST | 231 |
| Louder Than Love | 1989 | LP | A&M | 5252 | |
| Big Dumb Sex | 1990 | CDR | n/a | n/a | |
| Badmotorfinger/SOMMS | 1991 | 2XLP | A&M | 5401 | |
| Superunknown | 1994 | LP | A&M | 0198 | |
| Spoonman | 1994 | Promo | A&M | 535 | |
| Songs From The Superunknown | 1995 | EP | A&M | 1255 | |
| Down On The Upside | 1996 | LP | A&M | 0526 | |
| Live In Austin Texas | 1996 | LP | n/a | n/a | |
| South Pacific | Constance | 1999 | LP | Turnbuckle | 019 |
| SPK | Breathless 12" | 1987 | Promo | Nettwerk | 342 |
| Sponge | Rotting Pinata | 1994 | LP | columbia | 57800 |
| Wax Ecstatic | 1996 | LP | columbia | 67578 | |
| New Pop Sunday | 1999 | LP | BMG | 78038 | |
| Squarepusher | Big Loada | 1996 | LP | Interscope | 90257 |
| Music is Rotted One Note | 1998 | LP | Interscope | 90294 | |
| Stabbing Westward | Early Demoes | 1990 | EP | n/a | n/a |
| Ungod | 1994 | LP | Columbia | 53614 | |
| Wither, Blister, Burn + Peel | 1996 | LP | Columbia | 66152 | |
| Darkest Days | 1998 | LP | Columbia | 68006 | |
| Steve Reich | Reich Remixed (V/A) | 1999 | LP | Nonesuch | 79481-2 |
| Bang On A Can | 2000 | LP | Nonesuch | 79481-2 | |
| Stevie Ray Vaughn | Texas Flood | 1983 | LP | Columbia | 38734 |
| Couldn't Stand The Weather | 1984 | LP | Columbia | 39304 | |
| Soul To Soul | 1985 | LP | Columbia | 40036 | |
| In Step | 1989 | LP | Columbia | 45024 | |
| The Sky Is Crying | 1991 | LP | Columbia | 47390 | |
| Stone Temple Pilots | Core | 1992 | LP | Atlantic | 24184 |
| Purple | 1994 | LP | Atlantic | 82607 | |
| Stoned Poets | present... | 1994 | LP | self released | n/a |
| Sunny Day Real Estate | Sunny Day Real Estate | 1995 | LP | Sub Pop | 316 |
| Radio Sampler | 1998 | EP | Sub Pop | n/a | |
| Swans | Omniscience | 1992 | LP | Young God Records | 5160 |
| soundtracks for the blind | 1996 | 2XLP | Young God Records | 01 | |
| Sweet 75 | Sweet 75 | 1997 | LP | Geffen | 25140 |
| Talkshow | Talkshow | 1997 | LP | Atlantic | 83040 |
| Tangerine Dream | optical race | 1988 | LP | private | 82042 |
| Turn Of The Tides | 1994 | LP | Miramax/BMG | 2806 | |
| Tarantel | Looking For Things, Searching For Things | 2000 | LP | Resonant | 2 |
| Tears For Fears | Songs From The Big Chair | 1984 | LP | vertigo | 3353 |
| Temple Of The Dog | Temple Of The Dog | 1991 | LP | A&M | 5350 |
| The Beatles | Revolver | 1966 | LP | EMI | 46441 |
| Magical Mystery Tour | 1967 | LP | EMI | 48062 | |
| The Beatles | 1968 | 2XLP | EMI | 46443 | |
| Abbey Road | 1969 | LP | EMI | 46446 | |
| Let It Be | 1970 | LP | EMI | 46447 | |
| The Black Heart Procession | 2 | 1999 | LP | Touch And Go | 194 |
| The Clash | On Broadway-3 | 1991 | LP | Sony/Epic | 46991 |
| The Dave Brubeck Quartet | Time Out | 1959 | LP | columbia | 65122 |
| The Innocent | Livin' In The Street | 1985 | CDR | n/a | n/a |
| The Jon Spencer Blues Explosion | Orange | 1994 | LP | Matador | 105 |
| Talk About The Blues | 1998 | EP | Mute | 226 | |
| The KLF | Doctorin' The Tardis | 1991 | EP | TVT | 4025 |
| The White Room | 1991 | LP | BMG | 8657 | |
| The Offspring | Ignition | 1992 | LP | epitaph | 86424 |
| Smash | 1994 | LP | epitaph | ??? | |
| Ixnay On The Hombre | 1997 | LP | columbia | 67810 | |
| The Year That Punk Broke | 1994 | CDR | n/a | n/a | |
| The Reverend Horton Heat | Liquor in the front, poker in the back | 1994 | LP | sub pop/interscope | 92364 |
| The Sea And Cake | Oui | 2000 | LP | thrill jockey | 086 |
| The Smashing Pumpkins | 100588 | 1988 | CDR | n/a | n/a |
| 89 Demoes | 1989 | CDR | n/a | n/a | |
| 890316 | 1989 | CDR | n/a | n/a | |
| 061690 | 1990 | CDR | n/a | n/a | |
| Gish | 1991 | LP | Virgin | 86754 | |
| Lull | 1991 | EP | Virgin | 1465 | |
| 020991 | 1991 | CDR | n/a | n/a | |
| 021291 | 1991 | CDR | n/a | n/a | |
| Peel Sessions | 1992 | EP | Hut | 17 | |
| I Am One | 1992 | Single | Hut | 18 | |
| Cherub Rock | 1993 | Single | Hut | 31 | |
| Siamese Dream | 1993 | LP | Virgin | 88267 | |
| Today | 1993 | Single | Hut | 37 | |
| Mashed Potatoes? | 1993 | CDR | n/a | n/a | |
| Disarm | 1994 | Single | Hut | 43 | |
| Pisces Iscariot | 1994 | LP | Virgin | 39834 | |
| Earphoria | 1994 | CDR | n/a | n/a | |
| Double Door | 1995 | 2XCDR | n/a | n/a | |
| Sequence 4 | 1995 | CDR | n/a | n/a | |
| 666 | 1995 | CDR | n/a | n/a | |
| 95 Demo's | 1995 | CDR | n/a | n/a | |
| The World Is A Vampire | 1995 | CDR | n/a | n/a | |
| Mellon Collie and the Infinite Sadness | 1995 | 2XLP | Virgin | 40864 | |
| Bullet With Butterfly Wings | 1996 | EP | Virgin | 38565 | |
| 1979 | 1996 | EP | Virgin | 38566 | |
| Mellow Jolly and the Infinite Madness | 1996 | CDR | n/a | n/a | |
| Tonight, Tonight | 1996 | EP | Virgin | 38567 | |
| 33 | 1996 | EP | Virgin | 38568 | |
| Zero | 1996 | EP | Virgin | 38573 | |
| The Aeroplane Flies High (Condensed) | 1996 | CDR | n/a | n/a | |
| 1979 Mixes | 1996 | EP | Virgin | 93470 | |
| The End Is The Beginning Is The End Remixes | 1997 | CDR | n/a | n/a | |
| The End Is The Beginning Is The End Fluke Remixes | 1997 | EP | Warner Bros | 3021 | |
| Children Of Gotham | 1997 | CDR | n/a | n/a | |
| Viper Room Sessions | 1998 | CDR | n/a | n/a | |
| Ava Adore | 1998 | Single | Virgin | 38647 | |
| Adore | 1998 | LP | Virgin | 45879 | |
| 051998 | 1998 | 2XCDR | n/a | n/a | |
| Intimate And Interactve | 1998 | CDR | n/a | n/a | |
| 103198 | 1998 | CDR | n/a | n/a | |
| Perfect | 1998 | Single | Virgin | 95360 | |
| Perfect | 1998 | EP | Virgin | 38650 | |
| 041999 | 1999 | 2XCDR | n/a | n/a | |
| 042399 | 1999 | CDR | n/a | n/a | |
| Vinyl | 1999 | CDR | n/a | n/a | |
| Still Becoming Apart | 2000 | EP | Virgin | 49021 | |
| Machina/The Machines Of God | 2000 | LP | Virgin | 48936 | |
| MachinaII/Friends & Enemies Of Modern Music | 2000 | CDR | n/a | n/a | |
| The Tea Party | The Tea Party | 1991 | CDR | n/a | n/a |
| Splendor Solis | 1994 | LP | emi | 89419 | |
| The Edges Of Twilight | 1995 | LP | EMI | 32350 | |
| Alhambra | 1996 | EP | EMI | 37240 | |
| Transmission | 1997 | LP | EMI | 55308 | |
| TRIPtych | 1999 | LP | EMI | 96545 | |
| the tear garden | tired eyes slowly burning | 1987 | LP | Nettwerk | 30019 |
| the last man to fly | 1993 | LP | Nettwerk | 30107 | |
| to be an angel blind, the crippled soul divide | 1996 | LP | Nettwerk/Subconscious | 30074/7 | |
| The Who | Meaty Beaty Big And Bouncy | 1971 | LP | MCA | 37001 |
| Who's Next? | 1971 | LP | MCA | 37217 | |
| Quadrophenia | 1973 | 2XLP | MCA | 6895 | |
| throbbing gristle | 092977 | 1977 | cdr | -- | -- |
| 020881 | 1981 | cdr | -- | -- | |
| Tool | Undertow | 1993 | LP | Zoo | 11052 |
| Aenima | 1996 | LP | Zoo | 31087 | |
| Lateralus | 2001 | LP | volcano | 33017 | |
| tori amos | little earthquakes | 1991 | LP | wea | 82358 |
| under the pink | 1994 | LP | atlantic/wea | 82567 | |
| Tortoise | Millions now living will never die | 1996 | LP | Thrill Jockey | 25 |
| tnt | 1998 | LP | thrill jockey | 50 | |
| Derrick Carter Remixes | 1998 | LP | City Slang | 3353 | |
| Tortoise & The Ex (Tortex) | 1999 | LP | Konkurrent/fish | 5 | |
| Standards | 2001 | LP | thrill jockey | 89 | |
| U2 | Boy | 1980 | LP | Island | 8709 |
| War | 1983 | LP | Island | 112 | |
| Under A Blood Red Sky | 1983 | EP | Island | 113 | |
| The Joshua Tree | 1987 | LP | Island | 1127 | |
| Mysterious Ways | 1991 | Single | Island | 189 | |
| Achtung Baby | 1991 | LP | Island | 10347 | |
| The Fly | 1991 | Single | Island | .. | |
| Even Better Than The Real Thing | 1992 | Single | Island | .. | |
| Zooropa | 1993 | LP | Island | 18047 | |
| Pop | 1997 | LP | Island | 24334 | |
| Last Night On Earth | 1997 | Single | Island | .. | |
| Please | 1997 | Single | Island | 72129 | |
| The Best Of 1980-1990 | 1998 | 2XLP | Island | 24612 | |
| Various | The Tyranny Of The Beat - Original Soundtracks From The Grey Area | 1991 | LP | Mute | 61237 |
| In Defense Of Animals | 1993 | LP | Restless | 72747 | |
| Escape From L.A. | 1996 | LP | Atlantic | 92714 | |
| Lost Highway | 1996 | LP | Interscope | 90090 | |
| Ransom | 1996 | LP | Hollywood | 62086 | |
| Sweet Relief II | 1996 | LP | Columbia | 67573 | |
| Idiots Guide To Jazz | 1997 | LP | BMG | 68502 | |
| Paradigm Shift | 1997 | LP | Nettwerk/Subconscious | 30110/12 | |
| Spawn | 1997 | LP | Sony | 68494 | |
| Foxtrot | 1998 | LP | Chalice | 1 | |
| Hymns Of The Warlock (Sic) | 1998 | LP | n/a | n/a | |
| Nothing Changes | 1998 | LP | Interscope | 5450 | |
| Songs Of The Witchblade | 1998 | LP | Dreamworks | 50102 | |
| Stigmata | 1999 | LP | virgin | 47753 | |
| The Souls That Create | 1999 | CDR | n/a | n/a | |
| Wild Planet | 2000 | LP | nettwerk/subconscious | 30146/17 | |
| Singles | 1992 | LP | columbia | 52476 | |
| heat | 1995 | LP | wb | 46144 | |
| Voivod | The Lost Machine/Jack Luminous | 1993 | EP | MCA | 2668 |
| Weather Report | Heavy Weather | 1977 | LP | Columbia | 34418 |
| Weezer | III | 2001 | LP | Geffen | 0694930452 |
| White Zombie | Astro-Creep:2000 | 1995 | LP | Geffen | 24806 |
| Supersexy Swingin' Sounds | 1996 | LP | Geffen | 24976 | |
| Wellwater Conspiracy | Brotherhood of Electric: Operational Directive | 1999 | LP | BMG | 43523 |
| William Orbit | Pieces in a Modern Style | 2000 | LP | Wea | 3984289572 |
| William S. Burroughs And Kurt Cobain | The "Priest" They Called Him | 1992 | EP | Tim Kerr | 92 |
| Wiseblood | PTTM | 1991 | EP | Big Cat | 30 |
at
09:24
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